| Photos (Voir toutes les 20 | Diaporama) | Videos (see all 2) |
| Charlton Heston | ... | Thorn | |
| Leigh Taylor-Young | ... | Shirl | |
| Chuck Connors | ... | Tab | |
| Joseph Cotten | ... | Simonson | |
| Brock Peters | ... | Hatcher | |
| Paula Kelly | ... | Martha | |
| Edward G. Robinson | ... | Sol Roth | |
| Stephen Young | ... | Gilbert | |
| Mike Henry | ... | Kulozik | |
| Lincoln Kilpatrick | ... | The Priest | |
| Roy Jenson | ... | Donovan | |
| Leonard Stone | ... | Charles | |
| Whit Bissell | ... | Santini | |
| Celia Lovsky | ... | The Exchange Leader | |
| Dick Van Patten | ... | Usher #1 | |
| Morgan Farley | ... | Book #1 | |
| John Barclay | ... | Book #2 | |
| Belle Mitchell | ... | Book #3 | |
| Cyril Delevanti | ... | Book #4 | |
| Forrest Wood | ... | Attendant | |
| Faith Quabius | ... | Attendant | |
| Jane Dulo | ... | Mrs. Santini | |
| Tim Herbert | ... | Brady | |
| John Dennis | ... | Wagner | |
| Jan Bradley | ... | Bandana Woman | |
| Carlos Romero | ... | New Tenant | |
| Pat Houtchens | ... | Fat Guard | |
| Joyce Williams | ... | The Furniture Girls | |
| Erica Hagen | ... | The Furniture Girls | |
| Beverly Gill | ... | The Furniture Girls | |
| Suesie Eejima | ... | The Furniture Girls | |
| Cheri Howell | ... | The Furniture Girls | |
| Kathy Silva | ... | The Furniture Girls | |
| Jennifer King | ... | The Furniture Girls | |
| Marion Charles | ... | The Furniture Girls | |
| reste de la distribution par ordre alphabétique: | |||
| Robert Ito | ... | Shoe Seller (uncredited) | |
| Ida Mae McKenzie | ... | Woman Calling for Revolution (uncredited) | |
| Richard Sterne | ... | TV Announcer (uncredited) | |
Réalisé par | |||
| Richard Fleischer | |||
Scénaristes | ||
| Stanley R. Greenberg | (screenplay) | |
| Harry Harrison | (novel "Make Room! Make Room!") | |
Produit par | |||
| Walter Seltzer | .... | producer | |
| Russell Thacher | .... | producer | |
Musique originale | |||
| Fred Myrow | |||
Image | |||
| Richard H. Kline | (director of photography) | ||
Montage | |||
| Samuel E. Beetley | |||
Distribution des rôles | |||
| Jack Baur | |||
Direction artistique | |||
| Edward C. Carfagno | |||
Décorateur de plateau | |||
| Robert R. Benton | (as Robert Benton) | ||
Création des costumes | |||
| Pat Barto | |||
Maquillage | |||
| Bud Westmore | .... | makeup artist | |
| Sherry Wilson | .... | hair styles | |
Directeur de production | |||
| Lloyd Anderson | .... | unit production manager | |
Assistant réalisateur | |||
| Gene Marum | .... | second assistant director | |
| Daniel McCauley | .... | assistant director (as Daniel S. McCauley) | |
Département Art | |||
| Terry Ballard | .... | property master | |
Technicien du son | |||
| Harry W. Tetrick | .... | sound | |
| Charles M. Wilborn | .... | sound | |
| Van Allen James | .... | sound editor (uncredited) | |
Visual Effects | |||
| Robert R. Hoag | .... | special photographic effects | |
| Augie Lohman | .... | special visual effects (as A. J. Lohman) | |
| Matthew Yuricich | .... | special photographic effects | |
Cascadeur | |||
| Denny Arnold | .... | stunts (uncredited) | |
| May Boss | .... | stunts (uncredited) | |
| Joe Canutt | .... | stunt coordinator (uncredited) | |
| Joe Canutt | .... | stunt double: Charlton Heston (uncredited) | |
| Larry Duran | .... | stunts (uncredited) | |
| Gary Epper | .... | stunts (uncredited) | |
| Jeannie Epper | .... | stunts (uncredited) | |
| Stephanie Epper | .... | stunts (uncredited) | |
| Tony Epper | .... | stunts (uncredited) | |
| Fritz Ford | .... | stunts (uncredited) | |
| Ralph Garrett | .... | stunts (uncredited) | |
| Bob Herron | .... | stunts (uncredited) | |
| Kim Kahana | .... | stunts (uncredited) | |
| Frank Orsatti | .... | stunts (uncredited) | |
| Eddie Paul | .... | stunts (uncredited) | |
| Dick Warlock | .... | stunts (uncredited) | |
| Ted White | .... | stunts (uncredited) | |
| Jack Williams | .... | stunts (uncredited) | |
Département Costume et garde-Robe | |||
| Norman A. Burza | .... | costumer (as Norman Burza) | |
| Betsy Cox | .... | costumer | |
Département Musique | |||
| Gerald Fried | .... | symphony music conductor | |
Divers | |||
| Frank R. Bowerman | .... | technical consultant: Director of Environmental Engineering Programs, University of Southern California & President, American Academy of Environmental Engineers (as Professor Frank R. Bowerman) | |
| Joe Canutt | .... | action sequence coordinator | |
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| The Dancer Upstairs | L.A. Confidential | Magnum Force | V for Vendetta | I, Robot |
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IMDb Note Générale:
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IMDb Note Générale:
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IMDb Note Générale:
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IMDb Note Générale:
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IMDb Note Générale:
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| Casting et équipe complète | Remerciements de la Société | Revues externes |
| IMDb Drame section | IMDb USA section | Add this title to MyMovies |
This was Eddie Robinson's 101st film and his last, and he died of cancer nine days after shooting was complete. All of which makes his key scene in the movie all the more poignant.
Although some of the hair and clothing styles are a bit dated (also note the video game shown in the film), but the subject of the film is pretty much timeless. Heston said he had wanted to make the film for some time because he really believed in the dangers of overpopulation.
Several things make this film a classic. The story is solid.
The acting is top-notch, especially the interplay between Heston and Robinson, with nice performances also by Cotten and Peters.
The music is absolutely perfect. The medley of Beethoven, Grieg, and Tchaikovsky combined with the pastoral visual elements make for some truly moving scenes. This was the icing on the cake for the film.
And the theme (or the "point") of the film is a significant one. Yes, it's a film about overpopulation, but on a more important note it's a cautionary tale about what can go wrong with Man's stewardship of Earth. It's in the subtext that you find the real message of the film. Pay attention to what Sol says about the "old days" of the past (which is our present), and note how Thorn is incapable of comprehending what Sol is saying.
This film is one of my top sci-fi films of all time.