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L'amour l'après-midi (1972)
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Overview
Note des utilisateurs:
Release Date:
29 septembre 1972 (USA) suitePlot:
The last of Rohmer's Six Moral Tales. Frederic leads a bourgeois life; he is a partner in a small Paris office and is happily married to Helene... suite | add synopsisAvis des utilisateurs:
Yes, but... suiteEnsemble
(Cast overview, first billed only) | Bernard Verley | ... | Frédéric |
| Zouzou | ... | Chloé |
| Françoise Verley | ... | Hélène |
| Daniel Ceccaldi | ... | Gérard |
| Malvina Penne | ... | Fabienne |
| Elisabeth Ferrier | ... | Martine (as Babette Ferrier) |
| Tina Michelino | ... | The Passenger |
| Jean-Louis Livi | ... | The Colleague |
| Pierre Nunzi | ... | The Salesman |
| Irène Skobline | ... | The Saleslady |
| Frédérique Hender | ... | Mme. M. |
| Claude-Jean Philippe | ... | Mr. M. |
| Silvia Badescu | ... | The Female Student |
| Claude Bertrand | ... | The Male Student |
| Sylvaine Charlet | ... | The Landlady |
Additional Details
Parents Guide:
Add content advisory for parentsDurée:
97 minPays:
FranceLangue:
FrançaisCouleur:
Couleur (Eastmancolor)Aspect Ratio:
1.37 : 1 suiteSon:
MonoEmplacements De Pelliculage:
Paris, FranceCuriosités
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Discuss this movie with other users on IMDb message board for L'amour l'après-midi (1972)| Recent Posts (updated daily) | User |
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| Realistic? | marygolightly |
| Inspired Chris Rock's New Movie (I Think I Love My Wife) | niceace-2 |
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TFO, a French-language network, has been showing the Contes moraux for the last few weeks, and the strengths and weaknesses of Rohmer's approach are easy to see. When he has fine, committed actors like Francoise Fabian and Jean-Louis Trintignant in Ma nuit chez Maud, he can create a flow and vibrancy in the story-telling that make us forget the didacticism of the script (who cares about Jansenism and Blaise Pascal, anyway?).
Where he fails is in not being able to create three-dimensional characters, or not being able to coax a good performance from an actor. The glaring example of this is Brialy in Le genou de Claire who, wearing a thick beard, seems to sleep-walk through his part: his erotic obsession with a girl's lissome kneecap never comes to life. In the film in question today, Bernard Verley has a bland, pudding-like face that hardly provokes any interest in the viewer. How can such a pallid bourgeois be appealing to a bohemian girl like her?
Francoise Verley as the wife has all the best moments; certainly the final scene is more interesting than what went before. She is not a beautiful woman, but her quiet strength and natural acting style are very convincing. Zouzou does not have the underlying restless energy and fierce sexuality you would expect in a girl who drifts from man to man, and her acting skills are minimal. All in all, a good film when concentrating on the family dynamics, but those scenes at the office between Verley and Zouzou are often tiresome.