True Grit (1969)

Réalisateur:

Henry Hathaway

Scénaristes:

Charles Portis (novel)
Marguerite Roberts (screenplay)

Date de sortie:

11 juin 1969 (USA)

Genre:

Aventure | Western | Drame

Accroche:

The strangest trio ever to track a killer.

Intrigue:

A drunken, hard-nosed U.S. Marshal and a Texas Ranger help a stubborn young woman track down her father's murderer in Indian territory.

Plot Keywords:

Texas | Texas Ranger | Marshal | Justice | U.S. Marshal

Récompenses:

Won Oscar. Another 6 wins & 5 nominations

Avis des utilisateurs:

The Honor of a Lifetime

Ensemble

John Wayne	...	Marshall Reuben J. 'Rooster' Cogburn
Glen Campbell	...	La Boeuf
Kim Darby	...	Mattie Ross
Jeremy Slate	...	Emmett Quincy
Robert Duvall	...	Ned Pepper
Dennis Hopper	...	Moon
Alfred Ryder	...	Mr. Goudy (Defense attorney)
Strother Martin	...	Colonel G. Stonehill
Jeff Corey	...	Tom Chaney
Ron Soble	...	Capt. Boots Finch
John Fiedler	...	Lawyer Daggett
James Westerfield	...	Judge Parker
John Doucette	...	Sheriff
Donald Woods	...	Barlow
Edith Atwater	...	Mrs. Floyd

Durée:

128 min

Pays:

USA

Langue:

Anglais

Couleur:

Couleur (Technicolor)

Rapport de forme:

1,85 : 1

Son:

Mono

Classification:

Canada:G (Quebec) | Canada:PG (Ontario) | Canada:PG (Manitoba) | USA:G (edited for re-rating) | USA:M (original rating) | Australia:M (TV rating) | Iceland:12 | Brazil:14 | Finland:K-15 (2002) (DVD) | Finland:K-16 (cut) (1969) (theatrical) | Australia:PG | Spain:T | Sweden:15 | UK:PG | West Germany:12 | Singapore:PG

Lieux de tournage:

Bishop, California, USA

Société:

Paramount Pictures

Anecdotes:

When submitted for a rating from the MPAA in 1969, the film was given an "M". The film was edited and re-rated "G".

Goofs:

Continuité: After he kills Frank Ross, Chaney kneels by the body to steal the money. Then Frank's head is on Chaney's left-hand side. In the next shot, Frank's head appears on the opposite side.

Guillemet:

Moon: Quincy, he never played me false until he killed me.

Connexions De Film:

Référencé sur Golden Saddles, Silver Spurs (2000) (TV)

Bande son:

True Grit

The Honor of a Lifetime

Now personally there are John Wayne performances in terms of acting that I like better than True Grit. Among others Fort Apache, The Searchers, Red River, The Horse Soldiers, to name a few. And certain films like The Commancheros and McLintock and Big Jake I find to be more entertaining.

What True Grit does is succeed on both levels, being both great entertainment and giving John Wayne the acting role of a lifetime in the person of Rooster Cogburn.

Mattie Ross from Darnell and Yell County Arkansas personified by Kim Darby has come to Fort Smith seeking the killer of her father Jeff Corey. Turns out he's also killed a State Senator in Texas so Texas Ranger Glen Campbell informs her. Both of them team up with United States Marshal Rooster Cogburn who resides in Fort Smith with Chin Lee and my favorite movie cat, General Sterling Price.

Corey is now in the outlaw band headed by Robert Duvall at large in the Indian Nation Territory that became Oklahoma. True Grit's plot is the trio's pursuit of Duvall, Corey and the rest of the gang.

But oddly enough True Grit isn't really about plot. It's about the creation of a character. Like Margaret Mitchell who wrote Gone With the Wind with Clark Gable in mind for Rhett Butler, Charles Portis wrote the novel True Grit with only John Wayne in mind as Rooster Cogburn. It must have been one singular delight for Charles Portis to see the Duke flesh out Rooster Cogburn exactly as he conceived him.

Tough old Rooster, likes an occasional drink, isn't above a little larceny, but has one stern moral code about real bad guys. Bring him in dead or alive and make sure you shoot first coming up against them. And he's got quite the colorful past as he relates tales of his younger days to Campbell and Darby on the trail.

In other reviews I've said that John Wayne had one of the great faces for movie closeups. You can see a perfect example of that in that scene with John Fiedler who plays Darby's lawyer J. Noble Daggett. A man who rates high in the legal profession in that area having forced a railroad into bankruptcy.

The camera is facing Fiedler as he's talking to Wayne about his visit with Darby who's life Wayne saved. Wayne's got about a third of his face to the camera. But even with that third, your eyes are focused on the Duke and his reactions and then as the camera slowly pans around to Wayne in full face his reaction shots are hysterical. You don't work with scene stealing character actors like Chill Wills, Walter Brennan, and Gabby Hayes for 30 years without learning something.

John Wayne was up against some stiff competition in 1969 for the Best Actor Oscar. It was his second nomination, the first being for Sands of Iwo Jima. He was facing Richard Burton as Henry VIII in Anne of a Thousand Days and a couple of newcomers named Dustin Hoffman and Jon Voight for Midnight Cowboy. He was certainly the sentimental favorite.

If in no other place in our lives, sentiment does have its place in cinema. It was an honor well deserved, not just for one performance but for a lifetime of achievement in cinema being the player who put more people into movie seats than any other person ever. So many of the Duke's contemporaries like Edward G. Robinson, Errol Flynn, Tyrone Power were never even nominated for an Oscar much less win one.

Because the Motion Picture Academy has deemed this John Wayne's grandest cinematic achievement, it's almost a command to support this fine western and the man who defined the western hero and is still defining it.