The American Friend (1977)
Der amerikanische Freund (original title)Reference View | Change View
- Not Rated
- 2h 8min
- Crime, Drama
- 24 Jun 1977 (West Germany)
- Movie
- 6 wins & 3 nominations.
- See more »
Photos and Videos
Complete, Cast awaiting verification
Dennis Hopper | ... |
Tom Ripley
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Bruno Ganz | ... |
Jonathan Zimmermann
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Lisa Kreuzer | ... |
Marianne Zimmermann
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Gérard Blain | ... |
Raoul Minot
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Nicholas Ray | ... |
'Derwatt'
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Samuel Fuller | ... |
Der Amerikaner
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Peter Lilienthal | ... |
Marcangelo
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Daniel Schmid | ... |
Igraham
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Sandy Whitelaw | ... |
Arzt in Paris
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Jean Eustache | ... |
Freundlicher Mann
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Lou Castel | ... |
Rodolphe
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Andreas Dedecke | ... |
Daniel
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David Blue | ... |
Allan Winter
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Stefan Lennert | ... |
Auktionator
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Rudolf Schündler | ... |
Gantner
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Gerty Molzen | ... |
Alte Dame
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Heinz Joachim Klein | ... |
Dr. Gabriel
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Heinrich Marmann | ... |
Herr im Zug
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Satya De La Manitou | ... |
Angie
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Axel Schiessler | ... |
Lippo
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Adolf Hansen | ... |
Schaffner
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Rosemarie Heinikel | ... |
Mona
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Rest of cast listed alphabetically: | |||
Enzo Robutti | ... |
Falling man (uncredited)
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Wim Wenders | ... |
Figure Wrapped in Plaster Bandages in Ambulance (uncredited)
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Directed by
Wim Wenders |
Written by
Patricia Highsmith | ... | (novel "Ripley's Game") |
Wim Wenders | ... | () |
Produced by
Renée Gundelach | ... | supervising producer |
Margaret Ménégoz | ... | line producer |
Joachim von Mengershausen | ... | producer: WDR |
Wim Wenders | ... | producer |
Music by
Jürgen Knieper |
Cinematography by
Robby Müller |
Editing by
Peter Przygodda |
Editorial Department
Gisela Bock | ... | assistant editor |
Philipp Orgassa | ... | digital restoration colorist |
Ingrid Träutlein-Peer | ... | assistant editor |
Barbara von Weitershausen | ... | assistant editor |
Art Direction by
Heidi Lüdi | ||
Toni Lüdi |
Costume Design by
Isolde Nist |
Makeup Department
Evelyn Döhring | ... | makeup artist |
Hannelore Uhrmacher | ... | makeup artist |
Production Management
Pierre Cottrell | ... | production manager |
Harald Kügler | ... | unit manager |
Michael Wiedemann | ... | production manager |
Second Unit Director or Assistant Director
Emmanuel Clot | ... | assistant director |
Fritz Müller-Scherz | ... | assistant director |
Philippe Schwartz | ... | first assistant director |
Art Department
Peter Braun | ... | props |
Luigi De Luca | ... | props |
Bernhard Frey | ... | props |
Eckerhard Voggenreiter | ... | props |
Sound Department
Milan Bor | ... | sound mixer |
Jochen Bärwald | ... | assistant sound |
Max Galinsky | ... | sound mixer |
Peter Kaiser | ... | sound |
Maryte Kavaliauskas | ... | sound assistant |
Jens-Uwe Laddey | ... | assistant sound |
Martin Müller | ... | sound mixer |
Special Effects by
Theo Nischwitz | ... | special effects |
Stunts
Klaus Schichan | ... | stunts |
Camera and Electrical Department
Jean-François Casi | ... | crane operator: Louma crane |
Marc Casi | ... | crane operator: Louma crane |
Wolfgang Dell | ... | lighting technician |
Hans Dreher | ... | grip |
Ernst Harinko | ... | lighting technician |
Ekkehard Heinrich | ... | lighting technician |
Edward Lachman | ... | assistant camera |
Jean-Marie Lavalou | ... | crane operator: Louma crane |
Jean-Claude Le Bras | ... | electrician (as Jean-Claude LeBras) |
Robert Morsch | ... | electrician |
Tassilo Peik | ... | lighting technician |
