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Sounder ()


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The oldest son of a loving and strong family of black sharecroppers comes of age in the Depression-era South after his father is imprisoned for stealing food.

Director:
Awards:
  • Nominated for 4 Oscars. Another 5 wins & 8 nominations.
  • See more »
Reviews:

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Complete, Cast awaiting verification

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...
Rebecca
...
Nathan Lee
...
David Lee
...
Mrs. Boatwright
...
Ike
...
Sheriff Young
Eric Hooks ...
Earl
Yvonne Jarrell ...
Josie Mae
Sylvia Kuumba Williams ...
Harriet (as Sylvia 'Kuumba' Williams)
Teddy Airhart ...
Mr. Perkins (as Ted Airhart)
Richard Durham ...
Perkins' Foreman
Wendell Brumfield ...
Deputy #1
Al Bankston ...
Deputy #2
Myrl Sharkey ...
Teacher (as Merle Sharkey)
Inez Durham ...
Court Clerk
William T. Bennett ...
Judge (as Judge William Thomas Bennett)
Thomas N. Phillips ...
Pastor (as Reverend Thomas N. Phillips)
Carl Braser ...
Wagon Driver
...
Guard #1 (as Jerry Leggio Jr.)
Peter Goff ...
Guard #2 (as Pete Goff)
Walter L. Chaney ...
Guard #3
Roy Idom ...
Guard #4
Randy Wilson ...
Convict #1
Isaac Greggs ...
Convict #2
Jackie Spears ...
Girl #1
Porter Mathews ...
Boy #1
Timothy Smith ...
Boy #2
Spencer Bradford ...
Clarence
...
Camille
Rest of cast listed alphabetically:
Swampy ...
Sounder (uncredited)

Directed by

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Martin Ritt

Written by

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Lonne Elder III ... (screenplay)
 
William H. Armstrong ... (novel)

Produced by

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Robert B. Radnitz ... producer

Music by

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Taj Mahal

Cinematography by

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John A. Alonzo ... director of photography

Editing by

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Sidney Levin ... (as Sid Levin)
Michael A. Hoey ... (uncredited)

Editorial Department

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Roy E. Peterson ... assistant editor (as Roy Peterson)
Ken Zemke ... assistant editor

Casting By

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Joe Scully

Production Design by

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Walter Scott Herndon ... (as Walter Herndon)

Production Management

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Don Guest ... production manager

Second Unit Director or Assistant Director

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Don Guest ... assistant director
Charles Washburn ... second assistant director

Art Department

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Louis Donelan ... property master
Robert Krume ... construction coordinator
Peter Wooley ... assistant art director

Sound Department

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Dennis Jones ... boom operator
Tom Overton ... sound mixer
Jerry Rosenthal ... post-production sound
Robert Rogow ... boom operator (uncredited)

Stunts

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Jerry Brutsche ... stunt performer (uncredited)

Camera and Electrical Department

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William W. Gillohm ... still photographer (as Bill Gillohm)
Richard Hart ... gaffer
Roy Hogstedt ... first assistant camera
Joe R. Marquette Jr. ... camera operator (as Joseph Marquette Jr.)
Chuck Record ... key grip
Timothy E. Wade ... second assistant camera (as Timothy Wade)

Costume and Wardrobe Department

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Nedra Rosemond-Watt ... wardrobe (as Nedra Rosemond Watt)

Location Management

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Linda Acaldo ... location secretary
Bryan Lindoff ... location manager

Music Department

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Taj Mahal ... music performer
Norman B. Schwartz ... music editor (as Norman Schwartz)
Alex North ... composer: unused music (uncredited)

Script and Continuity Department

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Marvin Weldon ... script supervisor

Transportation Department

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Jack Lietzke ... transportation manager

Additional Crew

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Nancie Gilbert ... production secretary
Frank Weatherwax ... animal trainer
Ted Bonnet ... unit publicist (uncredited)
Neil R. Lipes ... production assistant (uncredited)

Thanks

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William T. Bennett ... we wish to thank (as Judge William T. Bennett)
Arch V. Doughty ... we wish to thank (as Sheriff Arch V. Doughty)
John Williams ... special thanks
Crew believed to be complete

Production Companies

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Distributors

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Special Effects

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Other Companies

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Storyline

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Plot Summary

The Morgans, a loving and strong family of Black sharecroppers in Louisiana in 1933, face a serious family crisis when the husband and father, Nathan Lee Morgan, is convicted of a petty crime and sent to a prison camp. After some weeks or months, the wife and mother, Rebecca Morgan, sends the oldest son, who is about 11 years old, to visit his father at the camp. The journey becomes something of an odyssey for the boy. During the journey, he stays a little while with a dedicated Black schoolteacher. Written by Ed Cannon

Plot Keywords
Genres
Parents Guide View content advisory »
Certification

Additional Details

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Also Known As
  • Yaşama kavgası (Turkey, Turkish title)
  • Kampen för tillvaron (Sweden)
  • Saunder ili pasji zivot (Yugoslavia, Serbian title)
  • Sounder (Lágrimas de Esperança) (Brazil)
  • Csibész (Hungary)
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Runtime
  • 105 min
Country
Language
Color
Aspect Ratio
Sound Mix
Filming Locations

Did You Know?

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Trivia Cicely Tyson commented in a TCM interview that director Martin Ritt's cinematographer (principal cameraman), while shooting the famous "homecoming sequence" with Tyson and co-star Paul Winfield, was so moved by their performances that he was certain he missed framing the action properly in the shots and respectfully asked them to do the difficult scene again. They obliged, but later examination of daily rushes revealed that they got shot and acting perfect the first time, and the first take was a print. See more »
Goofs James Best as the Sheriff wears sideburns that, while characteristic for 1972, when the film was made, are definitely out of fashion for 1933, when it is set. See more »
Movie Connections Featured in The Life and Death of the Black Movie (1981). See more »
Soundtracks Needed Time (Theme from Sounder) See more »
Crazy Credits The 20th Century Fox fanfare doesn't play during the opening. See more »
Quotes David Lee: Miss Johnson? Don't you teach in your school about folk who ain't dead?
Camille: Sure! Here's one about a man who's very much alive. Dr. William E.B. DuBois.
David Lee: What does he talk about?
Camille: Here, I'll read something he said:
[reading from "Of the Training of Black Men"]
Camille: "The longing of black men must have respect."
[pauses to explain to David Lee]
Camille: Which means a man and a woman are human and must be treated that way.
[continues reading]
Camille: "The rich and bitter depth of their experience, the unknown treasures of their inner life, the strange rendings of nature they have seen, may give the world new points of view and make their loving, living, and doing precious to all human hearts. And to themselves in these days that try their souls, the chance to soar in the dim blue air above smoke is to their finer spirits boon and guerdon for what they lose on earth by being black."
David Lee: You're a nice lady, Miss Johnson.
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