This sprawling, surrealist musical serves as an allegory for the pitfalls of capitalism, as it follows the adventures of a young coffee salesman in Europe. Many actors play multiple roles, giving the film a stagy tone.
Mick Travis is a reporter who is about to shoot a documentary on Britannia Hospital, an institution which mirrors the downsides of British Society. It's the day when Her Royal Highness is ... See full summary »
Despite success on the field, a rising rugby star senses the emerging emptiness of his life as his inner angst begins to materialize through aggression and brutality, so he attempts to woo his landlady in hopes of finding reason to live.
A juvenile offender impresses the reform school Governor with running abilities. He is in turn given special privileges to encourage him to win a race against the local public school, but he is therefore teased his fellow rebellious peers.
Won the Academy Award for the Best Documentary Short of 1954. The subject deals with the children at The Royal School for the Deaf in Margate, Kent. The hearing-handicapped children are ... See full summary »
In an indictment of the British public school system, we follow Mick and his mostly younger friends through a series of indignities and occasionally abuse as any fond feelings toward these schools are destroyed. When Mick and his friends rebel, violently, the catch phrase, "which side would you be on" becomes quite stark. Written by
John Vogel <email@example.com>
Mick and the Girl rolling on the café floor naked and making love was Malcolm McDowell's idea (because he wanted to see his attractive co-star, Christine Noonan, for whom he admitted having a crush, in the nude.) However, when Lindsay Anderson accepted his star's suggestion, the director required McDowell to ask Noonan if she was willing to do so. (Her reply, according to McDowell, was "I don't mind.") See more »
When Mick is standing in front of the Trueform shoe store, the camera and crew members are seen reflected in the windows of a passing bus. See more »
To get the most out of this film you have to be English, male and a teenager; in 1979 when I first saw it I was all three. In the years that followed I would catch it wherever I could, be it on television, in the college bar or in some local, flea-ridden rep cinema. Now, of course, I own the video. Every few months I dig it out and watch it, and more than any other film or book it reminds me what it was like to be young and rebellious and have my whole life ahead of me.
This was to England what The Wild One or Rebel Without A Cause was to America. Show it to your teenage sons; they'll remember it for the rest of their lives, and one day they might even thank you for it.
To dispel an old myth, while I'm here. Some scenes in the film are in black and white while most of the film is in color. The reason for this has nothing to do with art; they were short of money, and black and white was cheaper in those days.
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