Chicago Tribune
With no live dialogue, Waters relied on his vast knowledge of music to move this feature along. Snatches of Elvis Presley, R&B, Lou Christie, doo-wop and more carry Mondo Trasho through cinematic moments of nude hitchhikers, foot fetishists and the struggle of always striving to be "truly divi-i-i-ne." [30 Sep 1988, p.66]