| Photos (see all 77 | slideshow) |
Réalisé par | |||
| Francis Ford Coppola | (as Francis Coppola) | ||
Scénaristes | ||
| Joseph Conrad | (novel "Heart of Darkness") uncredited | |
| John Milius | (screenplay) and | |
| Francis Ford Coppola | (screenplay) | |
| Michael Herr | (narration) | |
Produit par | |||
| John Ashley | .... | associate producer | |
| Kim Aubry | .... | producer (version "Apocalypse Now Redux (2001)") | |
| Francis Ford Coppola | .... | producer (as Francis Coppola) | |
| Gray Frederickson | .... | co-producer | |
| Shannon Lail | .... | co-producer (version "Apocalypse Now Redux (2001)") | |
| Eddie Romero | .... | associate producer | |
| Fred Roos | .... | co-producer | |
| Mona Skager | .... | associate producer | |
| Tom Sternberg | .... | co-producer | |
Musique originale | |||
| Carmine Coppola | |||
| Francis Ford Coppola | (as Francis Coppola) | ||
Image | |||
| Vittorio Storaro | |||
Montage | |||
| Lisa Fruchtman | |||
| Gerald B. Greenberg | |||
| Walter Murch | |||
Distribution des rôles | |||
| Terry Liebling | |||
| Vic Ramos | |||
Création des décors | |||
| Dean Tavoularis | |||
Direction artistique | |||
| Angelo P. Graham | (as Angelo Graham) | ||
Décorateur de plateau | |||
| George R. Nelson | |||
Maquillage | |||
| Fred C. Blau Jr. | .... | makeup artist | |
| Jack H. Young | .... | makeup artist (as Jack Young) | |
Directeur de production | |||
| Leon Chooluck | .... | production manager | |
| Barrie M. Osborne | .... | production manager (as Barrie Osborne) | |
Assistant réalisateur | |||
| Tony Brandt | .... | additional assistant director | |
| Larry J. Franco | .... | second assistant director | |
| Jerry Ziesmer | .... | assistant director | |
Art Department | |||
| James B. Casey | .... | sculptor (as James Casey) | |
| Roger Dietz | .... | set artist | |
| Gary Fettis | .... | leadman | |
| Willie E. Hunter | .... | assistant property master | |
| John La Salandra | .... | construction coordinator (as John LaSalandra) | |
| Douglas E. Madison | .... | property master (as Doug Madison) | |
| James J. Murakami | .... | assistant art director (as James Murakami) | |
| Thomas L. Roysden | .... | assistant property master (as Tom Roysden) | |
| Robert Scaife | .... | construction foreman (as Bob Scaife) | |
| Tom Shaw Jr. | .... | assistant property master (as Tom Shaw) | |
| Alex Tavoularis | .... | production illustrator | |
| Matt Tomich | .... | assistant property master | |
| Thomas Wright | .... | production illustrator (as Thomas A. Wright) | |
Effets spéciaux | |||
| Eddie Ayay | .... | special effects | |
| Mario Carmona | .... | special effects | |
| Lawrence J. Cavanaugh | .... | special effects (as Larry Cavanaugh) | |
| Gerald Endler | .... | special effects (as Jerry Endler) | |
| A.D. Flowers | .... | special effects coordinator | |
| John Fraser | .... | special effects | |
| Richard O. Helmer | .... | special effects (as Richard Helmer) | |
| Rudy Liszczak | .... | special effects | |
| Joe Lombardi | .... | special effects coordinator (as Joseph Lombardi) | |
| Ted Martin | .... | special effects | |
| David St. Ana | .... | special effects | |
Cascadeur | |||
| Steve Boyum | .... | stunts | |
| Joe Finnegan | .... | stunts | |
| Terry Leonard | .... | stunt coordinator (as Terry J. Leonard) | |
| Kerry Rossall | .... | stunts (as Kerry Rossal) | |
| Chuck Waters | .... | stunts | |
| Steven Burnett | .... | stunts (uncredited) | |
| Terry Leonard | .... | stunts (uncredited) | |
Camera and Electrical Department | |||
| Giuseppe Alberti | .... | assistant camera | |
| Luigi Bernardini | .... | assistant camera (as Rino Bernardini) | |
| Stephen H. Burum | .... | director of photography: second unit | |
| David L. Butler | .... | aerial camera operator (as David Butler) | |
| Rogilio De La Rama | .... | assistant camera | |
| Caleb Deschanel | .... | director of photography: insert | |
| Luciano Galli | .... | gaffer | |
| Chas Gerretsen | .... | still photographer | |
