| Photos (see all 61 | slideshow) | Videos |
| Peter Fonda | ... | Wyatt | |
| Dennis Hopper | ... | Billy | |
| Antonio Mendoza | ... | Jesus | |
| Phil Spector | ... | Connection | |
| Mac Mashourian | ... | Bodyguard | |
| Warren Finnerty | ... | Rancher | |
| Tita Colorado | ... | Rancher's Wife | |
| Luke Askew | ... | Stranger on Highway | |
| Luana Anders | ... | Lisa | |
| Sabrina Scharf | ... | Sarah | |
| Sandy Brown Wyeth | ... | Joanne (as Sandy Wyeth) | |
| Robert Walker Jr. | ... | Jack (as Robert Walker) | |
| Robert Ball | ... | Mime #1 | |
| Carmen Phillips | ... | Mime #2 | |
| Ellie Wood Walker | ... | Mime #3 (as Ellie Walker) | |
| Michael Pataki | ... | Mime #4 | |
| Jack Nicholson | ... | George Hanson | |
| George Fowler Jr. | ... | Guard | |
| Keith Green | ... | Sheriff | |
| Hayward Robillard | ... | Cat Man | |
| Arnold Hess Jr. | ... | Deputy | |
| Buddy Causey Jr. | ... | Customer #1 | |
| Duffy Lafont | ... | Customer #2 | |
| Blase M. Dawson | ... | Customer #3 | |
| Paul Guedry Jr. | ... | Customer #4 | |
| Suzie Ramagos | ... | Girl #1 | |
| Elida Ann Hebert | ... | Girl #2 | |
| Rose LeBlanc | ... | Girl #3 | |
| Mary Kaye Hebert | ... | Girl #4 | |
| Cynthia Grezaffi | ... | Girl #5 | |
| Colette Purpera | ... | Girl #6 | |
| Toni Basil | ... | Mary | |
| Karen Black | ... | Karen | |
| Lea Marmer | ... | Madame | |
| Cathé Cozzi | ... | Dancing Girl | |
| Thea Salerno | ... | Hooker #1 | |
| Anne McClain | ... | Hooker #2 | |
| Beatriz Monteil | ... | Hooker #3 | |
| Marcia Bowman | ... | Hooker #4 | |
| David C. Billodeau | ... | Pickup Truck | |
| Johnny David | ... | Pickup Truck | |
| reste de la distribution par ordre alphabétique: | |||
| Susan Brewer | ... | Woman in Commune (uncredited) | |
| Bridget Fonda | ... | Child in Commune (uncredited) | |
| Justin Fonda | ... | Child in Commune (uncredited) | |
| Virgil Frye | ... | Biker (uncredited) | |
| Dan Haggerty | ... | Man in Commune (uncredited) | |
| Randee Lynne Jensen | ... | (uncredited) | |
| Carrie Snodgress | ... | Woman in Commune (uncredited) | |
Réalisé par | |||
| Dennis Hopper | |||
Scénaristes | ||
| Peter Fonda | (written by) & | |
| Dennis Hopper | (written by) & | |
| Terry Southern | (written by) | |
Produit par | |||
| Peter Fonda | .... | producer | |
| William Hayward | .... | associate producer (as William L. Hayward) | |
| Bert Schneider | .... | executive producer | |
Image | |||
| László Kovács | (director of photography) (as Laszlo Kovacs) | ||
| Baird Bryant | (uncredited) | ||
Montage | |||
| Donn Cambern | |||
Direction artistique | |||
| Jeremy Kay | (as Jerry Kay) | ||
Maquillage | |||
| Virgil Frye | .... | makeup artist | |
Directeur de production | |||
| Paul Lewis | .... | production manager | |
Assistant réalisateur | |||
| Len Marsal | .... | second assistant director | |
Art Department | |||
| Robert Vincent O'Neill | .... | property master (as Robert O'Neil) | |
Technicien du son | |||
| James Contrares | .... | boom operator | |
| Le Roy Robbins | .... | sound mixer | |
Effets spéciaux | |||
| Steve Karkus | .... | special effects | |
Cascadeur | |||
| Tex Hall | .... | stunt gaffer | |
| Gary Littlejohn | .... | stunts (uncredited) | |
Camera and Electrical Department | |||
| Richmond L. Aguilar | .... | gaffer (as Richmond Aguilar) | |
| Guy Badger | .... | generator operator | |
| Foster K. Denker | .... | electrician (as Foster Denker) | |
| Peter Heiser | .... | assistant camera (as Peter Heiser Jr.) | |
| Melton Maxwell | .... | best boy (as Mel Maxwell) | |
| Tom Ramsey | .... | key grip (as Thomas Ramsey) | |
| Peter Sorel | .... | still photographer | |
| Les Blank | .... | second camera operator (uncredited) | |
| Larry Lapointe | .... | electrician (uncredited) | |
Editorial Department | |||
| Henry Jaglom | .... | editorial consultant | |
| Marilyn Schlossberg | .... | post-production | |
| Stan Siegel | .... | assistant editor (as Stanley Siegel) | |
Music Department | |||
| Mike Deasy | .... | musician (uncredited) | |
Transportation Department | |||
| Lee Pierpont | .... | transportation | |
Divers | |||
| Joyce King | .... | script supervisor | |
| Tony Vorno | .... | location manager | |
| Dan Haggerty | .... | motorcycle builder (uncredited) | |
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| Edge | Across the Universe | Bring Me the Head of Alfredo Garcia | Tightrope | Midnight Cowboy |
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| Full cast and crew | Company credits | External reviews |
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I cannot overstate the importance of this movie in my personal development.
In 1969 I was eighteen and a freshman at Cambridge University. I was also a near-fundamentalist and a member of the Christian Union. Its officials decreed that Easy Rider was unsuitable for Christian viewing; I'd seen some enthusiastic reviews which made me curious. Moral and spiritual dilemma followed. To view or not to view? I prayed about it - look, this is a long time ago, right - and decided that if it had been OK for the Christian Union's leaders to see it, if only to realise it was morally dubious, then it was OK for me. They hadn't been corrupted, presumably; the Lord would see that I wasn't either.
So I went and it blew me away. I thought then and think now, that this is a magnificently perceptive commentary on hippie culture and one that only the medium of film can deliver. Naive idealism is weighed against the squalid reality of drugs (and indeed alcohol). Freedom is portrayed as often aimless, self-indulgent and downright boring. The underlying morality could be seen as puritanical: a celebration of the free-lovin' drop-out Sixties it ain't, more a weary end-of-decade critique thereof. I would have thought there was much to commend it to the Christian Union moralisers, yet as ever they couldn't see past the surface - drug abuse, loose women. Yet it has its high moments, in more ways than one, and is always a treat for the eyes.
My decision to defy the Christian Union by seeing the film was an early step out of my fundamentalist prison and I haven't stopped walking yet. No-one's ever going to tell me what I can and can't watch again: nor will I censor anyone else's viewing. I'm still a believer, but not of the kind that the Christian Union would have thought will ever go to heaven. Guess I'll have to live with that.