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If.... (1968)

X  |   |  Drama  |  2 August 1969 (Japan)
7.7
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Ratings: 7.7/10 from 14,941 users  
Reviews: 147 user | 89 critic

In this allegorical story, a revolution led by pupil Mick Travis takes place at an old established private school in England.

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(screenplay), (original script: "Crusaders"), 1 more credit »
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Nominated for 1 Golden Globe. Another 2 wins & 2 nominations. See more awards »
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Cast

Cast overview, first billed only:
...
David Wood ...
Johnny: Crusaders
Richard Warwick ...
Wallace: Crusaders
Christine Noonan ...
The Girl: Crusaders
Rupert Webster ...
Bobby Philips: Crusaders
Robert Swann ...
Rowntree: Whips
Hugh Thomas ...
Denson: Whips
Michael Cadman ...
Fortinbras: Whips
Peter Sproule ...
Barnes: Whips
Peter Jeffrey ...
Headmaster: Staff
Anthony Nicholls ...
General Denson: Staff
...
Mr. Kemp: Staff
Mona Washbourne ...
Matron: Staff
Mary MacLeod ...
Mrs. Kemp: Staff (as Mary Macleod)
Geoffrey Chater ...
Chaplain: Staff
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Storyline

In an indictment of the British public school system, we follow Mick and his mostly younger friends through a series of indignities and occasionally abuse as any fond feelings toward these schools are destroyed. When Mick and his friends rebel, violently, the catch phrase, "which side would you be on" becomes quite stark. Written by John Vogel <jlvogel@comcast.net>

Plot Summary | Plot Synopsis

Taglines:

Which side will you be on?

Genres:

Drama

Certificate:

X | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

|

Release Date:

2 August 1969 (Japan)  »

Also Known As:

Se...  »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Color:

| (Eastmancolor) (uncredited)

Aspect Ratio:

1.66 : 1
See  »
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Did You Know?

Trivia

One of photos in Travis' study is a portrait of V.I. Lenin in makeup and wig. Photo was made for fake document in August 1917 when Lenin was hiding from police. See more »

Goofs

In the scene where Bobby Phillips is summoned by Rowntree back to the whip's study, you can clearly see a Yale-type lock on the outside of the study door. The next shot of him entering the study taken from inside, shows the lock on the outside of the door missing. See more »

Quotes

Mick Travis: I don't see what difference the speed makes... the speed of the nail...
See more »

Crazy Credits

The film's opening prologue states: Wisdom is the principal thing; therefore get wisdom: and with all thy getting get understanding PROVERBS IV:7 See more »

Connections

Featured in The Story of Film: An Odyssey: Episode #1.4 (2011) See more »

Soundtracks

Toccata, 5th Organ Symphony Opus 42 No 1
(uncredited)
Composed by Charles Marie Widor
See more »

Frequently Asked Questions

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User Reviews

 
Rejection and acceptance: Mick and Jute.
22 September 2002 | by (Liverpool, England) – See all my reviews

I watched this movie, for the umpteenth time, when it was shown on T.V. last night and was happy to see that it hasn't lost any of it's impact or relevance. Like so many other British films of the same time "if...." is a classic. The storyline, direction, location and acting are all stunning and as an allegory the film has as much to say today as it did when it was first released, onto an unsuspecting public, in the late 1960's. Much has been said by other reviewers about Lindsay Anderson, Malcolm McDowell and the film as a social satire, so there seems little point in going along those, well trodden, paths. I guess one aspect of the film, which always struck me as pivotal, but which hasn't been mentioned, is the inverse negative correlation between the story of Mick (Malcolm McDowell) and that of Jute (Sean Bury). While Mick starts out as a mild non-conformist who becomes increasingly disaffected with society, as represented by the school, Jute, who is initially an outsider, a new boy who doesn't know the rules, is gradually accepted and becomes an active member of that very same society. Mick's initial revolt is that of returning to school still sporting a moustache. But although he is flouting the rules by virtue of not being clean shaven, it is done on a purely personal level and he takes great pains to hide his facial hair from those in authority. Later his actions become, by stages, increasingly confrontational and open. Jute on the other hand is first shown as a small, almost lost, boy with large, frightened, puppy-dog eyes who doesn't even know that prefects are not addressed as "Sir", let alone the myriad of other complex rules that make up the society into which he has been thrust. Gradually we see his self assurance blossoming as he is accepted firstly by the other "scum" and later by the powers that be. The small socially isolated boy of the first scene is later seen playing an active role in a rugby match, sharing an impromptu meal with the other scum, confidently carrying a trophy in College Hall and finally taking an active part (as an altar boy) in the very celebration of traditional values that Mick has, by then, utterly rejected. A thought provoking film, which like that other celebrated allegory from the same era, "Lord of the Flies" (1963), has many levels and can be as deep as you wish it to be. Utterly Brilliant. Oh yeah and my favourite quote was from Mick when asked why he was sporting a moustache, his answer, "To hide my sins".


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