In Britain, bodies of NATO paratroopers are being snatched during routine jumps by a mysterious red-beam of alien origin.In Britain, bodies of NATO paratroopers are being snatched during routine jumps by a mysterious red-beam of alien origin.In Britain, bodies of NATO paratroopers are being snatched during routine jumps by a mysterious red-beam of alien origin.
Hilary Heath
- Julie Slade
- (as Hilary Dwyer)
Pamela Conway
- Lorna
- (as Lorna Wilde)
Carol Hawkins
- Paula
- (as Carolanne Hawkings)
Storyline
Did you know
- TriviaWhen the aliens' spaceship appears, the model used is the same one from Daleks' Invasion Earth 2150 A.D. (1966), but repainted in a lighter shade.
- GoofsWhen Allen is about to jump from the Dragon Rapide aircraft, the shot goes to the cockpit of the aircraft and the altimeter clearly indicates 0 ft. The radio conversation states the plane is at 11,000ft but the shot from the ground show an aircraft at only about 2000ft and the reverse shot from the AC the height seems even lower.
- Alternate versionsThe film was originally passed uncut as an 'X' for cinema by the BBFC before poor sales led to the film being recalled and re-cut for an 'A' certificate. The cuts included edits to Lorna's swimming scene to remove nudity and a shortening of the love scene between Lorna and Bob. The version issued by Anchor Bay in the Tigon Collection box set is the edited print.
- ConnectionsReferenced in Discussing the Pod (2013)
Featured review
A Period Curiosity
The tale of paratroopers who disappear, literally, into thin air, this film is an odd watch forty years later. It's primary interest lies more in what it says about the time, than the film itself.
Released in 1969 three influences loom large.The year that Man first landed on the moon it reflects a fascination with, and fear of, what might lie in outer space. Militarily we were also in the midst of the Cold War when anything unexplained, and potentially evil, automatically raised the question of Communist involvement. And finally James Bond was the dominant screen character, and his shadow falls long here in more senses than one.
Veteran, square jawed character Patrck Allen, bulldozes his way through the role of an expert,Bob Megan, called in to solve the awkward problem of disappearing parachutists. One extraordinary scene speaks volumes for the Bond "character" and perceptions of women at the time. Megan chances upon a scantily clad beauty enjoying enjoying a solitary moment taking in the evening and then makes advances on her which vacillate between sexual assault and rape. No sooner is he introduced to a shapely scientist in a pencil skirt than she too is subjected to his clumsy male machismo which in the 21st century looks appalling.Of course both women come back for more. When he IS offered sex on a plate by the blousey, but ageing, hotel owner he rebuffs her to reinforce yet another sexual stereotype, the ageing temptress who can't get it because she has had it.
The Bond theme is further explored by the presence of Sean Connery's brother Neil, as Megans sidekick John Radford, in one of only two screen performances. Bearing a strong resemblance to Sean, his acting talents are strait jacketed by a preposterous script.
A dreadful ending combines the worst of "Dr Who" and "The Champions", suggesting that a 30 minute running time, rather than three times that, would have suited all concerned somewhat better. A hopeless film, but a fascinating sixties curiosity.
Released in 1969 three influences loom large.The year that Man first landed on the moon it reflects a fascination with, and fear of, what might lie in outer space. Militarily we were also in the midst of the Cold War when anything unexplained, and potentially evil, automatically raised the question of Communist involvement. And finally James Bond was the dominant screen character, and his shadow falls long here in more senses than one.
Veteran, square jawed character Patrck Allen, bulldozes his way through the role of an expert,Bob Megan, called in to solve the awkward problem of disappearing parachutists. One extraordinary scene speaks volumes for the Bond "character" and perceptions of women at the time. Megan chances upon a scantily clad beauty enjoying enjoying a solitary moment taking in the evening and then makes advances on her which vacillate between sexual assault and rape. No sooner is he introduced to a shapely scientist in a pencil skirt than she too is subjected to his clumsy male machismo which in the 21st century looks appalling.Of course both women come back for more. When he IS offered sex on a plate by the blousey, but ageing, hotel owner he rebuffs her to reinforce yet another sexual stereotype, the ageing temptress who can't get it because she has had it.
The Bond theme is further explored by the presence of Sean Connery's brother Neil, as Megans sidekick John Radford, in one of only two screen performances. Bearing a strong resemblance to Sean, his acting talents are strait jacketed by a preposterous script.
A dreadful ending combines the worst of "Dr Who" and "The Champions", suggesting that a 30 minute running time, rather than three times that, would have suited all concerned somewhat better. A hopeless film, but a fascinating sixties curiosity.
helpful•72
- gary-444
- Jul 3, 2009
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Details
- Release date
- Country of origin
- Language
- Also known as
- Invasion of the Body Stealers
- Filming locations
- Shepperton Studios, Shepperton, Surrey, England, UK(studio: filmed at Shepperton Studios)
- Production company
- See more company credits at IMDbPro
- Runtime1 hour 31 minutes
- Color
- Aspect ratio
- 1.85 : 1
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