| Marcello Mastroianni | ... | Prince Leo | |
| Billie Whitelaw | ... | Margaret | |
| Calvin Lockhart | ... | Roscoe, the Pimp | |
| Glenna Forster-Jones | ... | Salambo Mardi | |
| Louis Gossett Jr. | ... | Roscoe (as Lew Gossett) | |
| Graham Crowden | ... | Max, the Lawyer | |
| Gwen Ffrangcon Davies | ... | Hilda | |
| Vladek Sheybal | ... | Laszlo, Leo's Aide | |
| Kenneth J. Warren | ... | Kowalski (as Kenneth Warren) | |
| David de Keyser | ... | David | |
| reste de la distribution par ordre alphabétique: | |||
| Alba | |||
| Bernard Boston | ... | Bodyguard | |
| Thomas Bucson | ... | Mr. Mardi | |
| Ishaq Bux | ... | Supermarket Manager | |
| Doris Clark | ... | Singing Lady | |
| Brinsley Forde | ... | Bip | |
| Ram John Holder | ... | Black Preacher | |
| Robert Kennedy | ... | Mardi Child | |
| Lucita Lijertwood | ... | Wailing Lady | |
| Phyllis MacMahon | ... | Blonde Whore | |
| Princess Patience | ... | Black Whore | |
| Malcolm Redman | ... | Mardi Child | |
| Marcia Redman | |||
| Robert Redman | ... | Mardi Child | |
| Billy Russell | |||
| Patsy Smart | ... | Mrs. Kowalski | |
| Tina Solomon | ... | Mrs. Mardi | |
| Roy Stewart | ... | Bodyguard | |
| Keefe West | ... | Jasper | |
| Liz Smith | ... | Raving tenant (uncredited) | |
Réalisé par | |||
| John Boorman | |||
Scénaristes(in alphabetical order) | ||
| John Boorman | writer | |
| Bill Stair | writer | |
| George Tabori | play | |
Produit par | |||
| Robert Chartoff | .... | producer | |
| Irwin Winkler | .... | producer | |
Musique originale | |||
| Fred Myrow | |||
Image | |||
| Peter Suschitzky | |||
Montage | |||
| Tom Priestley | |||
Création des décors | |||
| Tony Woollard | |||
Décorateur de plateau | |||
| Peter Young | |||
Création des costumes | |||
| Joanne Woollard | |||
Maquillage | |||
| Alex Garfath | .... | makeup artist | |
| Colin Jamison | .... | hair stylist | |
Directeur de production | |||
| Zelda Barron | .... | production supervisor | |
Assistant réalisateur | |||
| Nicolas Hippisley-Coxe | .... | second assistant director | |
| Allan James | .... | first assistant director | |
Art Department | |||
| Terry Wells | .... | stand-by property master | |
Technicien du son | |||
| Ron Barron | .... | sound mixer | |
| John Salter | .... | boom operator | |
| Ken Scrivener | .... | dubbing mixer | |
Effets spéciaux | |||
| Alan Barnard | .... | special effects | |
| Jimmy Harris | .... | special effects | |
| Garth Inns | .... | special effects | |
| John Richardson | .... | special effects supervisor | |
Camera and Electrical Department | |||
| Norman Gryspeerdt | .... | still photographer | |
| John Matthews | .... | best boy | |
| Ian Millar | .... | camera operator | |
| Ron Pearce | .... | gaffer | |
| Keith Blake | .... | clapper loader (uncredited) | |
Music Department | |||
| Anthony Bowles | .... | music researcher | |
Divers | |||
| Ram John Holder | .... | additional script material | |
| Ann Skinner | .... | continuity | |
| Recent Posts (updated daily) | User |
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| Full cast and crew | Company credits | External reviews |
| IMDb Drame section | IMDb UK section | Add this title to MyMovies |
I worked on this movie as a driver for the Directer, John Boorman. I remember he was very easy to get on with, and his wife Crystal was a pleasure to know her. The 2 younger twins, Daisy and Charlie were only very young then and were great kids. The family lived in Connaught Sq London, near Marble Arch, and I enjoyed many amusing lunches there particularly when Peter Cook turned up and the red wine was flowing like water.
By the time I joined the movie most of the filming was done and a lot of work was being done on the sound track. John was a perfectionist and the recording sessions often went late into the night. I remember the "end of shoot" party quite well, It was only across Hyde Park but the traffic was so busy John and his wife decided to catch the tube instead, but I cut through Mayfair and got there first. I thought maybe John would be annoyed at me arriving first, but he was very laid back that it wasn't a problem. He had 3 Au Pair girls, 2 Americans, and 1 Australian. I was going out with the Australian girl and she was mainly responsible for me moving to Australia.
In short, I enjoyed my experience working on the movie.