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Réalisé par | |||
| George Miller | |||
Scénaristes | ||
| George Miller | (story) and | |
| Byron Kennedy | (story) | |
| James McCausland | (screenplay) and | |
| George Miller | (screenplay) | |
Produit par | |||
| Byron Kennedy | .... | producer | |
| Bill Miller | .... | associate producer | |
Musique originale | |||
| Brian May | |||
Image | |||
| David Eggby | |||
Montage | |||
| Cliff Hayes | |||
| Tony Paterson | |||
Distribution des rôles | |||
| Mitch Consultancy | |||
Direction artistique | |||
| Jon Dowding | |||
Création des costumes | |||
| Clare Griffin | |||
Maquillage | |||
| Vivien Mepham | .... | makeup artist (as Viv Mephan) | |
| Ben Taylor | .... | hair stylist | |
Directeur de production | |||
| John Hipwell | .... | unit manager | |
Assistant réalisateur | |||
| Steve Connard | .... | second assistant director | |
| Ian Goddard | .... | first assistant director | |
| Des Sheridan | .... | third assistant director | |
Département Art | |||
| Steve Amezdroz | .... | assistant art director | |
| Richard Francis | .... | props | |
| Frank Matich | .... | helmets | |
Technicien du son | |||
| Ned Dawson | .... | sound effects | |
| Roger Savage | .... | post-production sound | |
| Mark J. Wasiutak | .... | boom operator (as Mark Wasiutak) | |
| Gary Wilkins | .... | sound recordist | |
Effets spéciaux | |||
| Chris Murray | .... | special effects | |
Visual Effects | |||
| Richard Wilmot | .... | optical effects operator (uncredited) | |
Cascadeur | |||
| Chris Anderson | .... | stunts | |
| Dale Bensch | .... | stunts | |
| David Bracks | .... | stunts | |
| Phil Brock | .... | stunts | |
| Michael Daniels | .... | stunts | |
| Gerry Gauslaa | .... | stunts | |
| Terry Gibson | .... | stunts | |
| George Novak | .... | stunts | |
| Grant Page | .... | stunt coordinator | |
| Grant Page | .... | stunts | |
Caméra et Département Electrique | |||
| David Cassar | .... | grip | |
| Lindsay Foote | .... | gaffer | |
| Harry Glynatsis | .... | assistant camera | |
| Noel McDonald | .... | grip | |
| Garry Plunkett | .... | best boy | |
| Tim Smart | .... | clapper loader | |
| Tim Smart | .... | photographer: second unit | |
| Chic Stringer | .... | still photographer | |
Département Costume et garde-Robe | |||
| Merran Kingsford-Smith | .... | wardrobe | |
Dpartement Editorial | |||
| Margaret Cardin | .... | negative cutter | |
Département Musique | |||
| Nic Gazzana | .... | cabaret music | |
| Brian May | .... | conductor | |
Divers | |||
| Shirley Ballard | .... | script supervisor | |
| Stuart Beatty | .... | traffic supervisor | |
| Ray Beckerley | .... | vehicle designer | |
| Tom Broadbridge | .... | production assistant | |
| Jenny Day | .... | production coordinator | |
| Bill Gooley | .... | laboratory consultant | |
| Noel L. Harman | .... | financial consultant | |
| Andrew Jones | .... | traffic supervisor | |
| Stephen O'Hare | .... | truck coordinator | |
| Robert Orchard | .... | mechanic | |
| Bill Owen | .... | titler | |
| Clive Rowell | .... | mechanic | |
| Murray Smith | .... | mechanic | |
| Lex Glouchewera | .... | engineer (uncredited) | |
| Remerciements de la Société | Box office et business | Spécifications techniques |
| Principaux Détails |