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24 novembre 1974 (USA) suite
The greatest cast of suspicious characters ever involved in murder. suite
In 1935, when his train is stopped by deep snow, detective Hercule Poirot is called on to solve a murder that occurred in his car the night before. full summary | add synopsis
Won Oscar. Another 7 wins & 16 nominations suite
A Suave and Sleek Thriller! plus de (113 total)
| Albert Finney | ... | Hercule Poirot | |
| Lauren Bacall | ... | Mrs. Hubbard | |
| Martin Balsam | ... | Bianchi | |
| Ingrid Bergman | ... | Greta | |
| Jacqueline Bisset | ... | Countess Andrenyi | |
| Jean-Pierre Cassel | ... | Pierre (as Jean Pierre Cassel) | |
| Sean Connery | ... | Colonel Arbuthnot | |
| John Gielgud | ... | Beddoes | |
| Wendy Hiller | ... | Princess Dragomiroff | |
| Anthony Perkins | ... | McQueen | |
| Vanessa Redgrave | ... | Mary Debenham | |
| Rachel Roberts | ... | Hildegarde | |
| Richard Widmark | ... | Ratchett | |
| Michael York | ... | Count Andrenyi | |
| Colin Blakely | ... | Hardman | |
| George Coulouris | ... | Doctor | |
| Denis Quilley | ... | Foscarelli | |
| Vernon Dobtcheff | ... | Concierge | |
| Jeremy Lloyd | ... | A.D.C. | |
| John Moffatt | ... | Chief Attendant | |
| reste de la distribution par ordre alphabétique: | |||
| David de Keyser | ... | Turkish Ticket Collector (voice) (uncredited) | |
| Leon Lissek | ... | Dining Car Steward (uncredited) | |
| Robert Rietty | ... | Various Tannoy's (voice) (uncredited) | |
| George Silver | ... | Orient Express Chef (uncredited) | |
Réalisé par | |||
| Sidney Lumet | |||
Scénaristes | ||
| Agatha Christie | (novel) uncredited | |
| Paul Dehn | (screenplay) | |
| Anthony Shaffer | uncredited | |
Produit par | |||
| John Brabourne | .... | producer | |
| Richard B. Goodwin | .... | producer (as Richard Goodwin) | |
Musique originale | |||
| Richard Rodney Bennett | |||
Image | |||
| Geoffrey Unsworth | |||
Montage | |||
| Anne V. Coates | |||
Distribution des rôles | |||
| Dyson Lovell | (uncredited) | ||
Création des décors | |||
| Tony Walton | |||
Direction artistique | |||
| Jack Stephens | |||
Création des costumes | |||
| Tony Walton | |||
Maquillage | |||
| Stuart Freeborn | .... | makeup artist | |
| Ramon Gow | .... | hair styles supervisor | |
| Leonard | .... | hair stylist: Ms. Bergman and Mr. Finney (as Leonard of London) | |
| John O'Gorman | .... | makeup artist | |
| Charles E. Parker | .... | makeup artist (as Charles Parker) | |
Directeur de production | |||
| Jim Brennan | .... | unit manager | |
| Jack Causey | .... | production manager | |
| Louis Fleury | .... | production manager: France | |
Assistant réalisateur | |||
| Ted Sturgis | .... | first assistant director | |
| Richard Jenkins | .... | assistant director (uncredited) | |
Département Art | |||
| E.W. Brister | .... | scenic artist (uncredited) | |
| Tony Strong | .... | scenic artist (uncredited) | |
Technicien du son | |||
| Jonathan Bates | .... | sound editor | |
| Peter Handford | .... | sound | |
| Bill Rowe | .... | sound | |
| Jeremy Hume | .... | assistant dialogue editor (uncredited) | |
Visual Effects | |||
| Charles Staffell | .... | process photography | |
Caméra et Département Electrique | |||
| Peter MacDonald | .... | camera operator | |
| Steve Birtles | .... | gaffer (uncredited) | |
| Cedric James | .... | assistant camera (uncredited) | |
| Joe Pearce | .... | still photographer (uncredited) | |
Département Costume et garde-Robe | |||
| Brenda Dabbs | .... | wardrobe | |
Dpartement Editorial | |||
| Richard Hiscott | .... | assistant editor | |
| Richard Williams | .... | montage | |
Département Musique | |||
| Marcus Dods | .... | conductor | |
| The Orchestra of the Royal Opera House | .... | orchestra | |
Divers | |||
| Angela Allen | .... | continuity | |
| Nat Cohen | .... | presenter | |
| Richard du Vivier | .... | production associate | |
| Norton Knatchbull | .... | location manager | |
| Richard Williams | .... | title designer | |
| Elisabeth Woodthorpe | .... | production secretary | |
| François Guillaume | .... | stand-in: Anthony Perkins (uncredited) | |
| Catherine O'Brien | .... | unit publicist (uncredited) | |
Agatha Christie's Murder on the Orient Express (UK) (complete title)
suite
128 min
Couleur (Technicolor)
1,66 : 1 suite
Australia:M (TV rating) | Iceland:12 | Ireland:PG | West Germany:12 (f) | USA:PG (certificate #24034) | Brazil:14 | Argentina:13 | Australia:PG | Finland:K-16 | Netherlands:12 | Norway:16 | Portugal:M/12 | Singapore:PG | Sweden:11 | UK:PG
EMI Elstree Studios, Borehamwood, Hertfordshire, England, UK suite
Upon accepting her Oscar for Murder on the Orient Express (1974), Ingrid Bergman apologized to fellow actress Valentina Cortese, who was nominated for La nuit américaine (1973), saying that she deserved the award more. suite
Continuité: As Poirot goes to leave the car after announcing his solution to the murder, Pierre is shown opening the salon door, and holding it open as Poirot pauses in the doorway, turns and watches as the various passengers make toasts to one another. Pierre is the first to step up and raise a toast with his glass of champagne. But when all the toasts have been made, Poirot is shown still standing in the doorway, then turning to exit, even as Pierre (actually just his arm is visible, but it couldn't have been anyone else) is seen in the exact same position, still holding open the door for Poirot. suite
[first lines]
Ferry conductor:
Your ticket, please.
Mary Debenham:
Oh, yes.
Ferry conductor:
Welcome aboard, Miss Debenham.
Mary Debenham:
Thank you.
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Parodié dans "Animaniacs: Distasterpiece Theatre/Hercule Yakko/Home on De-Nile/A Midsummer Night's Dream (#1.25)" (1993) suite
On the Good Ship Lollipop suite
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| Murder on the Orient Express | Death on the Nile | The Black Doll | The Spider Returns | Agatha Christie Marple: The Sittaford Mystery |
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IMDb Note Générale:
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IMDb Note Générale:
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IMDb Note Générale:
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IMDb Note Générale:
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| Casting et équipe complète | Remerciements de la Société | Revues externes |
| IMDb Crime section | IMDb UK section | Add this title to MyMovies |
A great ensemble cast. Superb direction. An amazing mystery. The finest of the Christie film versions. Finney is the most amazing screen Poirot since the great Charles Laughton. He's devilish as much as he is clever and cunning. Beautifully crafted and scripted, the film is one of the finest of the genre. Not to be missed.