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Réalisé par | |||
| Dennis Hopper | |||
Scénaristes | ||
| Peter Fonda | (written by) & | |
| Dennis Hopper | (written by) & | |
| Terry Southern | (written by) | |
Produit par | |||
| Peter Fonda | .... | producer | |
| William Hayward | .... | associate producer (as William L. Hayward) | |
| Bert Schneider | .... | executive producer | |
| Bob Rafelson | .... | producer (uncredited) | |
Image | |||
| László Kovács | (director of photography) (as Laszlo Kovacs) | ||
| Baird Bryant | (uncredited) | ||
Montage | |||
| Donn Cambern | |||
Direction artistique | |||
| Jeremy Kay | (as Jerry Kay) | ||
Maquillage | |||
| Virgil Frye | .... | makeup artist | |
Directeur de production | |||
| Paul Lewis | .... | production manager | |
Assistant réalisateur | |||
| Len Marsal | .... | second assistant director | |
Département Art | |||
| Robert Vincent O'Neill | .... | property master (as Robert O'Neil) | |
Technicien du son | |||
| James Contrares | .... | boom operator | |
| Le Roy Robbins | .... | sound mixer | |
Effets spéciaux | |||
| Steve Karkus | .... | special effects | |
Cascadeur | |||
| Tex Hall | .... | stunt gaffer | |
| Gary Littlejohn | .... | stunts (uncredited) | |
Caméra et Département Electrique | |||
| Richmond L. Aguilar | .... | gaffer (as Richmond Aguilar) | |
| Guy Badger | .... | generator operator | |
| Foster K. Denker | .... | electrician (as Foster Denker) | |
| Peter Heiser | .... | assistant camera (as Peter Heiser Jr.) | |
| Melton Maxwell | .... | best boy (as Mel Maxwell) | |
| Tom Ramsey | .... | key grip (as Thomas Ramsey) | |
| Peter Sorel | .... | still photographer | |
| Les Blank | .... | second camera operator (uncredited) | |
| Larry Lapointe | .... | electrician (uncredited) | |
Dpartement Editorial | |||
| Henry Jaglom | .... | editorial consultant | |
| Marilyn Schlossberg | .... | post-production | |
| Stan Siegel | .... | assistant editor (as Stanley Siegel) | |
Département Musique | |||
| Mike Deasy | .... | musician (uncredited) | |
Département Transport | |||
| Lee Pierpont | .... | transportation | |
Divers | |||
| Joyce King | .... | script supervisor | |
| Tony Vorno | .... | location manager | |
| Dan Haggerty | .... | motorcycle builder (uncredited) | |
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'Easy Rider' is much more than a 60s relic - it's still a great movie even today. I find it fascinating that Hopper and Fonda took Roger Corman material and gave it an arthouse approach influenced by Godard and the French New Wave. Combined with breathtaking visuals, a well chosen rock soundtrack and some classic, stoned, improvised dialogue this is still an impressive movie all these years later. Fonda had recently made 'The Wild Angels', Hopper the less remembered 'The Glory Stompers', and Jack Nicholson 'Hells Angels On Wheels', but 'Easy Rider' reinvented the biker movie, and things were never quite the same in Hollywood for the rest of the Seventies. The supporting cast is interesting and includes a great role for the fantastically underrated Luke Askew as the "Stranger on Highway", and cameos from the stars buddies Luana Anders ('Dementia 13') and Sabrina Scharf (Nicholson's love interest in 'Hells Angels On Wheels'), as well Karen Black and Toni Basil's New Orleans hookers, Phil Spector's coke snorting bit part, and a fleeting glimpse of a young Grizzly Adams. You either love this movie or you don't, and I'm most definitely in the former camp. A 1960s generation-defining counter-culture classic!