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IMDb > Leo the Last (1970)

Leo the Last (1970)

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Note des utilisateurs: 6.3/10 (150 votes)

Overview

Réalisateur:
John Boorman
Writers:
John Boorman (writer)
Bill Stair (writer)
(suite)
Release Date:
4 septembre 1970 (West Germany) suite
Genre:
Drame | Comedie suite
Accroche:
Imagine being the last of anything.
Plot:
Prince Leo (Marcello Mastroianni), last in the line of rulers of a long-deposed monarchy on continental... suite | add synopsis
Awards:
1 win & 1 nomination suite
Avis des utilisateurs:
this film was made in my street suite

Ensemble

  (in credits order) (complete, awaiting verification)
Marcello Mastroianni ... Prince Leo
Billie Whitelaw ... Margaret
Calvin Lockhart ... Roscoe, the Pimp
Glenna Forster-Jones ... Salambo Mardi

Louis Gossett Jr. ... Roscoe (as Lew Gossett)
Graham Crowden ... Max, the Lawyer
Gwen Ffrangcon Davies ... Hilda
Vladek Sheybal ... Laszlo, Leo's Aide
Kenneth J. Warren ... Kowalski (as Kenneth Warren)
David de Keyser ... David
reste de la distribution par ordre alphabétique:
Alba
Bernard Boston ... Bodyguard
Thomas Bucson ... Mr. Mardi
Ishaq Bux ... Supermarket Manager
Doris Clark ... Singing Lady
Brinsley Forde ... Bip
Ram John Holder ... Black Preacher
Robert Kennedy ... Mardi Child
Lucita Lijertwood ... Wailing Lady
Phyllis MacMahon ... Blonde Whore
Princess Patience ... Black Whore
Malcolm Redman ... Mardi Child
Marcia Redman
Robert Redman ... Mardi Child
Billy Russell
Patsy Smart ... Mrs. Kowalski
Tina Solomon ... Mrs. Mardi
Roy Stewart ... Bodyguard
Keefe West ... Jasper
Liz Smith ... Raving tenant (uncredited)
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Réalisé par
John Boorman 
 
Scénaristes
(in alphabetical order)
John Boorman  writer
Bill Stair  writer
George Tabori  play

Produit par
Robert Chartoff .... producer
Irwin Winkler .... producer
 
Musique originale
Fred Myrow 
 
Image
Peter Suschitzky 
 
Montage
Tom Priestley 
 
Création des décors
Tony Woollard 
 
Décorateur de plateau
Peter Young 
 
Création des costumes
Joanne Woollard 
 
Maquillage
Alex Garfath .... makeup artist
Colin Jamison .... hair stylist
 
Directeur de production
Zelda Barron .... production supervisor
 
Assistant réalisateur
Nicolas Hippisley-Coxe .... second assistant director
Allan James .... first assistant director
 
Art Department
Terry Wells .... stand-by property master
 
Technicien du son
Ron Barron .... sound mixer
John Salter .... boom operator
Ken Schrivener .... dubbing mixer
 
Effets spéciaux
Alan Barnard .... special effects
Jimmy Harris .... special effects
Garth Inns .... special effects
John Richardson .... special effects supervisor
 
Camera and Electrical Department
Norman Gryspeerdt .... still photographer
John Matthews .... best boy
Ian Millar .... camera operator
Ron Pearce .... gaffer
Keith Blake .... clapper loader (uncredited)
 
Music Department
Anthony Bowles .... music researcher
 
Divers
Ram John Holder .... additional script material
Ann Skinner .... continuity
 


Production CompaniesDistributorsOther Companies
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Additional Details

Autre(s) titre(s) :
Léo le dernier (France) [fr]
suite
Durée:
USA:104 min
Pays:
UK
Langue:
Anglais
Couleur:
Couleur
Son:
Mono
MOVIEmeter: ?
^ 24% since last week why?

Curiosités

Anecdotes:
First cinema film of Liz Smith. suite

foire aux questions

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11 out of 13 people found the following comment useful:-
this film was made in my street, 18 May 2003

Im writing this in the hope that someone will see it,this film takes me back to my childhood because i remember very well the making of this.We lived in Hurstway street which was in the process of being demolished, and literally all of the houses around us were being bulldozed so the taste of plaster and dry dust was always in the air, but i do digress. In our old street a load of portacabins were set up for the cast and crew and we got to know them,especially billie whitelaw who came to our house to give my brother a spirograph because he was ill. The fireworks wow that was something and the lady singing in the street my mum complained about the noise. We got free electricity from lee electrics because we knew the blokes on the generators,if you can imagine the old streets that you could play in without worry and the bombsites i was so rich as a child and i loved it because we had no material things to speak of. How exciting as a kid to watch a movie being made. chris

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