Apocalypse Now (1979)

Note des utilisateurs:

8.6/10   

Réalisateur:

Francis Ford Coppola

Writers:

John Milius (screenplay) and
Francis Ford Coppola (screenplay) ...

Release Date:

15 août 1979 (USA)

Genre:

Action | Drame | War

Accroche:

The Horror. . . The Horror. . .

Plot:

During the on-going Vietnam War, Captain Willard is sent on a dangerous mission into Cambodia to assassinate a renegade Green Beret who has set himself up as a God among a local tribe.

Plot Keywords:

Army | Jungle | Colonel | Vietnam | Captain

Awards:

Won 2 Oscars. Another 13 wins & 32 nominations

Avis des utilisateurs:

Truly a Masterpiece

Ensemble

Marlon Brando	...	Colonel Walter E. Kurtz
Martin Sheen	...	Captain Benjamin L. Willard
Robert Duvall	...	Lieutenant Colonel Bill Kilgore
Frederic Forrest	...	Jay 'Chef' Hicks
Sam Bottoms	...	Lance B. Johnson
Laurence Fishburne	...	Tyrone 'Clean' Miller (as Larry Fishburne)
Albert Hall	...	Chief Phillips
Harrison Ford	...	Colonel Lucas
Dennis Hopper	...	Photojournalist
G.D. Spradlin	...	General Corman
Jerry Ziesmer	...	Jerry, Civilian
Scott Glenn	...	Lieutenant Richard M. Colby
Bo Byers	...	MP Sergeant #1
James Keane	...	Kilgore's Gunner
Kerry Rossall	...	Mike from San Diego

Autre(s) titre(s):

Apocalypse Now Redux (International: English title) (longer version)
Apocalypse Now (France) [fr]
C'est l'apocalypse (Canada: French title) [fr]

MPAA:

Rated R for disturbing violent images, language, sexual content and some drug use. (2001 director's cut)

Durée:

153 min | 202 min (Redux version)

Pays:

USA

Langue:

Anglais | Français | Vietnamien | Khmer

Couleur:

Couleur

Aspect Ratio:

2.00 : 1

Son:

70 mm 6-Track (70 mm prints) | Dolby Digital (Redux version) | Dolby (35 mm prints) | DTS (Redux version)

Classification:

USA:R (certificate no. 25751) | Canada:18 (Nova Scotia) (Redux version) | Canada:18A (Alberta/British Columbia) (Redux version) | Canada:AA (Ontario) (Redux version) | Canada:AA (Ontario) (re-rating) (1992) | Canada:PA (Manitoba) | Canada:R (Nova Scotia/Ontario) (original rating) | Italy:VM14 | Hungary:16 | Italy:T (re-rating) (Redux version) | Philippines:R-18 | Brazil:16 | Argentina:18 | Australia:R | Canada:13+ (Quebec) | Chile:18 | Finland:K-15 (Redux version) | Finland:K-16 (original rating) | France:-12 | Germany:16 (bw) (Redux version) | Iceland:16 | Ireland:18 | Israel:PG | Netherlands:16 | New Zealand:R16 (Redux version) | Norway:15 (Redux version) | Norway:18 (original rating) | Peru:18 | Portugal:M/16 (Redux version) | Singapore:M18 (Redux version) (re-rating) | Singapore:R(A) (Redux version) | South Korea:18 | Spain:18 | Sweden:15 | Switzerland:16 (canton of Geneva) | Switzerland:16 (canton of Vaud) | UK:15 (Redux version) | UK:18 (re-rating) (1985) | UK:X (original rating) | West Germany:16

Emplacements De Pelliculage:

Philippines

Company:

Zoetrope Studios

Anecdotes:

Jeff Bridges auditioned for the role of Willard.

Goofs:

Factual errors: Many M16 rifles are shown with 30-round magazines installed. These were rarely used in Vietnam. The standard magazine of the Vietnam era was shorter, and held 20 rounds.

Guillemet:

[first lines]
Willard: [voiceover] Saigon... shit; I'm still only in Saigon... Every time I think I'm gonna wake up back in the jungle.
Willard: When I was home after my first tour, it was worse. I'd wake up and there'd be nothing. I hardly said a word to my wife, until I said "yes" to a divorce. When I was home after my first tour, it was worse.
[grabs at flying insect]
Willard: I'd wake up and there'd be nothing. I hardly said a word to my wife, until I said "yes" to a divorce. When I was here, I wanted to be there; when I was there, all I could think of was getting back into the jungle. I'm here a week now... waiting for a mission... getting softer. Every minute I stay in this room, I get weaker, and every minute Charlie squats in the bush, he gets stronger. Each time I looked around the walls moved in a little tighter.

Movie Connections:

Referenced in Blade (1973)

Soundtrack:

Suzie Q

Truly a Masterpiece

Somewhere on IMDb there is a discussion about the greatest director of all times (Spielberg, Copolla and others are named there). The greatest argument was around Spielberg and whether he is or isn't a great director. The problem with Spielberg is that while he is a master technician, most of his films lack depth.Saving Ryan is really outstanding from a technical point of view, but its message is dull and while its very entertaining, it doesn't make you think about anything. AN is the best movie I ever saw because it combines great shooting with a deep philosophical perspective on so many things, starting from war in general, the clash of civilizations, the condition of soldier in wartimes (is a soldier a hero or an assassin? Brando says he is neither, the french lady says he is both ...) and many others. The problem with some people is that they try to argue about whether these points are true or false. But a great movie, and a great piece of art in general is supposed to spark arguments, not to solve them ... Maybe Coppola is right, or maybe he isn't, nobody holds the truth anyway. You can watch this movie for its outer beauty, amazing scenes, great acting and memorable quotes and you will be entirely satisfied. But what really make this movie a masterpiece is its inner quality. You can't help but make a comparison with the recent Fahrenheit documentary.Both Copolla and Moore tackle similar issues, but while Copolla presents matters from an outside , objective point of view, Moore takes a very partisan position that really compromises the whole point of a documentary ... It is really a shame that a film like Fahrenheit 9/11 won a prestigious award like Cannes. But anyway, if you want to start to understand a little of the Vietnam war, the Iraq war, the second World War and any war in general, you should definitely see this movie, and not the other one ...