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Mutter Küsters' Fahrt zum Himmel (1975)
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Overview
Release Date:
7 mars 1985 (Hungary) suiteGenre:
DramePlot:
Frau Kusters is preparing dinner late one seemingly ordinary afternoon in her seemingly ordinary kitchen in Frankfurt... suite | add synopsisAvis des utilisateurs:
Good Fassbinder with a great Brigitte Mira suiteEnsemble
(Cast overview, first billed only) | Brigitte Mira | ... | Emma Küsters |
| Ingrid Caven | ... | Corinna |
| Margit Carstensen | ... | Frau Thälmann |
| Karlheinz Böhm | ... | Thälmann |
| Irm Hermann | ... | Helene |
| Gottfried John | ... | Niemeyer |
| Peter Kern | ... | Nachtclubbesitzer |
| Kurt Raab | ... | Barbesitzer Gustav |
| Gustav Holzapfel | ... | Herr Holzapfel |
| Lilo Pempeit | ... | Sekretärin |
| Peter Chatel | ... | Photograph |
| Peter Bollag | ... | Photograph |
| Vitus Zeplichal | ... | Reporter |
| Volker Spengler | ... | Photograph |
| Y Sa Lo | ... | Terroristin |
Additional Details
Autre(s) titre(s) :
Mother Küsters Goes to Heaven (USA)Mother Kuster's Trip to Heaven (UK)
Maman Küsters s'en va au ciel (France) [fr]
suite
Parents Guide:
Add content advisory for parentsDurée:
Germany:120 min | USA:108 minPays:
West GermanyLangue:
AllemandCouleur:
CouleurAspect Ratio:
1.37 : 1 suiteSon:
MonoClassification:
West Germany:16Emplacements De Pelliculage:
Frankfurt/Main, Hesse, GermanyMOVIEmeter: 
8% since last week
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| Weg ohne Umkehr | Deutschland im Herbst | Was nützt die Liebe in Gedanken | Himmel über Berlin, Der | Faustrecht der Freiheit |
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Related Links
| Full cast and crew | Company credits | External reviews |
| IMDb Drame section | IMDb West Germany section | Add this title to MyMovies |
Good Fassbinder, if a little lethargic. Brigitte Mira, who just passed away earlier this month, plays a housewife who has long settled in her uneventful life. One day, however, her husband commits murder-suicide at the factory in which he works. Suddenly she has to deal with the media, as well as her uncaring family. She can't really figure out why her husband did what he did. Luckily, some local communists show up to help her figure it out. Soon she's a pawn in their politics. And, when they don't satisfy her need for an explanation, a group of anarchists steps in to use her for their own political purposes. The film ends twice – once we read Fassbinder's original scripted ending, then we see the ending he did use. Both work, though I think the first, unfilmed one is a lot more Fassbinder-esque. Mira is wonderful, as usual; some of the family material is too close to Fear Eats the Soul, and is rendered somewhat ineffective because of that.