| Marcello Mastroianni | ... | Prince Leo | |
| Billie Whitelaw | ... | Margaret | |
| Calvin Lockhart | ... | Roscoe, the Pimp | |
| Glenna Forster-Jones | ... | Salambo Mardi | |
| Louis Gossett Jr. | ... | Roscoe (as Lew Gossett) | |
| Graham Crowden | ... | Max, the Lawyer | |
| Gwen Ffrangcon Davies | ... | Hilda | |
| Vladek Sheybal | ... | Laszlo, Leo's Aide | |
| Kenneth J. Warren | ... | Kowalski (as Kenneth Warren) | |
| David de Keyser | ... | David | |
| reste de la distribution par ordre alphabétique: | |||
| Alba | |||
| Bernard Boston | ... | Bodyguard | |
| Thomas Bucson | ... | Mr. Mardi | |
| Ishaq Bux | ... | Supermarket Manager | |
| Doris Clark | ... | Singing Lady | |
| Brinsley Forde | ... | Bip | |
| Ram John Holder | ... | Black Preacher | |
| Robert Kennedy | ... | Mardi Child | |
| Lucita Lijertwood | ... | Wailing Lady | |
| Phyllis MacMahon | ... | Blonde Whore | |
| Princess Patience | ... | Black Whore | |
| Malcolm Redman | ... | Mardi Child | |
| Marcia Redman | |||
| Robert Redman | ... | Mardi Child | |
| Billy Russell | |||
| Patsy Smart | ... | Mrs. Kowalski | |
| Tina Solomon | ... | Mrs. Mardi | |
| Roy Stewart | ... | Bodyguard | |
| Keefe West | ... | Jasper | |
| Liz Smith | ... | Raving tenant (uncredited) | |
Réalisé par | |||
| John Boorman | |||
Scénaristes(in alphabetical order) | ||
| John Boorman | writer | |
| Bill Stair | writer | |
| George Tabori | play | |
Produit par | |||
| Robert Chartoff | .... | producer | |
| Irwin Winkler | .... | producer | |
Musique originale | |||
| Fred Myrow | |||
Image | |||
| Peter Suschitzky | |||
Montage | |||
| Tom Priestley | |||
Création des décors | |||
| Tony Woollard | |||
Décorateur de plateau | |||
| Peter Young | |||
Création des costumes | |||
| Joanne Woollard | |||
Maquillage | |||
| Alex Garfath | .... | makeup artist | |
| Colin Jamison | .... | hair stylist | |
Directeur de production | |||
| Zelda Barron | .... | production supervisor | |
Assistant réalisateur | |||
| Nicolas Hippisley-Coxe | .... | second assistant director | |
| Allan James | .... | first assistant director | |
Art Department | |||
| Terry Wells | .... | stand-by property master | |
Technicien du son | |||
| Ron Barron | .... | sound mixer | |
| John Salter | .... | boom operator | |
| Ken Schrivener | .... | dubbing mixer | |
Effets spéciaux | |||
| Alan Barnard | .... | special effects | |
| Jimmy Harris | .... | special effects | |
| Garth Inns | .... | special effects | |
| John Richardson | .... | special effects supervisor | |
Camera and Electrical Department | |||
| Norman Gryspeerdt | .... | still photographer | |
| John Matthews | .... | best boy | |
| Ian Millar | .... | camera operator | |
| Ron Pearce | .... | gaffer | |
| Keith Blake | .... | clapper loader (uncredited) | |
Music Department | |||
| Anthony Bowles | .... | music researcher | |
Divers | |||
| Ram John Holder | .... | additional script material | |
| Ann Skinner | .... | continuity | |
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| Vida mejor, Una | Breakfast on Pluto | Dogville | Excalibur | The 'burbs |
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| Full cast and crew | Company credits | External reviews |
| IMDb Drame section | IMDb UK section | Add this title to MyMovies |
Im writing this in the hope that someone will see it,this film takes me back to my childhood because i remember very well the making of this.We lived in Hurstway street which was in the process of being demolished, and literally all of the houses around us were being bulldozed so the taste of plaster and dry dust was always in the air, but i do digress. In our old street a load of portacabins were set up for the cast and crew and we got to know them,especially billie whitelaw who came to our house to give my brother a spirograph because he was ill. The fireworks wow that was something and the lady singing in the street my mum complained about the noise. We got free electricity from lee electrics because we knew the blokes on the generators,if you can imagine the old streets that you could play in without worry and the bombsites i was so rich as a child and i loved it because we had no material things to speak of. How exciting as a kid to watch a movie being made. chris