Barry Lyndon (1975)

Note Générale:

8,1/10   

Réalisateur:

Stanley Kubrick

Scénaristes:

Stanley Kubrick (written for the screen by)
William Makepeace Thackeray (novel)

Date de sortie:

18 décembre 1975 (USA)

Genre:

Drame | Romance | Guerre

Intrigue:

An Irish rogue wins the heart of a rich widow and assumes her dead husband's position in 18th Century aristocracy.

Plot Keywords:

British Army | Duel | 18th Century | Seven Years War | Irish

Récompenses:

Won 4 Oscars. Another 11 wins & 11 nominations

Avis des utilisateurs:

A tale of love, war and power

Ensemble

Ryan O'Neal	...	Barry Lyndon / Redmond Barry
Marisa Berenson	...	Lady Lyndon
Patrick Magee	...	The Chevalier
Hardy Krüger	...	Captain Potzdorf (as Hardy Kruger)
Steven Berkoff	...	Lord Ludd
Gay Hamilton	...	Nora Brady
Marie Kean	...	Barry's Mother
Diana Körner	...	German Girl (as Diana Koerner)
Murray Melvin	...	Reverend Runt
Frank Middlemass	...	Sir Charles Lyndon
André Morell	...	Lord Wendover (as Andre Morell)
Arthur O'Sullivan	...	Captain Feeny, the Highwayman
Godfrey Quigley	...	Captain Grogan
Leonard Rossiter	...	Captain Quin
Philip Stone	...	Graham

Durée:

184 min

Pays:

UK

Langue:

Anglais | Allemand | Français

Couleur:

Couleur (Eastmancolor)

Rapport de forme:

1,37 : 1

Son:

Mono

Classification:

Canada:A (Nova Scotia) | Canada:AA (Ontario) | Canada:PG (Manitoba) | Spain:18 | Finland:K-16 (1976) | Sweden:15 | France:Unrated | Brazil:12 | Canada:14A (video rating) | Argentina:Atp | New Zealand:PG | Australia:PG | Canada:G (Quebec) | Netherlands:12 | Singapore:PG | UK:A (original rating) | UK:PG (video rating) (1987) | West Germany:12 | USA:PG | Iceland:12

Lieux de tournage:

Baden-Württemberg, Germany

Société:

Peregrine

Anecdotes:

Despite being credited in the end titles Harry Towb is not to seen at all in the film.

Goofs:

Continuité: The sky as Barry passes the inn on his journey to Dublin.

Guillemet:

[first lines]
[two figures visible on the horizon prepare to duel. Three witnesses stand between them]
Second: Gentlemen, cock your pistols! Gentlemen...
Narrator: Barry's father...
Second: ...aim your pistols!
Narrator: ...had been bred, like many other young sons of a genteel family, to the profession of the law.
Second: One!
Narrator: And there is no doubt he would've...
Second: Two!
Narrator: ...made an eminent figure in his profession...
[...]

Connexions:

figure dans Lost Kubrick: The Unfinished Films of Stanley Kubrick (2007) (V)

Bande son:

Sarabande

A tale of love, war and power

While this is, in my opinion, not the best of Kubrick's films, it is in no way a bad film of his... some have claimed it is overlong and dull, but I don't think so. From what I've heard, it does the novel justice, and I believe that is what Kubrick went after, more than anything else. That is admirable, for a man who throughout his career was known for making unfaithful film adaptations of famous and popular novels, much to the dismay of the authors. The film perfectly presents everything from the time period in which it takes place... something that few, if any, other films have accomplished. It deals with the life of Redmond Barry, his ups and downs. The first half has us feeling sympathy with him, and shows his rise to a high position and gain the name Barry Lyndon, and everything that entitles. The second seems to turn us a little more against him, as he goes through the expected downfall that must always follow an unexpected rise to high life. Through the film he gets desensitized and careless. We follow him through most of his life, and an uneventful one it is not. As all other Kubrick films, the visual side is probably the most prominent one of the film, as he grants us several long looks at the beautiful sets and locales, and there are more than a few of his trademark shots slowly zooming out from the focus point to display the surroundings. The plot is great, and almost constantly developing. It is narrated with a good sense of irony and clever social satire on the time period. There's plenty of humor in the film to make the three hour run-time seem less long. The pacing is good and thorough without the film being slow(though I do admit that it isn't a film for those who are not used to long, visual films). The characters are well-written and credible. The acting is excellent all the way. Not even the child-actors seemed less than perfectly convincing. The costumes and sets are great. From what I understand, there is no detail in the film that is even slightly historically inaccurate. That is quite impressive for a film that takes place about a century and a half before it was made. I have heard of great deals of work done to keep many films accurate, but I don't believe one exists that manages to do so with such perfection as this. Even the very language that they speak is accurate. The special effects in the film also deserve mention here... for a film that is almost thirty years old, it's impeccable how believable and convincing the effects are... I couldn't tell how most of them were done. Kubrick was indeed one of the most brilliant directors ever... he was not only a master at his craft, he was also one of the most innovative and inspiring film-makers to have ever lived. I recommend this great piece of cinema to anyone who has an interest in the time period the film is set and any fan of Stanley Kubrick. Don't miss this one. Not his greatest, but a truly great one nonetheless. 10/10