IMDb > Night of the Living Dead (1968)
Night of the Living Dead
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Night of the Living Dead (1968) Plus avec IMDbPro »

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Night of the Living Dead (1968) -- People hide in a house from carnivorous walking corpses revived by radiation fallout.
Night of the Living Dead (1968) -- Trailer for this classic horror film
Night of the Living Dead (1968) -- Clip: Zombies approach burning truck
Night of the Living Dead (1968) -- A group of people hide from bloodthirsty zombies in a farmhouse.
Night of the Living Dead (1968) -- Internet Archive - entire film

Vue d'ensemble

Note Générale:
8,0/10   35 353 votes
MOVIEmeter: ?
Up 382% in popularity this week. See why on IMDbPro.
Réalisateur:
George A. Romero
Scénaristes:
John A. Russo (screenplay) and
George A. Romero (screenplay)
Contact:
View company contact information for Night of the Living Dead on IMDbPro.
Date de sortie:
1 octobre 1968 (USA) suite
Genre:
Horreur | Mystère | Science-Fiction | Thriller suite
Accroche:
They keep coming back in a bloodthirsty lust for HUMAN FLESH!... suite
Intrigue:
A group of people hide from bloodthirsty zombies in a farmhouse. full summary | add synopsis
Plot Keywords:
suite
Récompenses:
1 win suite
Avis des utilisateurs:
The film that redefined the horror genre overnight plus de (498 total)

Ensemble

  (dans l'ordre des crédits) (Vérifié comme complet)
Duane Jones ... Ben
Judith O'Dea ... Barbra
Karl Hardman ... Harry Cooper
Marilyn Eastman ... Helen Cooper / Bug-eating zombie
Keith Wayne ... Tom
Judith Ridley ... Judy
Kyra Schon ... Karen Cooper
Charles Craig ... Newscaster / Zombie
S. William Hinzman ... Cemetery Zombie (original and new scenes) (as Bill Heinzman)
George Kosana ... Sheriff McClelland
Frank Doak ... Scientist
Bill 'Chilly Billy' Cardille ... Field reporter

A.C. McDonald ... Zombie / Posse Member
Samuel R. Solito ... Zombie / Posse Member
Mark Ricci ... Washington scientist
Lee Hartman ... Zombie / News reporter
Jack Givens ... Zombie
Rudy Ricci ... Zombie (as R.J. Ricci)
Paula Richards ... Zombie
John Simpson ... Zombie
Herbert Summer ... Zombie
Richard Ricci ... Zombie
William Burchinal ... Zombie
Ross Harris ... Zombie
Al Croft ... Zombie
Jason Richards ... Zombie
Sharon Carroll ... Zombie
William Mogush ... Zombie
Steve Hutsko ... Zombie / TV cameraman Steve
Joann Michaels ... Zombie
Phillip Smith ... Zombie / Posse Member
Ella Mae Smith ... Zombie
Randy Burr ... Zombie / Posse Member
Scott Vladimir Licina ... Rev. Hicks (30th Anniversary 1999 scenes)
Grant Cramer ... Dan (30th Anniversary 1999 scenes) (as Grant Kramer)
Adam Knox ... Mike (30th Anniversary 1999 scenes)

Debbie Rochon ... Darlene Davis (30th Anniversary 1999 scenes)
Heidi Hinzman ... Rosie (30th Anniversary 1999 scenes)
Scott Kerschbaumer ... Prison Guard (30th Anniversary 1999 scenes)
George Drennen ... Arthur Krantz (30th Anniversary 1999 scenes)
Julie Wallace Deklavon ... Hilda Krantz (30th Anniversary 1999 scenes) (as Julie Wallace)
Dan Abraham ... Garage Mechanic (30th Anniversary 1999 scenes)
Diana Michelucci ... Mother, car crash victim (30th Anniversary 1999 scenes)
Dawn Michelucci ... Daughter #1, car crash victim (30th Anniversary 1999 scenes)
Jessica Streiner ... Daughter #2, car crash victim (30th Anniversary 1999 scenes)
reste de la distribution par ordre alphabétique:

Tommy Goodwin ... Zombie (30th Anniversary 1999 scenes)
David Barber ... Posse Member (30th Anniversary 1999 scenes) (uncredited)
Betty Ellen ... Zombie (30th Anniversary 1999 scenes) (uncredited)
Roger McGovern ... Zombie (30th Anniversary 1999 scenes) (uncredited)
Tony Pantanella ... Posse Gunman (uncredited)

George A. Romero ... Washington reporter (uncredited)
John A. Russo ... Washington military reporter (uncredited)
Russell Streiner ... Johnny (uncredited)
Vincent D. Survinski ... Vince, Posse gunman (uncredited)
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Réalisé par
George A. Romero 
 
Scénaristes
John A. Russo (screenplay) (as John Russo) and
George A. Romero (screenplay) (as George Romero)

Produit par
Karl Hardman .... producer
Russell Streiner .... producer (as Russell W. Streiner)
 
Musique originale
Scott Vladimir Licina (1998)
 
Image
George A. Romero (uncredited)
 
Montage
George A. Romero (uncredited)
John A. Russo (uncredited)
 
Maquillage
Bruce Capristo .... hair stylist
Karl Hardman .... makeup artist (uncredited)
 
Directeur de production
George Kosana .... production manager
Vincent D. Survinski .... production director (as Vincent Survinski)
 
Département Art
Charles O'Dato .... props
 
Technicien du son
Marshall Booth .... sound engineer
Gary Streiner .... sound engineer (as Gary R. Streiner)
Karl Hardman .... electronic sound effects (uncredited)
 
Effets spéciaux
Tony Pantanella .... special effects (as Tony Pantanello)
Regis Survinski .... special effects
 
