| Photos (see all 22 | slideshow) |
Réalisé par | |||
| John Boorman | |||
Scénaristes | ||
| Reuben Bercovitch | (story) | |
| Alexander Jacobs | (screenplay) and | |
| Eric Bercovici | (screenplay) | |
Produit par | |||
| Reuben Bercovitch | .... | producer | |
| Henry G. Saperstein | .... | executive producer | |
| Selig J. Seligman | .... | executive producer | |
Musique originale | |||
| Lalo Schifrin | |||
Image | |||
| Conrad L. Hall | (director of photography) (as Conrad Hall) | ||
Montage | |||
| Thomas Stanford | |||
Direction artistique | |||
| Anthony Pratt | (as Anthony D.G. Pratt) | ||
| Masao Yamazaki | |||
Décorateur de plateau | |||
| Makoto Kikuchi | |||
Maquillage | |||
| Shigeo Kobayashi | .... | makeup artist | |
Directeur de production | |||
| Lloyd Anderson | .... | production manager (as Lloyd E. Anderson) | |
| Harry F. Hogan | .... | production manager | |
| Isao Zeniya | .... | production manager | |
Assistant réalisateur | |||
| Yoichi Matsue | .... | assistant director | |
Art Department | |||
| Kesataka Sato | .... | property master | |
| Frank Wade | .... | property master (as Frank A. Wade) | |
Technicien du son | |||
| Clem Portman | .... | re-recording supervisor | |
| Toru Sakata | .... | sound recordist (as Tooru Sakata) | |
| Gordon Sawyer | .... | recording supervisor (as Gordon E. Sawyer) | |
| Frank E. Warner | .... | sound effects | |
| Bert Hallberg | .... | location sound engineer (uncredited) | |
Effets spéciaux | |||
| Kunishige Tanaka | .... | special effects | |
| Joe Zomar | .... | special effects | |
Camera and Electrical Department | |||
| Arthur Brooker | .... | key grip | |
| Earl L. Clark | .... | assistant camera | |
| Jordan Cronenweth | .... | camera operator | |
| Harry Sundby | .... | lighting technician | |
| Michael A. Jones | .... | best boy (uncredited) | |
| Michael A. Jones | .... | rigging gaffer (uncredited) | |
Editorial Department | |||
| Neil Travis | .... | assistant editor | |
Music Department | |||
| Jim Henrikson | .... | music editor (as James Henrikson) | |
Divers | |||
| Masaaki Asukai | .... | technical advisor | |
| John Franco | .... | script supervisor | |
| Bert Hallberg | .... | communications | |
| Henry G. Saperstein | .... | presenter | |
| B.C. Wylie | .... | production assistant Wylie) (as B.C. (Doc) | |
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| Flat Top | Pearl Harbor | Tora! Tora! Tora! | Apocalypse Now | Heaven Knows, Mr. Allison |
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| Full cast and crew | Company credits | External reviews |
| IMDb Drame section | IMDb USA section | Add this title to MyMovies |
A Japanese naval officer and an American pilot find themselves stranded alone on a desert island during WWII. How would you react to being marooned with a dangerous enemy? This film is an obscure treasure that should be better known. I suspect that people are put off by the cheesy and unsuitable title. The film explores the evolving relationship of two men from different cultures as they each struggle to find the best way to survive. Their collective fate is an exploration of the human condition.
One outstanding feature of this film is that it is in both Japanese and English, intentionally without sub-titles. An American or Japanese audience could watch this film and appreciate its message. This duality serves to heighten the cultural differences between the two men, and it is cultural bias that is the true enemy.
Buy it, it's a keeper!