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IMDb > Erosu purasu Gyakusatsu (1969)

Erosu purasu Gyakusatsu (1969)

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Note des utilisateurs: 8.0/10 (59 votes)
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Overview

Réalisateur:
Yoshishige Yoshida
Writers:
Masahiro Yamada (writer)
Yoshishige Yoshida (writer)
Release Date:
15 octobre 1969 (France) suite
Genre:
Drame suite
Plot:
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Avis des utilisateurs:
Yoshishige Yoshida's Masterpiece! A formal guide-line to understand the Japanese New Wave. suite

Ensemble

 (Interprètes principaux)
Mariko Okada ... Noe Ito
Toshiyuki Hosokawa ... Sakae Osugi
Yûko Kusunoki ... Itsuko Masaoka
Kazuko Ineno ... Akiko Hiraga
reste de la distribution par ordre alphabétique:
Daijiro Harada ... Wada
Taeko Shinbashi ... Chiyoko
Ejko Sokutai ... Toshiko
Etsushi Takahashi ... Jun Tsuji
Masako Yagi ... Yasuko
suite
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Additional Details

Autre(s) titre(s) :
Eros plus massacre
Eros + massacre (France) [fr]
suite
Durée:
202 min | 165 min (theatrical version)
Pays:
Japan
Langue:
Japonais
Couleur:
Noir et Blanc
Aspect Ratio:
2.35 : 1 suite
Son:
Mono
MOVIEmeter: ?
V 8% since last week why?

foire aux questions

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1 out of 1 people found the following comment useful:-
Yoshishige Yoshida's Masterpiece! A formal guide-line to understand the Japanese New Wave., 21 April 2008
10/10
Author: kagetsuhisoka de Portugal

This one, plus Oshima's Koshikei (Death by Hanging, 1968), Matsumoto's Bara no Soretsu (Funeral Parade of Roses, 1969), Shinoda's Shinjû: Ten no amijima (Double Suicide, 1969) and Terayama's Den'en ni shisu (Pastoral : to Die in the Country, 1974), are maybe the great accomplishments of the Japanese New Wave. Here, Yoshida starts the last political trilogy about Japanese Past and Present (Eros plus Massacre, Heroic Purgatory and Coup D'etat) using a distinctive aesthetics proving that his Cinema contains some sort of a Metamorfosical ethic.

In fact, the movie builds an omnipresent dialectic between spectator and characters. History and Symbolic Representation. According to Pascal BONITZER, the "plus" of the tittle is a metonymy for the movie relation and revelation: "You must play too, because you can't dominate it. You must attach, dis-attach, and transform one and another: «Eros» and «Massacre». The spectator is the local of application. The spectator is the plus (+)."

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one of the best japanese movie of the '60s? garysan
English subtitles? owenlloyd
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