IMDb RATING
7.0/10
3.5K
YOUR RATING
In Macao, a wealthy merchant named Charles Clay hires two people to recreate a story of a sailor who is paid to impregnate a man's wife.In Macao, a wealthy merchant named Charles Clay hires two people to recreate a story of a sailor who is paid to impregnate a man's wife.In Macao, a wealthy merchant named Charles Clay hires two people to recreate a story of a sailor who is paid to impregnate a man's wife.
- Awards
- 1 nomination
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaThe interior scenes of this movie were filmed at the home of Orson Welles outside Madrid, Spain.
- GoofsSome of the Chinese signs are upside down or backwards.
- Quotes
Elishama Levinsky: [holding shell to ear] I have heard it before... long ago... but where?
- Alternate versionsFrench-language version runs 51 minutes.
- ConnectionsFeatured in Arena: The Orson Welles Story: Part 1 (1982)
- SoundtracksGymnopedie No. 1
(piano pieces)
Written by Erik Satie
Performed by Aldo Ciccolini with permission of Pathé Marconi
Featured review
one of Welles' greatest and, unfortunately, most obscure films
Admittedly, many of the films that I give a rating of a ten out of ten to on this website are not necessarily deserving of such an honor, and I do abuse such a privilege because I can always find something wrong with even my favorite films (with a couple of exceptions). However, "The Immortal Story" is among the few films that I have seen that seems to have absolutely nothing wrong with it. Orson Welles crafted this masterpiece, shot for shot, in a way that flows with an almost poetic rhythm. Swimming through the dark shores of "The Immortal Story" is a disturbing, twisted, engaging, sad, entertaining, and unique experience.
Based on a work by Karen Blixen (the woman behind the novel "Out of Africa" as well as the novella that inspired one of my favorite movies, "Babette's Feast") this is a strange story of awkward and borderline surreal events when an elderly and powerful trader played by Welles himself declares his preference to facts over fiction, and requests to recreate a tale he hears so it could have truly occurred. The results are quite unconventional and inexplicably melancholic. By the end, I nearly shook with a strange feeling of sadness; this movie isn't explicitly depressing, but the subtlety only makes it more gloomy and affecting to the (at least REMOTELY) sensitive viewer. Welles' own narration adds another cryptic layer to the tale, as each and every performance across the board is practically perfect in tone and slight awkwardness. It is a small scale project that has a limited cast and clocks in at only about fifty eight minutes and yet it surpasses a majority of today's huge, two and a half hour long blockbusters. This is an elegant portrait of eccentricity and philosophy, a film about a heavy (in both weight and mind) old man with a slightly deranged way of thinking, and this man is portrayed with all the mumbling might one could expect from one of cinema's main masters, the great Orson Welles!
The music accompanies the film perfectly as the tone of Erik Satie's great piano pieces is calm, but slightly sad, which is exactly what I would describe the film surrounding it as. This is not a ridiculous, over the top melodrama, but rather a slow, Bergmanesque tale of bizarre tragedy. Mind blowingly perfect in every way, "The Immortal Story" is a stream that runs with pure delight, but not in the conventional sense for the delight here is made up of moments that will likely depress and destroy, but also provoke.
Based on a work by Karen Blixen (the woman behind the novel "Out of Africa" as well as the novella that inspired one of my favorite movies, "Babette's Feast") this is a strange story of awkward and borderline surreal events when an elderly and powerful trader played by Welles himself declares his preference to facts over fiction, and requests to recreate a tale he hears so it could have truly occurred. The results are quite unconventional and inexplicably melancholic. By the end, I nearly shook with a strange feeling of sadness; this movie isn't explicitly depressing, but the subtlety only makes it more gloomy and affecting to the (at least REMOTELY) sensitive viewer. Welles' own narration adds another cryptic layer to the tale, as each and every performance across the board is practically perfect in tone and slight awkwardness. It is a small scale project that has a limited cast and clocks in at only about fifty eight minutes and yet it surpasses a majority of today's huge, two and a half hour long blockbusters. This is an elegant portrait of eccentricity and philosophy, a film about a heavy (in both weight and mind) old man with a slightly deranged way of thinking, and this man is portrayed with all the mumbling might one could expect from one of cinema's main masters, the great Orson Welles!
The music accompanies the film perfectly as the tone of Erik Satie's great piano pieces is calm, but slightly sad, which is exactly what I would describe the film surrounding it as. This is not a ridiculous, over the top melodrama, but rather a slow, Bergmanesque tale of bizarre tragedy. Mind blowingly perfect in every way, "The Immortal Story" is a stream that runs with pure delight, but not in the conventional sense for the delight here is made up of moments that will likely depress and destroy, but also provoke.
helpful•101
- framptonhollis
- Jun 26, 2017
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