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Harry Julian Fink (characters) and
Rita M. Fink (characters) ...
(suite)
22 décembre 1976 (USA) suite
The "dirtiest" Harry of them all! suite
Dirty Harry must foil a terrorist organization made up of disgruntled Vietnam veterans. But this time, he's teamed with a rookie female partner that he's not too excited to be working with. full summary | add synopsis
Another Good Dirty Harry plus de (63 total)
| Clint Eastwood | ... | Insp. 'Dirty' Harry Callahan | |
| Tyne Daly | ... | Insp. Kate Moore | |
| Harry Guardino | ... | Lt. Al Bressler | |
| Bradford Dillman | ... | Capt. McKay | |
| John Mitchum | ... | Insp. Frank DiGiorgio | |
| DeVeren Bookwalter | ... | Bobby Maxwell | |
| John Crawford | ... | The Mayor | |
| Samantha Doane | ... | Wanda | |
| Robert F. Hoy | ... | Buchinski (as Robert Hoy) | |
| Jocelyn Jones | ... | Miki Waleska | |
| M.G. Kelly | ... | Father John | |
| Nick Pellegrino | ... | Martin | |
| Albert Popwell | ... | 'Big' Ed Mustapha | |
| Rudy Ramos | ... | Mendez | |
| Bill Ackridge | ... | Andy | |
| Bill Jelliffe | ... | Johnny | |
| Joe Bellan | ... | Freddie the Fainter | |
| Tim O'Neill | ... | Police Sergeant | |
| Jan Stratton | ... | Mrs. Grey | |
| Will MacMillan | ... | Lt. Dobbs | |
| Jerry Walter | ... | Krause | |
| Steve Eoff | ... | Bustanoby | |
| Tim Burrus | ... | Henry Lee | |
| Michael Cavanaugh | ... | Lalo | |
| Dick Durock | ... | Karl | |
| Ronald Manning | ... | Tex | |
| Adele Proom | ... | Irene DiGeorgio | |
| Glenn Leigh Marshall | ... | Army Sergeant | |
| Robert Behling | ... | Autopsy Surgeon | |
| Terence McGovern | ... | Disc Jockey (as Terry McGovern) | |
| Stan Richie | ... | Bridge Operator | |
| John Roselius | ... | Jimmy, the Mayor's Assistant | |
| Brian Fong | ... | Scoutmaster | |
| Art Rimdzius | ... | Porno Director | |
| Chuck Hicks | ... | Huey | |
| Anne Macey | ... | Madam (as Ann Macy) | |
| Gloria Prince | ... | Massage Girl | |
| Kenneth Boyd | ... | Abdul | |
| Bernard Glin | ... | Koblo | |
| Fritz Manes | ... | Detective #1 | |
| reste de la distribution par ordre alphabétique: | |||
| Roger Ferreira | ... | Extra | |
| Barbara Beebe | ... | Porno Actress (uncredited) | |
| George Cheung | ... | Mendez Henchman (uncredited) | |
| Michael L. Davis | ... | Police Sergeant at Bombing (uncredited) | |
| Joe Spano | ... | Mitch, Robber (uncredited) | |
Réalisé par | |||
| James Fargo | |||
Scénaristes | ||
| Harry Julian Fink | (characters) and | |
| Rita M. Fink | (characters) (as R.M. Fink) | |
| Gail Morgan Hickman | (story) & | |
| S.W. Schurr | (story) | |
| Stirling Silliphant | (screenplay) and | |
| Dean Riesner | (screenplay) | |
Produit par | |||
| Robert Daley | .... | producer | |
Musique originale | |||
| Jerry Fielding | |||
Image | |||
| Charles W. Short | (director of photography) | ||
Montage | |||
| Joel Cox | |||
| Ferris Webster | |||
Distribution des rôles | |||
| Mary Goldberg | |||
Direction artistique | |||
| Allen E. Smith | |||
Décorateur de plateau | |||
| Ira Bates | |||
Création des costumes | |||
| Glenn Wright | |||
Maquillage | |||
| Joe McKinney | .... | makeup supervisor | |
| Lorraine Roberson | .... | hair stylist | |
Directeur de production | |||
| John G. Wilson | .... | unit production manager | |
Assistant réalisateur | |||
| Joseph C. Cavalier | .... | assistant director (as Joe Cavalier) | |
| Joe Florence | .... | second assistant director | |
| Billy Ray Smith | .... | second assistant director | |
Département Art | |||
| Edward Aiona | .... | property master (as Eddie Aiona) | |
| Gerald MacDonald | .... | construction coordinator (as Jerry MacDonald) | |
Technicien du son | |||
| Les Fresholtz | .... | sound re-recording mixer | |
| Bert Hallberg | .... | sound | |
| Keith Stafford | .... | sound effects editor | |
Effets spéciaux | |||
| Joseph A. Unsinn | .... | special effects (as Joe Unsinn) | |
Cascadeur | |||
| Buddy Van Horn | .... | stunt coordinator (as Wayne Van Horn) | |
| Tony Cecere | .... | stunts (uncredited) | |
| George Cheung | .... | stunts (uncredited) | |
| Dick Durock | .... | stunts (uncredited) | |
| Bob Herron | .... | stunts (uncredited) | |
| Chuck Hicks | .... | stunts (uncredited) | |
| Robert F. Hoy | .... | stunts (uncredited) | |
| Bill Jelliffe | .... | stunts (uncredited) | |
| George Orrison | .... | stunts (uncredited) | |
Caméra et Département Electrique | |||
| Kenneth Adams | .... | key grip (as Ken Adams) | |
| Richard Barth | .... | camera assistant (as Dick Barth) | |
| Doug Cook | .... | second grip (as Douglas Cook) | |
| Ralph Gerling | .... | camera operator | |
