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Tonite Let's All Make Love in London (1967)
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Vue d'ensemble
Note Générale:
Réalisateur:
Genre:
Intrigue:
Peter Whitehead's disjointed Swinging London documentary, subtitled "A Pop Concerto," comprises a number... suite | add synopsis
Avis des utilisateurs:
Swinging London in a nutshell plus de (9 total)
Ensemble
(Interprètes principaux) | Alan Aldridge | ... | Himself |
| Vashti Bunyan | ... | Herself |
| Eric Burdon | ... | Himself |
 | Michael Caine | ... | Himself |
 | Julie Christie | ... | Herself |
| Chris Farlowe | ... | Himself |
| Allen Ginsberg | ... | Himself |
| David Hockney | ... | Himself |
 | Mick Jagger | ... | Himself |
| Kenney Jones | ... | Himself (as The Small Faces) |
| Ace Kefford | ... | Himself |
| Ronnie Lane | ... | Himself (as The Small Faces) |
| Donyale Luna | ... | Herself |
| Steven Marriott | ... | Himself (as The Small Faces) |
 | Lee Marvin | ... | Guest |
| Ian McLagan | ... | Himself (as The Small Faces) |
| Edna O'Brien | ... | Herself |
| Andrew Loog Oldham | ... | Himself |
 | Vanessa Redgrave | ... | Herself |
| Andrew Rose | ... | Himself (as Twice As Much) |
| David Skinner | ... | Himself (as Twice As Much) |
Détails supplémentaires
Autre(s) titre(s):
London Is a Swinging City (International: English title)
The London Scene
Tonight Let's All Make Love in London (International: English title)
suite
Parents Guide:
Durée:
USA:70 min
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Langue:
Couleur:
Rapport de forme:
1,37 : 1 suite
Son:
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Curiosités
Connexions De Film:
figure dans Fire in the Water (1977) suite
Bande son:
Night Time Girl suite
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Discuter de ce film avec les autres utilisateurs sur Forum IMDb pour Tonite Let's All Make Love in London (1967)| Recent Posts (updated daily) | User |
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| Where to get it? | caliaa |
| Why is TLAMLIL little seen? | craigataylor |
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Encapsulated in 67 minutes of blown-up 16mm color film is Swinging London at its best! Everything is there: the music, the protests, the stars, the fashion, the artists. Presented in the style of the sixties, odd camera movements, psychedelic color effects and complicated montages of stock footage combined with new material. Organised in chapters, we see some interviews of then and sometimes still famous people talking about what is going on in their lives and in London particularly.
Sadly the color of the film faded into brownish red mostly, every trace of blue completely gone. It is obviously the work of someone new to the medium, because he does not hesitate to try out various effects, using the music to its best advantage.
I just saw the film yesterday at Vienna"s International Film Festival and Peter Whitehead was there and talked about it. Great guy!
P.S. I don't understand why so many reviewers write about Pink Floyd in this film. They are there but don't play an important role. Some reviewers definitely refer to a different film.