| Efren Lapid | .... | assistant camera | |
| Alfredo Marchetti | .... | key grip | |
| Mauro Marchetti | .... | assistant camera | |
| Hiro Narita | .... | camera operator: insert | |
| David B. Nowell | .... | assistant camera (as David Nowell) | |
| Piero Servo | .... | camera operator: second unit | |
| Enrico Umetelli | .... | camera operator | |
| Josh Weiner | .... | still photographer | |
Casting Department | |||
| Sue Bastian | .... | casting assistant | |
| Heig Beck | .... | casting assistant | |
| Randy Carter | .... | casting: Philippines | |
| Marc Coppola | .... | casting assistant | |
| Éva Gárdos | .... | casting: Montagnard tribesmen (as Eva Gardos) | |
| Ken Metcalfe | .... | casting assistant | |
| Lou Whitehill | .... | casting: Philippines | |
Costume and Wardrobe Department | |||
| Luster Bayless | .... | costumer | |
| Norman A. Burza | .... | costumer (as Norman Burza) | |
| Dennis Fill | .... | costumer (as Dennis M. Fill) | |
| Charles E. James | .... | costume supervisor | |
| George L. Little | .... | costumer (as George Little) | |
| Haleen K. Holt | .... | costume illustrator (uncredited) | |
Music Department | |||
| Jordan Amarantha | .... | musician | |
| Richard Beggs | .... | musician: synthesizer | |
| Greg Errico | .... | musician | |
| Patrick Gleeson | .... | musician: master synthesizer | |
| Ed Goldfarb | .... | music arranger (Redux version) | |
| Randy Hansen | .... | musician: guitar | |
| Mickey Hart | .... | musician | |
| Michael Hinton | .... | music production assistance | |
| Zakir Hussain | .... | musician | |
| Bernard Krause | .... | musician: synthesizer (as Bernard L. Krause) | |
| Bill Kreutzmann | .... | musician (as Billy Kreutzmann) | |
| Phil Lesh | .... | musician | |
| Jim Loveless | .... | musician | |
| Airto Moreira | .... | music production assistance | |
| Don Preston | .... | musician: synthesizer | |
| David Rubinson | .... | music producer | |
| Nyle Steiner | .... | musician: synthesizer | |
| Shirley Walker | .... | musician: synthesizer | |
| Stan Witt | .... | music editor | |
| Randy Hansen | .... | composer: additional music (uncredited) | |
| Mickey Hart | .... | composer: additional music (uncredited) | |
Transportation Department | |||
| Dennis Hollis | .... | transportation coordinator | |
| John Reade | .... | transportation coordinator (as John C. Reade) | |
Divers | |||
| John Addington | .... | fixed wing pilot | |
| Marisa Alcaraz | .... | production coordinator | |
| Jean A. Autrey | .... | production controller | |
| Lee Beaupre | .... | marketing director | |
| John Calvert | .... | choreographer: playmate show | |
| Robert Carroll | .... | production assistant | |
| John Chapman | .... | production assistant | |
| Doug Claybourne | .... | special assistant to producers | |
| Patti Claybourne | .... | production assistant | |
| Pete Cooper | .... | marine coordinator | |
| Eleanor Coppola | .... | documentary supervisor | |
| Francis Ford Coppola | .... | presenter | |
| Russ Corin | .... | production assistant | |
| Catherine Craig | .... | archivist (Redux version) | |
| Loolee DeLeon | .... | production coordinator (as Loolee De Leon) | |
| Brett Dicker | .... | foreign publicity coordinator | |
| Tony Dingman | .... | production assistant | |
| Richard Dioguardi | .... | military advisor | |
| Shane Edwards | .... | marine coordinator | |
| Jack English | .... | location coordinator | |
| Deborah Fine | .... | production liaison and research: USA | |
| Wayne Fitzgerald | .... | title designer | |
| Jack Fritz | .... | executive assistant | |
| Ernst Goldschmidt | .... | representative: foreign producer | |
| Paul Gregory | .... | military advisor | |
| Paul G. Hensler | .... | military advisor (as Paul Hensler) | |
| Nancy Hopton | .... | script supervisor (as Nancy Tonery) | |
| Kevin Hughes | .... | production assistant | |
| Linda Ignacio | .... | department of tourism: Philippines | |
| Dennis Jakob | .... | creative consultant | |
| J. David Jones | .... | aerial coordinator (as David Jones) | |