| John McPherson | .... | gaffer | |
| Frank Redmond | .... | camera assistant | |
| Ellsworth Reed | .... | best boy | |
| Marcia Reed | .... | still photographer | |
| Timothy E. Wade | .... | camera assistant (as Tim Wade) | |
Département Costume et garde-Robe | |||
| Glenn Wright | .... | costume supervisor | |
Département Musique | |||
| Donald Harris | .... | music editor | |
| Dan Wallin | .... | score mixer | |
| Art Pepper | .... | musician: alto saxophone solo (uncredited) | |
Département Transport | |||
| Tim Hill | .... | transportation captain | |
| Art Rimdzius | .... | transportation captain | |
Divers | |||
| Diana Brent | .... | secretary to producer (as Dianna Brent) | |
| Judie Garrison | .... | secretary to producer | |
| Catalina Lawrence | .... | script supervisor | |
| Fritz Manes | .... | assistant to producer | |
| Don Mink | .... | auditor | |
| Elly Mitchell | .... | production secretary | |
| James Moffett | .... | first aid | |
Moving Target (USA) (original script title)
suite
96 min
2,35 : 1 suite
Australia:M (TV rating) | Spain:18 | Iceland:16 | Singapore:PG (cut) | Finland:K-18 (1977) (cut) | Netherlands:12 | Singapore:M18 (re-rating) | USA:R (certificate #24716) | France:Unrated | Germany:16 (re-rating) (2008) | West Germany:18 (original rating) | Australia:MA (Cable TV rating) | Brazil:14 | Canada:18A | Australia:R | Norway:18 | Sweden:15 (cut) | UK:18 | South Korea:18 | Norway:16 (1977) (cut) | Norway:15 (DVD rating) | New Zealand:PG (DVD rating)
23rd & Capp Streets, Mission District, San Francisco, California, USA suite
At one point during the movie, a phone call is made from outside Candlestick Park (where the Giants are playing) to a pay phone that is in front of a bridge and a warehouse. The warehouse has since been torn down, replaced by AT&T Park (the home stadium of today's Giants). Fans walking to AT&T Park from the south cross the bridge to get there from the parking lots. suite
Continuité: At the beginning of the film, before Harry goes into the restaurant, he drives by a lone red car parked at the corner. In the next shot, there is a white car, behind the red car, that wasn't in the first shot. suite
Frank DiGiorgio:
[DiGiorgio is dying] Harry, listen, the punk who cut me. I've seen him before.
Harry Callahan:
Where?
Frank DiGiorgio:
...I just can't make the name.
Lt. Al Bressler:
Well, where do you know him from, Frank?
Frank DiGiorgio:
That homicide, remember, Harry? The old hooker, Filmore district. The summer of '71?
Harry Callahan:
Yeah, well, what about it?
Harry Callahan:
He was one of the pimps we questioned. We liked him for it, Harry, we liked him real good.
Harry Callahan:
As I recall, we liked everybody north of Market Street on that one.
Frank DiGiorgio:
He had one of those cutesy-pie, little boy names: Charlie, or something... or Bobby...
Lt. Al Bressler:
I'll check Records, they should have your notes.
[...]
suite
Référencé sur Beverly Hills Cop II (1987) suite
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| Magnum Force | Dirty Harry | GoldenEye | The Black Widow | Sudden Impact |
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IMDb Note Générale:
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| Casting et équipe complète | Remerciements de la Société | Revues externes |
| IMDb Action section | IMDb USA section | Add this title to MyMovies |
This film was to be Dirty Harry's last outing in the seventies (do not worry though, he had two comebacks in the eighties). It is easy to compare this film, with the two previous Dirty Harry movies, because there some things have (still) not changed. First of all, Harry (obviously) kept his cheeky mouth, which again provides the viewer with the necessary laughs and his boss with the necessary headaches. This is not the only thing that has stayed the same though. Again some of the scenes could have been shorter, thus (theoretically) making The Enforcer a much tighter package. A perfect example of that is the scene in which Harry chases a bad guy to the rooftop of a building. Not only could this scene have been shorter, but it could also have been much more exciting had there been adequate use of music and cinematography. There is however one upside to this installment in the Dirty Harry series, which is, that it is far more stable than it's predecessors. It is not a decent or good film film, but it gets very close, mainly because of the good acting and the fact that the film remained interesting for the despite it's downsides. Best Dirty Harry film until then. If you want to know if it is the best in the series, check my comment for Sudden Impact