Erosu purasu Gyakusatsu (1969)

Réalisateur:

Yoshishige Yoshida

Scénaristes:

Masahiro Yamada (writer)
Yoshishige Yoshida (writer)

Date de sortie:

15 octobre 1969 (France)

Genre:

Drame

Plot Keywords:

Society | Anarchist | Amakasu Incident | Japan | Nudity

Avis des utilisateurs:

Yoshishige Yoshida's Masterpiece! A formal guide-line to understand the Japanese New Wave.

Ensemble

Mariko Okada	...	Noe Ito
Toshiyuki Hosokawa	...	Sakae Osugi
Yûko Kusunoki	...	Itsuko Masaoka
Kazuko Ineno	...	Akiko Hiraga
reste de la distribution par ordre alphabétique:
Daijiro Harada	...	Wada
Taeko Shinbashi	...	Chiyoko
Ejko Sokutai	...	Toshiko
Etsushi Takahashi	...	Jun Tsuji
Masako Yagi	...	Yasuko

Autre(s) titre(s):

Eros plus massacre

Durée:

202 min | 165 min (theatrical version)

Pays:

Japan

Langue:

Japonais

Couleur:

Noir et Blanc

Rapport de forme:

2,35 : 1

Son:

Mono

Société:

Gendai Eigasha

Yoshishige Yoshida's Masterpiece! A formal guide-line to understand the Japanese New Wave.

This one, plus Oshima's Koshikei (Death by Hanging, 1968), Matsumoto's Bara no Soretsu (Funeral Parade of Roses, 1969), Shinoda's Shinjû: Ten no amijima (Double Suicide, 1969) and Terayama's Den'en ni shisu (Pastoral : to Die in the Country, 1974), are maybe the great accomplishments of the Japanese New Wave. Here, Yoshida starts the last political trilogy about Japanese Past and Present (Eros plus Massacre, Heroic Purgatory and Coup D'etat) using a distinctive aesthetics proving that his Cinema contains some sort of a Metamorfosical ethic.

In fact, the movie builds an omnipresent dialectic between spectator and characters. History and Symbolic Representation. According to Pascal BONITZER, the "plus" of the tittle is a metonymy for the movie relation and revelation: "You must play too, because you can't dominate it. You must attach, dis-attach, and transform one and another: «Eros» and «Massacre». The spectator is the local of application. The spectator is the plus (+)."