| Dennis Juban | .... | military liaison: Philippines | |
| Peter Kama | .... | military advisor (as Lt. Colonel Peter Kama) | |
| Lloyd Kind | .... | production assistant (as Lloyd Kino) | |
| John La Salandra | .... | production executive (as John LaSalandra) | |
| Gwen M. Lucas | .... | assistant production controller | |
| Melissa Mathison | .... | executive assistant | |
| Dennis Murphy | .... | marine coordinator | |
| Anahid Nazarian | .... | archivist (Redux version) | |
| Ernesto Novelli | .... | supervising color technician | |
| Barbara Parker | .... | production assistant | |
| Ray Quiroz | .... | script supervisor (as Raymond Quiroz) | |
| Phil Radcliffe | .... | production assistant | |
| Fred Rexer | .... | military advisor (as Fred Rexer Jr.) | |
| Francesca Rivieri | .... | production secretary: USA (as Francesca Riviere) | |
| Larry Rovetti | .... | supervising color technician | |
| Doug Ryan | .... | military advisor | |
| Frank Simeone | .... | additional crew | |
| Gabe Sumner | .... | campaign coordinator | |
| Matt Tomich | .... | production assistant | |
| Norman Webster | .... | production accountant | |
| Dick White | .... | aerial coordinator | |
| Dick White | .... | military advisor | |
| Irwin Yablans | .... | producer's representative: USA and Canadian | |
| Susan Leslie Battles | .... | secretary to the producers (uncredited) | |
| Joe Benoit | .... | opticals: Modern Film Effects (uncredited) | |
| Dan DiPaola | .... | production assistant (uncredited) | |
| R. Lee Ermey | .... | military advisor (uncredited) | |
| Joe Estevez | .... | stand-in/voice-over: Willard (uncredited) | |
| Nancy Jencks | .... | film chain operator (uncredited) | |
| Oli Laperal Jr. | .... | production assistant (uncredited) | |
| Michael E. Uslan | .... | production attorney (uncredited) | |
| Skip Watt | .... | opticals: Modern Film Effects (uncredited) | |
| Wynne Wicker | .... | technical advisor: Vietnam (uncredited) | |
Thanks | |||
| Flora Purim | .... | special thanks | |
| Jeff Scheftel | .... | special thanks | |
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| Edge | In the Year of the Pig | Rambo | Cross of Iron | Cannibal Holocaust |
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During the final throes of the Vitnam war, our central character, Capt. Willard (Martin Sheen) is dispatched by the CIA on an illegal one-man mission to assassinate a renegade US Marine commander, Colonel Kurtz (Marlon Brando), who has allegedly gone 'completely insane', but who is successfully waging a private cross-border war from his base in Cambodia, a neutral and therefore off-limits country.
The entire narrated story of what Willard sees and does as he is ferried up the Da Nang river by an undisciplined and terrorised navy patrol boat crew to murder Kurtz is a grand metaphor for the excesses, decadence and ultimately the weakness of the Anglo-Saxon psyche: If we don't understand something, and we are unable to control it, exterminate it. Kurtz had eventually come to know this.
Unless you pay complete attention to every emotional gesture, to every word of the dialogue between the protagonists, especially in the scene where the two of them are alone in Kurtz's darkened lair, you will miss one of the central themes of this incredible movie. Kurtz's subtle deal with his executioner, his unilateral 'surrender' in return for Willard agreeing (did he nod?) to tell Kurtz's 'son' (another metaphor for us, the next generation, the ones watching the movie) the truth about all the horrors that they had both seen in Vietnam, is mind-expanding stuff.The bonding between the two men whilst Kurtz cross-examines Willard,--interlaced with some of his own horror stories, is incredible, nay, genius, film. The closing (intercut)scene of the ritual slaughter of a sacrificial bull is the single most powerful of symbols. Coppolla has made, intentionally or not, the ultimate anti-war statement, one that should resonate through the ages.