Cascadeur
Jacqueline Streiner .... stunt coordinator (uncredited)
 
Caméra et Département Electrique
S. William Hinzman .... director of photography: new scenes (1998 edition) (as Bill Hinzman)
Jean-Pierre Nutini .... gaffer: added scenes
Joseph Unitas .... lighting supervisor
Karl Hardman .... still photographer (uncredited)
S. William Hinzman .... assistant camera (uncredited)
 
Departement Animation
Rick Catizone .... animator: ending credits
 
Dpartement Editorial
Dean Lachiusa .... editor: new scenes (re-cut version)
 
Département Musique
Emil Cadkin .... composer: stock music
Ib Glindemann .... composer: stock music (uncredited)
Philip Green .... composer: stock music (uncredited)
Geordie Hormel .... composer: stock music (uncredited)
William Loose .... composer: stock music (uncredited)
Jack Meakin .... composer: stock music (uncredited)
Spencer Moore .... composer: stock music (uncredited)
 
Divers
Betty Ellen Haughey .... continuity
Dean Lachiusa .... director: new scenes (re-cut version)
Dean Lachiusa .... producer: new scenes (re-cut version)
John A. Russo .... director: new scenes (1998 edition)
Jacqueline Streiner .... script coordinator
 

Companies de productionDistributeursAutres Companies
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Détails supplémentaires

Autre(s) titre(s):
Night of the Living Dead: 30th Anniversary Edition (Philippines: English title) (recut version) (USA) (recut version)
George A. Romero's Night of the Living Dead (Australia)
Laugh Track: Night of the Living Dead (USA) (video title (redubbed comic version))
Monster Flick (USA) (working title)
Night of Anubis (USA) (working title)
Night of the Flesh Eaters (USA) (working title)
suite
Parents Guide:
Add content advisory for parents
Durée:
96 min
Pays:
USA
Langue:
Anglais
Couleur:
Noir et Blanc
Rapport de forme:
1,33 : 1 suite
Son:
Mono
Classification:
Canada:R (Nova Scotia) (original rating) | Canada:AA (Ontario) | USA:Unrated (1968) | Finland:K-16 (cut) | Finland:K-18 (uncut) | Singapore:NC-16 (30th anniversary edition) | Iceland:16 | Canada:14A | Spain:13 | UK:15 (video rating) (2007) | Australia:R | USA:TV-14 (TV rating) (cut) | USA:TV-MA (TV rating) (uncut) | South Korea:18 | Spain:18 | Italy:T (original DVD rating) | Italy:VM18 | Australia:M | Canada:13+ (Quebec) | Canada:14 (Nova Scotia) (DVD rating) | Canada:R (Manitoba) | France:-16 | Germany:16 (re-rating) (uncut) | Ireland:18 | Norway:15 | Singapore:PG | Sweden:15 | Switzerland:16 | UK:X (original rating) | West Germany:18 (original rating) (cut) | Philippines:R-18 | Argentina:18 | Germany:BPjM Restreint
Lieux de tournage:
Basement, Latent Image - Carson Street, South Side, Pittsburgh, Pennsylvania, USA suite
Société:
Image Ten suite

Curiosités

Anecdotes:
Assuming the movie takes place on the spring time change (according to the dialog at the beginning) after the date (December 1966) on the calendar in the house (a reasonable assumption from the condition of the body in the house), the movie begins on the night of 30 April 1967 and ends the next morning, which is May Day. However, for the sequels, Romero has treated the timeline of the Dead saga with a bit of malleability; in the movie novelization of Dawn of the Dead he notes "The stock market had plummeted way below the lowest point of the Carter administration" and refers to an upcoming election. Day of the Dead features a copy of the novel Salem's Lot, published in 1975, after Night of the Living Dead came out; it seems peculiar that this publish still saw publication in a world where "ghouls" actually exist. Diary of the Dead takes place isochronally with Night of the Living Dead yet features modern computers. Of course, even Night of the Living Dead references technology far advanced than that available at the time of the film's release (i.e. the Venus probe). suite
Goofs:
Continuité: Sheriff McClellan has large shells on his belt, which would not possibly fit in the rifle he is carrying. suite
Guillemet:
[first lines]
Barbara: They oughta make the day the time changes the first day of summer.
Johnny: What?
Barbara: Well, it's eight o'clock, and it's still light!
Johnny: A lot of good the extra daylight does us. You know, we've still got a three-hour drive back; we're not gonna be home until after midnight.
Barbara: Well, if it really bugged you, Johnny, you wouldn't do it.
Johnny: Heh, you think I'd wanna blow Sunday on a scene like this? You know, I figure we'll have to get mother to move down here or have the grave moved down to Pittsburgh.
Barbara: Well, she can't make a trip like this!
Johnny: Yeah, I know that she can't.
[Reach for the wreath in the backseat]
[...]
suite
Connexions:
Référencé sur Morgan Stewart's Coming Home (1987) suite

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Avis des utilisateurs

   (Faites un commentaire sur ce titre)
65 internautes sur 77 ont trouvé ce commentaire utile
The film that redefined the horror genre overnight, 28 février 1999
Auteur : Dominic maitland (domrm@yahoo.com) de Sheffield, England

The Shining, The Exorcist and The Omen are all films that owe some of their stylistic approach to this film. This is the film that re-wrote the rules of the horror genre as it went along, whilst acting as both social critique and fond homage to 'The Birds' as well.

Romero set in place a steady breakdown of all our assumptions of the horror film, which he then utilised to full effect through the rest of this film and the two superb sequels that followed.

This is perhaps one of the greatest low budget cult movies ever made, certainly one of the most influential, and in its brutally harrowing documentary style conclusion a harsh statement on American racial attitudes. A statement which is as relevant today as it was over thirty years ago.

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suite

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