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Vue d'ensemble
Note Générale:
Réalisateur:
Scénaristes:
Art Buchwald (additional English dialogue)
Jacques Lagrange (writer)
suite
Date de sortie:
27 juin 1973 (USA) suite
Intrigue:
Monsieur Hulot has to contact an American official in Paris, but he gets lost in the maze of modern... suite | add synopsis
Récompenses:
1 win suite
Avis des utilisateurs:
Greatest film ever? plus de (48 total)
Ensemble
(Vue d'ensemble du casting, par ordre d'apparence) | Jacques Tati | ... | Monsieur Hulot |
| Barbara Dennek | ... | Young Tourist |
| Rita Maiden | ... | Mr. Schultz's Companion (as Rita Maïden) |
| France Rumilly | ... | Woman Selling Eyeglasses |
| France Delahalle | ... | Shopper in Department Store |
| Valérie Camille | ... | Mr. Lacs's Secretary |
| Erika Dentzler | ... | Mme. Giffard |
| Nicole Ray | ... | Singer |
| Yvette Ducreux | ... | Hat Check Girl |
| Nathalie Jem | ||
| Jacqueline Lecomte | ... | Young Tourist's Friend |
| Oliva Poli | ||
| Alice Field | ||
| Sophie Wennek | ||
| Evy Cavallaro |
Détails supplémentaires
Autre(s) titre(s):
Playtime (USA)
Tempo di divertimento (Italy)
suite
Parents Guide:
Durée:
France:155 min (with intermission and exit music) | 124 min (2002 restored version) | Sweden:115 min
Couleur:
Couleur (Eastmancolor)
Rapport de forme:
1,85 : 1 suite
Son:
4-Track Stereo (35 mm prints) | 70 mm 6-Track (70 mm prints) | DTS 70 mm (70 mm prints) (restored version) | Mono (35 mm prints)
Classification:
Singapore:PG | Portugal:M/12 | Australia:PG | Finland:S | France:U | Sweden:Btl | UK:U | West Germany:12 (nf) (w)
Lieux de tournage:
Société:
Curiosités
Anecdotes:
To cut production cost cardboard cut-outs were used as extras in the background. To give them life some human extras would interact with the cut-outs. suite
Connexions De Film:
Référencé sur Au-delà de 'Play Time' (2002) (V) suite
foire aux questions
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Liens liés
| Casting et équipe complète | Remerciements de la Société | Revues externes |
| IMDb Comedie section | IMDb France section | Add this title to MyMovies |
The only other movie I know that is as profound and beautiful and challenging as this is Tarkovsky's "Stalker." But "Playtime" may prove to be a better, more accessible example of what films can do. Tati so radically deconstructs space and depth within a film that it is almost unrecognisable: Spielberg doesn't have this level of craftsmanship, and not even Kubrick ever did. Virtually dialogue-free and spryly paced, "Playtime" works on nearly any possible level.
It can be seen as simply a superficial comedy, and as that, it succeeds because it is, well, very funny. (Modern technology is the golden cow that Tati playfully cuts down to size.) On the opposite end of the spectrum, however, is a work that stands the art of film on its head, commenting wryly on the nature of human beings, culminating to a party in a restaurant that gets completely out of hand. It's so beautiful.
Words really don't do justice to this movie. One last thing: The big screen is the ideal medium to see this film; that's true of every film, but this one more than most others. Unfortunately, I haven't had this privelege, and if you don't either, rent it anyway. It's too good to be missed.