| Photos (Voir toutes les 15 | Diaporama) |
| Marlon Brando | ... | Sir William Walker | |
| Evaristo Márquez | ... | José Dolores (as Evaristo Marquez) | |
| Norman Hill | ... | Shelton | |
| Thomas Lyons | ... | Gen. Alonso Prada | |
| Renato Salvatori | ... | Teddy Sanchez | |
| Valeria Ferran Wanani | ... | Guarina | |
| Giampiero Albertini | ... | Henry Thompson | |
| Carlo Palmucci | ... | Jack | |
| Dana Ghia | ... | Francesca | |
| Joseph P. Persaud | ... | Juanito | |
| Álvaro Medrano | ... | Soldier (as Alvaro Medrano) | |
| Alejandro Obregón | ... | Engl. Major (as Alejandro Obregon) | |
| Enrico Cesaretti | |||
| reste de la distribution par ordre alphabétique: | |||
| Cicely Browne | ... | Lady Bella (uncredited) | |
| Maurice Rodriguez | ... | Ramón (uncredited) | |
Réalisé par | |||
| Gillo Pontecorvo | |||
Scénaristes | ||
| Franco Solinas | (story) & | |
| Giorgio Arlorio | (story) | |
| Franco Solinas | (screenplay) & | |
| Giorgio Arlorio | (screenplay) | |
| Gillo Pontecorvo | (story) uncredited | |
Produit par | |||
| Alberto Grimaldi | .... | producer | |
Musique originale | |||
| Ennio Morricone | |||
Image | |||
| Marcello Gatti | (director of photography) | ||
| Giuseppe Ruzzolini | (director of photography) | ||
Montage | |||
| Mario Morra | |||
Création des décors | |||
| Sergio Canevari | |||
Direction artistique | |||
| Piero Gherardi | |||
Création des costumes | |||
| Marilù Carteny | (as Marilu Carteny) | ||
Maquillage | |||
| Mauro Gavazzi | .... | makeup artist | |
| Anna Graziosi | .... | hair stylist | |
Directeur de production | |||
| Mario Del Papa | .... | unit manager | |
| Sergio Merolle | .... | production manager | |
| Averoe Stefani | .... | production supervisor | |
Assistant réalisateur | |||
| Salvatore Basile | .... | assistant director (as Salvo Basile) | |
| Rinaldo Ricci | .... | assistant director | |
Département Art | |||
| Francesco Bronzi | .... | set dresser | |
| Franco Vanorio | .... | assistant set decorator | |
Effets spéciaux | |||
| Aldo Gasparri | .... | special effects | |
Caméra et Département Electrique | |||
| Luigi Filippo Carta | .... | camera operator (as Filippo Carta) | |
| Elio Polacchi | .... | camera operator | |
| Otello Spila | .... | camera operator | |
Dpartement Editorial | |||
| Enzo Ocone | .... | supervising editor | |
Département Musique | |||
| Bruno Nicolai | .... | conductor: orchestra | |
Divers | |||
| Franco Giordano | .... | percussion advisor | |
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| La battaglia di Algeri | Salvatore Giuliano | Professione: reporter | Michael Collins | Our Fighting Navy |
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| Casting et équipe complète | Remerciements de la Société | Revues externes |
| IMDb Drame section | IMDb Italy section | Add this title to MyMovies |
Synchonic says: >It would be a far more interesting story to try and figure out, or >juxtapose, >why revolutions in the Caribbean or Latin America, >generally led to civil >war ?and dictatorship while the revolution in >North America -- as in what ?>became the USA and Canada, became >peaceful wealthy democracies. Canada never ?>had a revolution, but it >peacefully transitioned from colony into sovereign >nation without a ?>shot or a death.
The revolution in the United States was a rebellion of white people against a white monarchy. American colonists, although in the service of British interest were not slaves and were not black. Further to that the class that revolted in the US were the ruling classes of that continent so when it came to negotiate they were not treated with the same racist vehemence that colored Carribbean people were. That doesn't excuse the the brutality of the eras that followed but it certainly didn't help economic matters, which as we all know is the key to the prosperity of any society.What was very obvious in Quemada was that there was a war of independence but also class crisis : between the ruling Portuguese and the domestic non black islanders and between the black ex-slaves and everyone else.
Also Canada did have rebellions which were put down rather violently. Aboriginal efforts aside, there was the rebellions led Louis Riel in 1869 and 1885, The Upper Canada Rebellion of 1837, Quebec's Silent Revolution that led to the FLQ crisis in 1970 where PM Trudeau instituted martial law and arrested several hundred people without charge.
And what pray tell does Brando's effeteness have to do with anything? all upper-crust gentlemen of that era are effete by our standards.
This is an excellent movie for Brando and history buffs alike. There are many parallels you can make with current events concerning globalization and the role that Multinational Corporations Play.