Machinegunner (TV Movie 1976) Poster

(1976 TV Movie)

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10/10
Leonard Rossiter's Forgotten Gem
ShadeGrenade19 August 2008
Warning: Spoilers
Shot on film, 'Machinegunner' was an eighty-minute play made by H.T.V. West and broadcast ( only once that I know of ) late one Saturday night in the summer of 1976, following a screening of the first Bond film 'Dr.No'. As 'The T.V. Times' enthusiastically put it: 'Tough Trigger Action Explodes In Two High Speed Adventure Stories!'.

It begins with what sounds like machine-gun fire, but instead turns out to be a pneumatic drill. The late, great Leonard Rossiter is 'Cyril Dugdale', a Bristol-based debt collector ( 'machinegunner' is West Country slang for someone in the profession ) who also does private detective work. When a beautiful black woman named Felicity Mae Ingram ( Nina Baden-Semper ) hires him to obtain photographic evidence of an adulterous affair involving a property developer named Jack Bone ( Colin Welland ), he takes the job, partly because of the money ( £50 being a tidy sum in those days ), but mainly because he fancies Felicity.

He gets the pictures but then his problems really begin. Bone hires thugs to retrieve the negatives, and they aren't fussy about who they rough up, including one of Dugdale's friends. To complicate matters further, Bone is then found dead in some woods, and the body later moved to the flat of his lover Pat Livingston ( Kate O'Mara ). Bone had a secret arrangement with someone on the Council concerning the suitability of old properties for redevelopment.

The first thing to be said about 'Machinegunner' is that it is not a comedy. On the contrary, it is quite a dark tale of adultery, murder and corruption. There is a fair amount of blood on view and the odd glimpse of nudity ( including the sight of Rossiter taking a shower! ). 'Cyril Dugdale' shares some characteristics with 'Rigsby', most notably a distrust of black people, but is not really a comic character. Its hard not to smile though as he goes about his business in a 'Popeye Doyle'-style hat, bribing Indian families to move out of their hovels.

The film's major revelation is Nina Baden-Semper, cast as a very different character to 'Barbie Reynolds', the housewife she played in 'Love Thy Neighbour'. Mysterious, tough, independent, she makes a good foil for Rossiter.

Also in this are Tim ( credited as Timothy ) Preece, who was 'Tom' in 'The Fall & Rise Of Reginald Perrin', and Gay ( Gabrielle ) Rose, who wiggled her way through the second season of 'Rising Damp' as artist's model 'Brenda'.

'Machinegunner' was by Bob Baker and Dave Martin, best remembered for their work on 'Dr.Who' ( they created K9 ), as well as penning a number of other well-remembered series for H.T.V. West such as 'King Of The Castle' and 'Sky'. They appear here as a pair of 'scruffs'.

Watching this again recently, I was put in mind of 'Shoestring', the late '70's/early '80's B.B.C. private detective drama that starred Trevor Eve. The setting, story, and spurts of violence are all reminiscent of that later show. Baker wrote one episode, incidentally.

Had a 'Machinegunner' series been made, I am sure it would have been good, but Rossiter had Perrin lined up for later that year and was not yet finished with Rigsby.

'Machinegunner' is a must for both lovers of '70's I.T.V. crime drama and fans of the brilliant Mr.Rossiter.
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4/10
Rossiter fans may be rewarded, but that's about it.
khunkrumark22 July 2017
Leonard Rossiter immortalized himself on British television as a stressed out executive (Reginald Perrin) and a mean-spirited landlord (Rigsby) so it's easy to forget he was no stranger to more serious roles, including '2001: A Space Odyssey'. Here he is again playing it (mostly) straight as an opportunist amateur detective / debt-collector, Cyril Dugdale.

Rossiter is ideally cast as the victim of his own failings (greed/selfishness) as his character quickly gets drawn into a criminal world he doesn't know much about. There are hints of Rigsby... the beaten down, below average man confused, helpless and lashing out in his little world.

Nina Baden-Semper (the pretty, smiling, black Barbie in 'Love Thy Neighbour') is a bit more mysterious and menacing here as Femme-Fatale Felicity, but she still wears that winning smile... and a dreadful wig! Her role is ahead of its time, being a strong-willed, independent, black woman - yet it doesn't feel out of place here... except when we go to her house and it's empty bar a few African war masks and 'Black Power' posters! Very silly indeed.

The story opens with Dugdale evicting an Indian family from their condemned house. There's a hint of casual racism through the movie yet it's clear that the Indian family are happy to move on without a fuss if the price is right.

Dugdale falls for Felicity's charms (and money) and agrees to take some compromising photos of a local property developer. Soon after, he realizes that there's a whole lot more to the girl and this case than he was led to believe.

About halfway through it's impossible to even guess what's going on and the show becomes a collection of chase sequences ending with a very long drawn out one in a warehouse. The bad guys wear shades in the pitch black and shoot each other... it's that silly.

There's a poor attempt to tie up loose ends with a comedic finale but this fails very badly. Any other 'comedy' is buried beneath the locations in and around Bristol (which are depressing and grim) and the scenarios of unexpected violence and narrative stupidity.

The incidental musical score is frankly bizarre and extremely distracting. Think of silly, campy British flicks like 'Confessions of a Window Cleaner!' mixed in with the abstract organ grindings of the 'Thriller!' series, and you'll know what to expect. The audio is also a huge letdown and comes across as echoey with lots of background noise.

Colin Welland (Jackanory/Z Cars, etc) turns in a brief, routine performance. Kate O'Mara provides some desperately needed glamour! Familiar face Ewen Solon is also featured but bizarrely doesn't say a word!

The 80 minute TV movie doesn't really wear well after all this time. During the 1970's the United Kingdom was going through something of a social and economic makeover. Pre-war red brick slums were being torn down to make way for big roads and blocks of flats. At the bottom of the heap were immigrant families being shunted around from crappy place to crappy place and on the top were the builders and local politicians making money from this brave new world. This dichotomy is bluntly exposed here but not taken advantage of.

Any fan of Rossiter may be rewarded, but that's about it.
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