Directed by
| Pier Paolo Pasolini | ||
Writing Credits
| Pier Paolo Pasolini | ... | (written by) & |
| Sergio Citti | ... | (screenplay collaboration) |
| Pupi Avati | ... | (additional scriptwork) (uncredited) |
| Marquis de Sade | ... | (novel) (uncredited) |
Cast (in credits order) verified as complete
Produced by
| Alberto De Stefanis | ... | producer (uncredited) |
| Antonio Girasante | ... | producer (uncredited) |
| Alberto Grimaldi | ... | producer |
Cinematography by
| Tonino Delli Colli | ... | director of photography |
Editing by
| Nino Baragli | ||
Production Design by
| Dante Ferretti | ||
Set Decoration by
| Osvaldo Desideri | ||
Costume Design by
| Danilo Donati | ||
Makeup Department
| Giusy Bovino | ... | hair stylist (as Giusi Bovino) |
| Osvaldo Desideri | ... | makeup artist |
| Alfredo Tiberi | ... | makeup artist |
Production Management
| Renzo David | ... | production supervisor |
| Alberto De Stefanis | ... | unit manager |
| Antonio Girasante | ... | production manager |
| Alessandro Mattei | ... | production supervisor |
| Angelo Zemella | ... | production supervisor |
Second Unit Director or Assistant Director
| Umberto Angelucci | ... | first assistant director |
| Fiorella Infascelli | ... | second assistant director |
Art Department
| Maria-Teresa Barbasso | ... | draughtswoman |
| Italo Tomassi | ... | painter (uncredited) |
Sound Department
| Fausto Ancillai | ... | sound mixer |
| Massimo Anzellotti | ... | sound effects editor |
| Gilles Barberis | ... | audio restorer |
| Alessandro Biancani | ... | audio restorer |
| Giorgio Loviscek | ... | sound |
| Domenico Pasquadibisceglie | ... | sound |
| Giuseppina Sagliano | ... | boom operator |
Special Effects by
| Alfredo Tiberi | ... | special effects |
Camera and Electrical Department
| Sandro Battaglia | ... | first assistant camera |
| Deborah Imogen Beer | ... | still photographer (as Deborah Beer) |
| Emilio Bestetti | ... | camera operator |
| Giancarlo Granatelli | ... | second assistant camera |
| Carlo Tafani | ... | camera operator |
Costume and Wardrobe Department
| Vanni Castellani | ... | costume assistant |
Editorial Department
| Ugo De Rossi | ... | assistant editor |
| Alfredo Menchini | ... | assistant editor |
| Enzo Ocone | ... | post-production coordinator |
Music Department
| Arnaldo Graziosi | ... | musician: piano |
| Ennio Morricone | ... | music consultant |
Script and Continuity Department
| Beatrice Banfi | ... | script supervisor |
Additional Crew
| Vittorio Cudia | ... | assistant secretary |
| Maurizio Forti | ... | administrator |
| Alberto Grimaldi | ... | presenter |
| Pietro Innocenti | ... | administrator |
| Nico Naldini | ... | publicist |
| Marco Bellocchio | ... | voice dubbing: Aldo Valletti (uncredited) |
| Laura Betti | ... | voice dubbing: Hélène Surgère (uncredited) |
| Giorgio Caproni | ... | voice dubbing: Giorgio Cataldi (uncredited) |
| Aurelio Roncaglia | ... | voice dubbing: Umberto Paolo Quintavalle (uncredited) |
| Giancarlo Vigorelli | ... | voice dubbing: Paolo Bonacelli (uncredited) |
Thanks
| Roland Barthes | ... | bibliography: Sade, Fourier, Loyola |
| Maurice Blanchot | ... | bibliography: Lautréamont et Sade |
| Simone de Beauvoir | ... | bibliography: Faut-il brûler Sade? |
| Pierre Klossowski | ... | bibliography: Sade mon prochain - Le Philosophe scélérat |
| Philippe Sollers | ... | bibliography: L'écriture et l'expérience des limites |
