| Nino Manfredi | ... | Giacinto Mazzatella | |
| Maria Luisa Santella | ... | Iside | |
| Francesco Anniballi | ... | Domizio | |
| Maria Bosco | ... | Gaetana | |
| Giselda Castrini | ... | Lisetta | |
| Alfredo D'Ippolito | ... | Plinio | |
| Giancarlo Fanelli | ... | Paride | |
| Marina Fasoli | ... | Maria Libera | |
| Ettore Garofolo | ... | Camillo | |
| Marco Marsili | ... | Marce | |
| Franco Merli | ... | Fernando | |
| Linda Moretti | ... | Matilde | |
| Luciano Pagliuca | ... | Romolo | |
| Giuseppe Paravati | ... | Tato | |
| Silvana Priori | ... | Paride's Wife | |
| Giovanni Rovini | ... | Sister Antonecchia | |
| Adriana Russo | ... | Dora | |
| Mario Santella | ... | Adolfo | |
| Ennio Antonelli | ... | Oste | |
| Marcella Battisti | ... | Marcella Celhoio | |
| Francesco Crescimone | ... | Il commissario | |
| Beryl Cunningham | ... | Baraccata Negra | |
| Silvia Ferluga | ... | Maga | |
| Zoe Incrocci | ... | Madre Tommasina | |
| Franco Marino | ... | Padre Santandrea | |
| Marcella Michelangeli | ... | Impieg. Postale | |
| Clarisse Monaco | ... | Tommasina | |
| Aristide Piersanti | ... | Cesaretto | |
| Assunta Stacconi | ... | Assunta Celhoio |
Réalisé par | |||
| Ettore Scola | |||
Scénaristes(dans l'ordre alphabétique) | ||
| Sergio Citti | dialogue | |
| Ruggero Maccari | writer | |
| Ettore Scola | writer | |
Produit par | |||
| Romano Dandi | .... | associate producer | |
| Carlo Ponti | .... | producer | |
Musique originale | |||
| Armando Trovajoli | |||
Image | |||
| Dario Di Palma | |||
Montage | |||
| Raimondo Crociani | |||
Création des décors | |||
| Luciano Ricceri | |||
| Franco Velchi | |||
Décorateur de plateau | |||
| Jean Robert Marquis | |||
Création des costumes | |||
| Danda Ortona | |||
Maquillage | |||
| Adalgisa Favella | .... | hair stylist | |
| Franco Freda | .... | makeup artist | |
Directeur de production | |||
| Luigi Anastasi | .... | production manager | |
Assistant réalisateur | |||
| Silvio Ferri | .... | assistant director | |
| Marco Pettini | .... | assistant director | |
| Giorgio Scotton | .... | assistant director | |
Département Art | |||
| Luciano Targuini | .... | property master (as Luciano Tarquini) | |
| Nello Zetti | .... | property master | |
Technicien du son | |||
| Luciano Anzellotti | .... | sound effects editor | |
| Franco Bassi | .... | sound mixer | |
| Carlo Palmieri | .... | sound | |
| Marcello Prando | .... | dubbing assistant | |
| Armando Tarzia | .... | sound mixer | |
| Manlio Urbani | .... | boom operator | |
Effets spéciaux | |||
| Fratelli Ascani | .... | special effects | |
Département Costume et garde-Robe | |||
| Clara Poggi | .... | wardrobe | |
Dpartement Editorial | |||
| Graziella Di Giovanni | .... | second assistant editor | |
| Anna Rosa Napoli | .... | assistant editor | |
| Pina Triunveri | .... | assistant editor | |
Département Musique | |||
| Sergio Marcotulli | .... | music mixer | |
Divers | |||
| Sergio Bologna | .... | administrator | |
| Sergio Citti | .... | dubbing consultant | |
| Mariano Di Mauro | .... | production secretary | |
| Giulio Longo | .... | production secretary | |
| Roberta Revetria | .... | production secretary | |
| Sergio Rosa | .... | accountant | |
| Anna Maria Tatò | .... | press agent | |
| Patrizia Zulini | .... | script supervisor | |
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| 8½ | Miracolo a Milano | Mio fratello è figlio unico | My Own Private Idaho | Roma, città aperta |
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IMDb Note Générale:
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IMDb Note Générale:
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IMDb Note Générale:
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IMDb Note Générale:
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IMDb Note Générale:
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| Casting et équipe complète | Remerciements de la Société | Revues externes |
| IMDb Comedie section | IMDb Italy section | Add this title to MyMovies |
Just a great film! I think that "Ugly, Dirty an Bad" has more quality than many "Hollywood-made-to-win-Oscars" films. Let's forget by now the humor side of the film; the content brought to the viewer shows as those kind of people try to survive day by day in extreme poverty and illness. Much more than a film to make people laugh, it's a documentary and a "finger-in-wound" in nowadays issues. I hope people after see that movie just don't remember the funniest scenes, but also the human side of the whole story pictured in there. Remember, everywhere we go, even if all around seems to be nice and beauty, somewhere, if we look carefully, we can discover "dark spots"... Recently in an opinion article about another film, in the heading section we could read "[...] Mary, satiated of removing thorns from the rose flowers in local factory [...]" That's the point: there's no roses without thorns! And if you see a rose without them, it's because someone had remove it before...