| Richard Chamberlain | ... | David Burton | |
| Olivia Hamnett | ... | Annie Burton | |
| David Gulpilil | ... | Chris Lee (as Gulpilil) | |
| Frederick Parslow | ... | Rev. Burton | |
| Vivean Gray | ... | Dr. Whitburn | |
| Nandjiwarra Amagula | ... | Charlie | |
| Walter Amagula | ... | Gerry Lee | |
| Roy Bara | ... | Larry | |
| Cedrick Lalara | ... | Lindsey | |
| Morris Lalara | ... | Jacko | |
| Peter Carroll | ... | Michael Zeadler | |
| Athol Compton | ... | Billy Corman | |
| Hedley Cullen | ... | Judge | |
| Michael Duffield | ... | Andrew Potter | |
| Wallas Eaton | ... | Morgue Doctor | |
| Jo England | ... | Babysitter | |
| John Frawley | ... | Policeman | |
| Jennifer De Greenlaw | ... | Zeadler's Secretary (as Jennifer de Greenlaw) | |
| Richard Henderson | ... | Prosecutor | |
| Penny Leach | ... | Schoolteacher | |
| Merv Lillie | ... | Publican (as Merv Lilley) | |
| John Meagher | ... | Morgue Clerk | |
| Guido Rametta | ... | Guido | |
| Malcolm Robertson | ... | Don Fishburn | |
| Greg Rowe | ... | Carl | |
| Katrina Sedgwick | ... | Sophie Burton | |
| Ingrid Weir | ... | Grace Burton | |
| reste de la distribution par ordre alphabétique: | |||
| Tony Llewellyn-Jones | ... | Guest at party (uncredited) | |
Réalisé par | |||
| Peter Weir | |||
Scénaristes | ||
| Peter Weir | (screenplay) & | |
| Tony Morphett | (screenplay) & | |
| Petru Popescu | (screenplay) | |
Produit par | |||
| Hal McElroy | .... | producer | |
| Jim McElroy | .... | producer (as James McElroy) | |
Musique originale | |||
| Charles Wain | |||
Image | |||
| Russell Boyd | |||
Montage | |||
| Max Lemon | |||
Création des décors | |||
| Goran Warff | |||
Direction artistique | |||
| Neil Angwin | |||
Décorateur de plateau | |||
| Bill Malcolm | |||
Création des costumes | |||
| Annie Bleakley | |||
Maquillage | |||
| Lloyd James | .... | assistant makeup artist | |
| José Luis Pérez | .... | hair stylist (as Jose Perez) | |
| José Luis Pérez | .... | makeup artist (as Jose Perez) | |
Directeur de production | |||
| Ross Matthews | .... | production manager | |
| Beverly Davidson | .... | unit manager (uncredited) | |
Assistant réalisateur | |||
| Penny Chapman | .... | third assistant director | |
| Ian Jamieson | .... | second assistant director | |
| John Robertson | .... | first assistant director | |
Département Art | |||
| Kevin Brewer | .... | property buyer: South Australia | |
| Greg Brown | .... | construction manager: New South Wales | |
| John Carroll | .... | property buyer: New South Wales | |
| Ron Fletcher | .... | stagehand | |
| Ken Hazelwood | .... | carpenter | |
| Ken James | .... | stand-by propsman | |
| Clark Munro | .... | property buyer: South Australia | |
| Herbert Pinter | .... | construction manager: South Australia | |
| Philip Worth | .... | set maker (as Phil Worth) | |
Technicien du son | |||
| Greg Bell | .... | sound editor | |
| Helen Brown | .... | assistant sound editor | |
| Don Connolly | .... | sound recordist | |
| David Cooper | .... | boom operator | |
| Phil Judd | .... | sound mixer | |
Effets spéciaux | |||
| Mont Fieguth | .... | special effects (as Monty Fieguth) | |
| Bob Hilditch | .... | special effects | |
| Dennis Smith | .... | special effects assistant | |
Caméra et Département Electrique | |||
| Alan Dunstan | .... | best boy | |
| David Foreman | .... | clapper loader | |
| George Greenough | .... | additional photographer | |
| Klaus Jaritz | .... | additional photographer | |
| Keith Johnson | .... | electrician | |
| David Kynoch | .... | still photographer | |
| Merv McLaughlin | .... | key grip | |
| Mick Morris | .... | electrician | |
| Paul Moyes | .... | electrician | |
| John Seale | .... | camera operator | |
| Ron Taylor | .... | additional photographer | |
| Tony Tegg | .... | gaffer | |
| Tony Tegg | .... | lighting technician | |
| Michael White | .... | assistant grip | |
| David Williamson | .... | focus puller | |
| Sam Bienstock | .... | electrician (uncredited) | |
| George Greenough | .... | underwater photographer (uncredited) | |
| Ron Taylor | .... | underwater photographer (uncredited) | |
Département Costume et garde-Robe | |||
| Daro Gunzberg | .... | stand-by wardrobe | |
Dpartement Editorial | |||
| Peter Fletcher | .... | assistant editor | |
| Justin Milne | .... | assistant editor | |
| James Parsons | .... | color consultant | |
Divers | |||
| Su Armstrong | .... | production secretary | |
| Gilda Baracchi | .... | continuity | |
| Lance Bennett | .... | advisor: tribal Aboriginal matters | |
| Penny Carl | .... | production accountant | |
| Beverly Davidson | .... | location manager: South Australia | |
| Fiona Gosse | .... | secretary to producers (as Fiona Reynolds) | |
| Philip Hearnshaw | .... | production assistant: New South Wales | |
| Frank Manley | .... | caterer | |
| Rod McMorran | .... | production assistant: New South Wales | |
| Mark Patterson | .... | unit runner: South Australia | |
| Brian Trenchard-Smith | .... | promotional consultant | |
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| Careful, He Might Hear You | 8½ | La historia oficial | Donnie Darko | Boy A |
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IMDb Note Générale:
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IMDb Note Générale:
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IMDb Note Générale:
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| Casting et équipe complète | Remerciements de la Société | Revues externes |
| IMDb Drame section | IMDb Australia section | Add this title to MyMovies |
This is one of my all-time favorite films, and while it may move too slowly for some, it's well worth seeing. A corporate lawyer (Richard Chamberlain) is dragged into a case involving "city" Aborigines, and this is no ordinary case. OK, a man has died but it wasn't exactly a normal killing. There has also been a greater than average amount of rain lately, and the atmosphere of most of the film is somewhat claustrophobic & oppressive. The Aborigines are harboring a secret and refuse to spill the beans. This has a lot to do with white men making assumptions about "City" vs. "Tribal" Aborigines, and of course no Abo in the big city would practice tribal ways. Uh huh. Chamberlain is having strange dreams and he is somehow the key to what's happening, although no matter how many times I've seen this I can't quite grasp the exact connection. This is a very eerie and creepy film, and is a fine example of Peter Weir's ability to create tension out of nothing. The ending is a little ambiguous but I take it literally, it's the easiest way out and the scariest. 10 out of 10 and highly recommended.