| Videos (see all 10 NOUVEAU) |
Réalisé par | |||
| Stanley Kubrick | |||
Scénaristes | ||
| Stanley Kubrick | (screenplay) | |
| Anthony Burgess | (novel) | |
Produit par | |||
| Stanley Kubrick | .... | producer | |
| Si Litvinoff | .... | executive producer | |
| Max L. Raab | .... | executive producer | |
| Bernard Williams | .... | associate producer | |
Image | |||
| John Alcott | (lighting cameraman) | ||
Montage | |||
| Bill Butler | |||
Distribution des rôles | |||
| James Liggat | (as Jimmy Liggat) | ||
Création des décors | |||
| John Barry | |||
Direction artistique | |||
| Russell Hagg | |||
| Peter Sheilds | |||
Création des costumes | |||
| Milena Canonero | |||
Maquillage | |||
| Olga Angelinetta | .... | hair stylist | |
| Barbara Daly | .... | makeup artist | |
| Leonard | .... | hair and coloring consultant (as Leonard of London) | |
| George Partleton | .... | makeup artist | |
| Freddie Williamson | .... | makeup artist (as Fred Williamson) | |
| Jim Gillespie | .... | makeup artist (uncredited) | |
Assistant réalisateur | |||
| Derek Cracknell | .... | assistant director | |
| Dusty Symonds | .... | assistant director | |
| Raymond Becket | .... | third assistant director (uncredited) | |
Département Art | |||
| Frank Bruton | .... | prop master | |
| Peter Hancock | .... | prop man | |
| Tommy Ibbetson | .... | prop man | |
| Christiane Kubrick | .... | paintings | |
| Christiane Kubrick | .... | sculptor | |
| Cornelius Makkink | .... | paintings | |
| Cornelius Makkink | .... | sculptor | |
| Herman Makkink | .... | paintings | |
| Herman Makkink | .... | sculptor | |
| Liz Moore | .... | paintings | |
| Liz Moore | .... | sculptor | |
| John Oliver | .... | prop man | |
| Bill Welch | .... | construction manager | |
Technicien du son | |||
| Brian Blamey | .... | sound editor | |
| Peter Glossop | .... | boom operator | |
| Eddie Haben | .... | dubbing mixer | |
| John Jordan | .... | sound recordist | |
| Bill Rowe | .... | dubbing mixer | |
Visual Effects | |||
| Sandy DellaMarie | .... | digital production coordinator: Pacific Title & Art Studio: re-release | |
| Mark Freund | .... | visual effects supervisor: Pacific Title & Art Studio: re-release | |
| George Gervan | .... | digital paint artist: Pacific itle & Art Studio: re-release | |
| Richard Gervan | .... | digital paint artist: Pacific Title & Art Studio: re-release | |
| Martin Hall | .... | digital paint artist: Pacific Title & Art Studio: re-release | |
| Maureen Healy | .... | digital paint artist: Pacific Title & Art Studio: re-release | |
| Heather Hoyland | .... | lead digital compositor: Pacific Title & Art Studio: re-release | |
| Greg Kimble | .... | digital compositor: Pacific Title & Art Studio: re-release | |
| Jeff Wells | .... | digital compositor: Pacific Title & Art Studio: re-release | |
| Chris Crowell | .... | digital compositor (restored version) (uncredited) | |
Cascadeur | |||
| Eddie Frewin | .... | stunt driver (uncredited) | |
| Roy Scammell | .... | stunt arranger (uncredited) | |
Caméra et Département Electrique | |||
| Lou Bogue | .... | electrician (as Louis Bogue) | |
| Don Budge | .... | grip | |
| Tony Cridlin | .... | grip | |
| Ernest Day | .... | camera operator (as Ernie Day) | |
| Ron Drinkwater | .... | focus puller | |
| Laurie Frost | .... | assistant camera | |
| Derek Gattrell | .... | electrician (as Derek Gatrell) | |
| David Lenham | .... | assistant camera | |
| Mike Molloy | .... | camera operator | |
| Frank Wardale | .... | supervising electrician | |
| Ken Worringham | .... | camera operator (uncredited) | |
Département Costume et garde-Robe | |||
| Ron Beck | .... | wardrobe supervisor | |
Dpartement Editorial | |||
| David Beesley | .... | assistant editor | |
| Peter Burgess | .... | assistant editor | |
| Gary Shepherd | .... | assistant editor | |
Département Musique | |||
| Wendy Carlos | .... | composer: electronic music (as Walter Carlos) | |
Divers | |||
| Len Barnard | .... | production accountant | |
| Terence A. Clegg | .... | location manager (as Terence Clegg) | |
| Andros Epaminondas | .... | production assistant | |
| Jan Harlan | .... | assistant to producer | |
| Kay Johnson | .... | secretary to director | |
| Mike Kaplan | .... | promotion coordinator | |
| Jonathan Marshall | .... | technical advisor (as Jon Marshall) | |
| Arthur Morgan | .... | location liaison | |
| Loretta Ordewer | .... | production secretary | |
| June Randall | .... | continuity | |
| Margaret Adams | .... | production assistant (uncredited) | |
| Pablo Ferro | .... | title designer (uncredited) | |
| Anthony Frewin | .... | assistant: Stanley Kubrick (uncredited) | |
| Dick Haydon | .... | stand-in: male (uncredited) | |
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| Rivelazioni di un maniaco sessuale al capo della squadra mobile | V for Vendetta | The Outsiders | Watchmen | Salò o le 120 giornate di Sodoma |
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| Casting et équipe complète | Remerciements de la Société | Revues externes |
| Films du Top 250 IMDb | IMDb Crime section | IMDb UK section |
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Stanely Kubrick's "A Clockwork Orange" is one of the first movies that proved that cinema can be the most enlightening and amazing art form around. Movies have always been a true love for me, but it wasn't until this film challenged me that I fell deeply in love. The first viewing left me speechless, unable to describe how weird and terrible I felt. I thought it was the film that left me in this mood, so of course that was the easy target to blame. It was just a bad movie, overrated and stupid and a waste of time. But upon further thought, I realised the film did exactly what it was supposed to. It showed how the world can be a weird and horrible place, and how this young man who goes around torturing people and being a wicked person ultimately doesn't have to pay for what he does. And it's funny too. So this film brilliantly satirises this world, showcasing pure evil and people who ordinarily do not perform such evil are forced to laugh and observe what we all hate to admit is the truth. It's sick, but at the same time brilliant. And when one gets down to the core, you can't really explain it. It just is what it is. It's real. No one really sees it very often, but it is out there and everyone knows. And no one does anything about it. In essence, "A Clockwork Orange" is the ultimate satire, and one of the ultimate film experiences. It's art, it's life, and in a funky way, it's entertaining.