Sherlock Holmes investigates when young women around London turn up murdered, each with a finger severed off. Scotland Yard suspects a madman, but Holmes believes the killings to be part of a diabolical plot.
During WWII several murders occur at a convalescent home where Dr. Watson has volunteered his services. He summons Holmes for help and the master detective proceeds to solve the crime from ... See full summary »
Bob Clark had to do research to see if the word "fart" was in existence in 1888. It was. See more »
When Holmes is going to the meeting in the masonic lodge at the end, he first passes Buckingham Palace, which may have been on his way from Baker Street. He then seems to have crossed the Thames, because in the next picture he approaches Westminster Palace from the south side of the river, effectively re-crossing it. This detour hardly makes sense. See more »
Prime Minister Lord Salisbury:
You have us at a disadvantage, Mr. Holmes. I think it might be better if you tell us your story in your own way and permit me to be the judge of whether it is true or not.
You may take it to be true, sir!
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Vivid teaming of Holmes/Watson and Jack the Ripper
MURDER BY DECREE
Aspect ratio: 1.85:1
Sound format: Mono
London, 1888: Whilst investigating a series of murders committed by 'Jack the Ripper', Sherlock Holmes (Christopher Plummer) and Dr. Watson (James Mason) uncover a Masonic conspiracy which leads them to the very heart of the British Establishment.
During the summer of 1973, the BBC ran a six-part documentary series entitled "Jack the Ripper" (also known as "The Ripper File"), in which two popular fictional detectives (played by Stratford Johns and Frank Windsor) investigated the 'true' identity of Jack the Ripper, using all the evidence available to them at the time. Their conclusions form the basis of Bob Clark's all-star period thriller MURDER BY DECREE, which condenses vast amounts of information into a single digestible screenplay. The film's lavish recreation of Victorian London (extravagant opera houses, cobbled streets and miles of gloomy Whitechapel alleyways populated by hundreds of costumed extras) belies its modest $4m budget, and for once, the starry supporting cast - including Anthony Quayle, David Hemmings, John Gielgud and Donald Sutherland - seems perfectly suited to the material.
A combination of Gothic thriller and historical whodunnit, John Hopkins' comprehensive screenplay outlines the social and political divisions which prevailed in England at the time of the Ripper murders, hindering the police investigation and prompting a number of conspiracy theories which persist to this day. However, the script also contains a number of memorable character touches (the episode of the 'errant pea' is most prized by fans) which prevents the narrative from surrendering to mere facts and figures. Plummer and Mason are ideal as Holmes and Watson, though Genevieve Bujold almost steals the film during a heartbreaking sequence in which Holmes looks for clues in a crumbling asylum. You may not agree with the film's conclusions - the same evidence was re-evaluated by author Stephen Knight in his popular non-fiction account 'Jack the Ripper: The Final Solution' (1976) and David Wickes' excellent TV movie JACK THE RIPPER (1988) starring Michael Caine - but MURDER BY DECREE is generally acknowledged as one of the best Ripper/Holmes movies ever made.
Incidentally, the film's PG rating seems extraordinarily lenient. While MURDER BY DECREE doesn't exactly revel in violence, it conveys the grislier aspects of the Ripper's crimes with enough potency to warrant a PG-13 (unavailable at the time of this film's initial release).
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