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Warnung vor einer heiligen Nutte (1971) More at IMDbPro »

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Overview

Note des utilisateurs:
6.8/10   497 votes
MOVIEmeter: ?
Down 16% in popularity this week. See rank & trends on IMDbPro.
Réalisateur:
Rainer Werner Fassbinder
Scénariste:
Rainer Werner Fassbinder (writer)
Contact:
View company contact information for Beware of a Holy Whore on IMDbPro.
Release Date:
1 septembre 1971 (West Germany) suite
Genre:
Comedie | Drame suite
Plot:
On a film set there are two things missing, the film material and the director. So the actors and actresses... suite | add synopsis
Avis des utilisateurs:
Living in Oblivion for eggheads suite

Ensemble

  (Cast overview, first billed only)
Lou Castel ... Jeff, Regisseur
Eddie Constantine ... Er selbst
Marquard Bohm ... Ricky, Schauspieler
Hanna Schygulla ... Hanna, Schauspielerin
Rainer Werner Fassbinder ... Sascha, Herstellungsleiter
Margarethe von Trotta ... Babs - Produktionssekretärin
Hannes Fuchs ... David
Marcella Michelangeli ... Margret
Karl Scheydt ... Manfred
Ulli Lommel ... Korbinian, Aufnahmeleiter
Kurt Raab ... Fred

Herb Andress ... Coach
Monica Teuber ... Billi, Maskenbildnerin (as Monika Teuber)
Benjamin Lev ... Candy, spanischer Aufnahmeleiter
Gianni Di Luigi ... Kameramann
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Additional Details

Autre(s) titre(s):
Beware of a Holy Whore (USA)
Prenez garde à la sainte putain (France) [fr]
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Durée:
103 min
Couleur:
Couleur (Eastmancolor)
Aspect Ratio:
1.33 : 1 suite
Son:
Mono
Classification:
Germany:12 (re-rating) (2005) | West Germany:18 (original rating)
Emplacements De Pelliculage:
Sorrento, Naples, Campania, Italy
Company:
Tango Film suite

Curiosités

Movie Connections:
Referenced in Die 120 Tage von Bottrop (1997) suite
Soundtrack:
Suzanne suite

foire aux questions

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4 out of 6 people found the following comment useful:-
Living in Oblivion for eggheads, 5 May 1999
10/10
Author: matthew wilder (picqueur@aol.com) de los angeles

Fassbinder wasn't known for comic hijinx (if you've sat through SATAN'S BREW, you'd remember it), but probably the most sheerly pleasurable of all his movies is this rather premature but quite welcome self-parody.

The maestro's Bavarian-slob ripoff of Warhol's Factory is keenly lampooned in this oh-so-languid art-movie take on TWO WEEKS IN ANOTHER TOWN. Fassbinder plays a grubby and wildly sadistic producer holed up in a half-swanky, half-tatty seaside hotel with half a movie in the can and no finishing funds. That's the Beckettian setup for a lobby full of achingly sexy and heroin-esque Fassbinder heroines, pretty boys getting their feelings hurt, drinks swallowed and thrown, and a lot of people getting yelled at in public. If that sounds like par for a familiar course, the difference is that here it's all played for yuks--but with such an exquisite deadpan you can practically hear R.W.F. smothering his guffaws behind the camera.

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Music in final scene oldhamtom
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