Brian De Palma (screenplay)
Brian De Palma (story)
(suite)
1970 (UK) suite
God bless our humble upper-middle-class high-rise co-op and keep it free from smut peddlers, militants, urban guerrillas and Greenwich Village liberals. suite
A Vietnam vet moves into an apartment and views in other people's windows across the street, meets one of the women, and discovers black theater. full summary | add synopsis
Strange Little Film By A Very Young De Palma plus de (30 total)
| Charles Durning | ... | Superintendant (as Charles Durnham) | |
| Robert De Niro | ... | Jon Rubin | |
| Allen Garfield | ... | Joe Banner | |
| Abraham Goren | ... | Pervert in Theater | |
| Lara Parker | ... | Jeannie Mitchell | |
| Bruce Price | ... | Jimmy Mitchell | |
| Ricky Parker | ... | Ricky Mitchell | |
| Andy Parker | ... | Andy Mitchell | |
| Jennifer Salt | ... | Judy Bishop | |
| Robbie Heywood | ... | Roommate #1 | |
| Leslie Bornstein | ... | Roommate #2 | |
| Paul Bartel | ... | Uncle Tom Wood | |
| Gerrit Graham | ... | Gerrit Wood | |
| Nelson Peltz | ... | The Playboy | |
| Delia Abrams | ... | Date #1 | |
| Tofer Delaney | ... | Date #2 | |
| Margaret Pine | ... | Date #3 | |
| Hector Valentin Lino Jr. | ... | NIT Journal Revolutionary | |
| Carole Leverett | ... | NIT Journal Revolutionary | |
| Ruth Bocour | ... | NIT Journal #1 | |
| Bart DePalma | ... | NIT Journal #2 (as Bart De Palma) | |
| Arthur Bierman | ... | NIT Journal #3 | |
| Tina Hirsch | ... | NIT Journal #4 (as Bettina Kugel) | |
| Buddy Butler | ... | 'Be Black Baby' Troupe | |
| David Connell | ... | 'Be Black Baby' Troupe | |
| Carolyn Craven | ... | 'Be Black Baby' Troupe | |
| Milton Earl Forrest | ... | 'Be Black Baby' Troupe | |
| Joyce Griffin | ... | 'Be Black Baby' Troupe | |
| Kirk Kirksey | ... | 'Be Black Baby' Troupe | |
| Rutanya Alda | ... | 'Be Black Baby' Audience (as Ruth Alda) | |
| Beth Bowden | ... | 'Be Black Baby' Audience | |
| Gene Elman | ... | 'Be Black Baby' Audience | |
| Joe Fields | ... | 'Be Black Baby' Audience | |
| Paul Milvy | ... | 'Be Black Baby' Audience | |
| Joe Stillman | ... | 'Be Black Baby' Audience | |
| Carol Vogel | ... | 'Be Black Baby' Audience | |
| Peter Maloney | ... | Pharmacist | |
| William Daley | ... | Co-op Neighbor | |
| Floyd L. Peterson | ... | John Winnicove | |
| Paul Hirsch | ... | Avery Gunnz | |
| Joseph King | ... | Dr. Joe King | |
| reste de la distribution par ordre alphabétique: | |||
| Wendell Craig | ... | 'Straight' family With machine gun! (uncredited) | |
| Bill Daly | ... | Neighbor (uncredited) | |
Réalisé par | |||
| Brian De Palma | |||
Scénaristes(dans l'ordre alphabétique) | ||
| Brian De Palma | screenplay | |
| Brian De Palma | story | |
| Charles Hirsch | story | |
Produit par | |||
| Charles Hirsch | .... | producer | |
Musique originale | |||
| Eric Kaz | |||
Image | |||
| Robert Elfstrom | |||
Montage | |||
| Paul Hirsch | |||
Distribution des rôles | |||
| Joan Rosenfelt | |||
Direction artistique | |||
| Pete Bocour | (as Peter Bocour) | ||
Directeur de production | |||
| William Daley | .... | production manager | |
| William Medsker | .... | unit production manager | |
Assistant réalisateur | |||
| Bruce Joel Rubin | .... | assistant director (as Bruce Rubin) | |
Département Art | |||
| Gerrit Graham | .... | set constructor | |
| James Russek | .... | set constructor | |
| Jesse Samburg | .... | set constructor | |
Technicien du son | |||
| Alan Dater | .... | sound | |
| Bob Tischler | .... | sound effects | |
Caméra et Département Electrique | |||
| Barry Abrams | .... | assistant camera | |
| Andrew Bobrow | .... | lighting technician | |
| Joseph Consentino | .... | assistant camera | |
| Joseph Consentino | .... | still photographer | |
| Bart DePalma | .... | still photographer (as Bart De Palma) | |
| Abraham Goren | .... | grip | |
| John Sinaiko | .... | grip | |
Dpartement Editorial | |||
| Tina Hirsch | .... | assistant film editor | |
Département Musique | |||
| Eric Kaz | .... | conductor | |
| Eric Kaz | .... | music recordist | |
| Dave Sanders | .... | song recording engineer | |
Divers | |||
| June Berman | .... | production assistant | |
| Leslie Bornstein | .... | assistant to producer | |
| Carolyn Craven | .... | assistant to producer | |
| Karen Gilbert | .... | production assistant | |
| Deborah Kearns | .... | production assistant | |
| Stephanie Saia | .... | script girl | |
| Elizabeth Stearns | .... | production assistant | |
Blue Manhattan
Confessions of a Peeping John
Son of Greetings
suite
87 min
Noir et Blanc | Couleur (Eastmancolor)
1,33 : 1 suite
Canada:R (Ontario) | Finland:K-16 (1998) | Australia:M | Spain:13 | Sweden:15 | UK:15 | USA:R
Equipe ou équipement visible: Microphone is visible at the lower portion of the screen when John Rubin is pretending to be on the phone with ABC computer dating for the first time. suite
Références Porgy and Bess (1959) suite
Hi, Mom suite
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| Combat Shock | Moulin Rouge! | Stonewall | The Godfather: Part II | Quick Change |
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IMDb Note Générale:
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IMDb Note Générale:
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IMDb Note Générale:
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IMDb Note Générale:
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IMDb Note Générale:
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| Casting et équipe complète | Remerciements de la Société | Revues externes |
| IMDb Comedie section | IMDb USA section | Add this title to MyMovies |
Interesting little time capsule directed by a very young Brian De Palma. It is a sequel to one of De Palma's early films "Greetings" (which I have not seen yet, so I don't know if it is any good). It is mostly an experimental film, which has dated badly. However, if you admire Brian De Palma, you will notice obvious signs that he is a master storyteller and that he knows his technical stuff (great editing, unusual camera movements, effective sound effects, etc.). It also shows the filmmaker's weaknesses (problems with the narrative, etc.). Robert De Niro plays one of his usual weird characters, and the strong political subtext is typical of films from the era. It's mostly a great curio, and a must-see if you are a fan of the director.