Viktor Sauermann | ... | lighting technician |
Martin Schäfer | ... | assistant camera |
Jacques Steyn | ... | assistant camera |
Hans Volkmann | ... | lighting technician |
Andreas Willim | ... | electrician |
Costume and Wardrobe Department
Renate Zimmermann | ... | wardrobe |
Location Management
Heinz Badewitz | ... | location manager |
Pat Kirck | ... | location manager: New York |
Philippe Schwartz | ... | location manager: Paris |
Script and Continuity Department
Gretl Zeilinger | ... | script supervisor |
Additional Crew
Claude Bertonazzi | ... | production administrator |
Anne Povel | ... | bookkeeper |
Harald Vogel | ... | production assistant |
Thanks
Henri Langlois | ... | dedicatee |
Production Companies
- Bavaria Film
- Filmverlag der Autoren
- Les Films du Losange
- Road Movies Filmproduktion
- Westdeutscher Rundfunk (WDR)
- Wim Wenders Productions
- Wim Wenders Stiftung
Distributors
- Cinegate (1977) (United Kingdom) (theatrical) (subtitled)
- New Yorker Films (1977) (United States) (theatrical) (subtitled)
- Pan American Productions (1977) (Australia) (theatrical)
- Dianafilmi (1978) (Finland) (theatrical)
- Svenska Filminstitutet (SFI) (1978) (Sweden) (theatrical)
- Vis Distribuzione Cinematografica (1978) (Italy) (theatrical)
- Sacil (1979) (Portugal) (theatrical)
- Filmverlag der Autoren (1980) (West Germany) (theatrical)
- Palace Video (1983) (United Kingdom) (VHS)
- VCL (1985) (Australia) (video)
- Mainostelevisio (MTV) (1987) (Finland) (tv)
- New Yorker Video (1997) (United States) (VHS) (subtitled)
- Rosebud (2003) (Greece) (theatrical)
- Anchor Bay Entertainment (2003) (United States) (DVD)
- Anchor Bay Entertainment (2004) (United States) (DVD)
- Arthaus (2005) (Germany) (DVD)
- Kinowelt Home Entertainment (2005) (Germany) (DVD)
- Ripley's Home Video (2005) (Italy) (DVD)
- Anchor Bay Entertainment (2006) (United States) (DVD)
- Madman Entertainment (2007) (Australia)
- Madman Entertainment (2007) (New Zealand)
- Sandrew Metronome Distribution (2009) (Finland) (DVD)
- StraDa Films (2015) (Greece) (theatrical) (re-release)
- The Criterion Collection (2016) (United States) (DVD)
- Arthaus (2017) (Germany) (Blu-ray)
- Leopardo Filmes (2017) (Portugal)
- Les Acacias (2018) (France) (theatrical) (re-release) (restored version)
- The Criterion Channel (2019) (United States) (tv) (digital)
- Ingram International Films (Canada) (theatrical)
- Facets Multimedia Distribution (United States) (VHS)
- German Language Video Center (United States) (VHS)
- Jota Home Vídeo (Brazil) (VHS)
- Pacific Arts (United States) (VHS)
Special Effects
Other Companies
- Sickert (art direction & title)
- Visual Icon (exclusive clip and still licensing)
Storyline
Plot Summary |
Tom Ripley has a sweet deal with an art forger. The forger creates the paintings; Tom sells them. But another criminal business associate wants Tom to go in for an even riskier enterprise: murder. Tom suggests his associate ask a local picture framer instead. That man has a fatal disease, or so it's rumored. More, he has a wife and kid that surely he wouldn't want to leave penniless. Let this picture framer be a hit man, and no one will suspect. The terminally ill craftsman may agree to the misdeed, and several more, but he'll end up needing Tom Ripley in a pinch. Written by J. Spurlin |
Plot Keywords | |
Taglines | ...transforms Patricia Highsmith's Ripley's Game into a gripping European noir. See more » |
Genres | |
Parents Guide | View content advisory » |
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Box Office
Budget | DEM3,000,000 (estimated) |
Did You Know?
Trivia | Bruno Ganz carried a real gun during the scene in the train station, because, humorously enough, the filmmakers could not afford a fake gun. See more » |
Goofs | The shadow of the helicopter filming is visible during the aerial shot of the train at about 1:27. See more » |
Movie Connections | Featured in The Living Daylights/Maid to Order/The Lost Boys/Stakeout (1987). See more » |
Soundtracks | Too Much on My Mind See more » |
Crazy Credits | The acting credits are divided into: the four leads, the rest of the cast, and the six directors who make guest appearances ("Als Gäste die Regisseure"). See more » |
Quotes |
Tom Ripley:
I like this room. It's got a good feel to it. It's quiet and peaceful. Just like you. I envy you. The smell of paint and wood. Must be good to work here. Then when you finish something, you can see what you've done. Jonathan Zimmermann: It's not that easy. Not that safe and easy. What do you make? Tom Ripley: I make money. And I travel a lot. I'm bringing the Beatles back to Hamburg. See more » |