Ennio De Concini (writer)
Bret Harte (story)
12 août 1975 (Italy) suite
Four petty criminals, three men and a woman, wander through the trackless terrain of the Wild West Utah and are hounded by a sadistic bandit. full summary | add synopsis
Visceral and Symbolic plus de (27 total)
| Fabio Testi | ... | Stubby Preston | |
| Lynne Frederick | ... | Emanuelle 'Bunny' O'Neill | |
| Michael J. Pollard | ... | Clem | |
| Harry Baird | ... | Bud | |
| Adolfo Lastretti | ... | Rev. Sullivan | |
| Bruno Corazzari | ... | Lemmy | |
| Giorgio Trestini | ... | Saul | |
| Donald O'Brien | ... | Sheriff of Salt Flat | |
| Tomas Milian | ... | Chaco | |
| reste de la distribution par ordre alphabétique: | |||
| Charles Borromel | ... | Montana, Altaville townsman (uncredited) | |
| Edward Mannix | ... | Narrator (voice: English version) (uncredited) | |
| Salvatore Puntillo | ... | Recovering man (uncredited) | |
| Lorenzo Robledo | ... | Sheriff being tortured (uncredited) | |
| Claudio Ruffini | ... | First shot Gunman (uncredited) | |
| Goffredo Unger | ... | Betting Man (uncredited) | |
Réalisé par | |||
| Lucio Fulci | |||
Scénaristes(dans l'ordre alphabétique) | ||
| Ennio De Concini | writer | |
| Bret Harte | story (as Francis Brett Harte) | |
Produit par | |||
| Edmondo Amati | .... | producer (uncredited) | |
Musique originale | |||
| Franco Bixio | |||
| Fabio Frizzi | |||
| Vince Tempera | |||
Image | |||
| Sergio Salvati | |||
Montage | |||
| Ornella Micheli | |||
Création des décors | |||
| Giovanni Natalucci | |||
Création des costumes | |||
| Massimo Lentini | |||
Maquillage | |||
| Feliziano Ciraci | .... | assistant makeup artist | |
| Massimo De Rossi | .... | makeup supervisor | |
| Maggi | .... | wig maker | |
| Agnese Panarotto | .... | hair stylist | |
Directeur de production | |||
| Ennio Di Meo | .... | unit manager | |
| Piero Donati | .... | production manager | |
| Roberto Sbarigia | .... | production manager | |
Assistant réalisateur | |||
| Claudio Bondi | .... | assistant director | |
| Joe Pollini | .... | assistant director (as Giuseppe Pollini) | |
Département Art | |||
| Luigi Quintili | .... | assistant art director | |
Technicien du son | |||
| Marco Donati | .... | boom operator | |
| Mario Ottavi | .... | sound recordist | |
Cascadeur | |||
| Goffredo Unger | .... | stunt coordinator | |
Caméra et Département Electrique | |||
| Emilio Bestetti | .... | assistant camera | |
| Maurizio Lucchini | .... | assistant camera | |
| Leo Massa | .... | still photographer: action stills | |
| Enrico Sasso | .... | camera operator | |
Dpartement Editorial | |||
| Bruno Micheli | .... | assistant editor | |
| Kathleen Stratton | .... | assistant editor (as Rossana Landi) | |
Département Musique | |||
| Massimo De Luca | .... | musician: guitar | |
| Franco Di Lelio | .... | musician: harmonica | |
| Michele Seffer | .... | musician: bass | |
| Vince Tempera | .... | musician: keyboard | |
Divers | |||
| Verena Baldeo | .... | location manager | |
| Roberto Giandalia | .... | script supervisor | |
| Julio Parra | .... | location manager | |
Four Gunmen of the Apocalypse
Four Horsemen of the Apocalypse
Four of the Apocalypse
The Four of the Apocalypse... (USA) (DVD title)
suite
Italy:104 min (uncut version) | USA:87 min | France:80 min
Couleur (Technospes)
1,85 : 1 suite
West Germany:16 | Canada:16+ (Quebec) | Italy:VM18 | Norway:16 (cut)
Révélant des erreurs: When Stubby takes the doll from the dead little Swiss girl, she moves her left hand. suite
Chaco:
Chaco is the name my friend, and I would be very happy to join your group.
Stubby Preston:
Nobody invited you.
Chaco:
But I did. I'm a damn good hunter you know. Wherever you go you'll have a piece of meat every day.
suite
Edité en Fulci of the Apocalypse (2001) (V) suite
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| Four of the Apocalypse by Lucio Fulci | henrycovert69 |
| Lynne Fredericks is beautiful in this movie. | chadelle |
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| Novecento | C'era una volta il West | Koroshiya 1 | Slaughterhouse-Five | Salò o le 120 giornate di Sodoma |
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| Casting et équipe complète | Remerciements de la Société | Revues externes |
| IMDb Drame section | IMDb Italy section | Add this title to MyMovies |
Although by standard genre conventions, I Quattro dell'apocalisse (Four of the Apocalypse) is definitely a (spaghetti) western, in many ways it is just as terrifying as any of director Lucio Fulci's more famous horror flicks.
The story centers on four people who end up together by happenstance--they are all jailed in a small Utah town. After most of the town is massacred, the four are set free and try to make their way together to a city 200 miles distant. Although adapted from two Bret Harte stories, "The Luck of Roaring Camp" and "The Outcasts of Poker Flat", Fulci and screenwriter Ennio De Concini amped up the violence, added a character, Chaco (Tomas Milian) probably influenced by Charles Manson (and prescient of Johnny Depp's Jack Sparrow portrayal in a way that must be more than happenstance), and embedded the Biblical "Four Horsemen of the Apocalypse" connection.
In the Bible, the four horsemen represent the destructive phenomena of pestilence, famine, war and death. Here, there's more of a "seven deadly sins" flavor, as the four main characters represent greed/gambling, prostitution, alcoholism and insanity. Adding Chaco to the mix flips traditional morality on its head, as the four protagonists must bond as they try to help each other survive.
The penultimate act is subtly mystical--it's almost as if the remaining protagonists have been temporarily transported to heaven, although the greatest tragedy occurs in this setting, too. Fulci slyly transforms the environment during this section, a change that actually begins to occur during the previous act, with a heavily symbolic downpour.