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Opening Night (1977)

 -  Drama  -  17 April 1978 (Sweden)
8.0
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An actress suffers an emotional uproar in her personal life after a fan dies trying to see her.

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Title: Opening Night (1977)

Opening Night (1977) on IMDb 8/10

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Nominated for 2 Golden Globes. Another 2 wins & 1 nomination. See more awards »

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Cast

Cast overview, first billed only:
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David Samuels
Zohra Lampert ...
Dorothy Victor
...
Nancy Stein
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Gus Simmons
Ray Powers ...
Jimmy
...
Prop man
Louise Lewis ...
Kelly (as Louise Fitch)
Fred Draper ...
Leo
Katherine Cassavetes ...
Vivian
Lady Rowlands ...
Melva Drake
Carol Warren ...
Carla
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Storyline

A young woman gets killed in an accident trying to meet her favorite actress Myrtle Gordon after a play. Then Myrtle Gordon felt responsible for the killing leading her down to an emotional crisis that interferes with her professional work as an actress. Written by Chemi González <chemi01@hotmail.com>

Plot Summary | Add Synopsis

Genres:

Drama

Certificate:

PG-13 | See all certifications »
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Details

Country:

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Release Date:

17 April 1978 (Sweden)  »

Also Known As:

Açilis Gecesi  »

Company Credits

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Technical Specs

Runtime:

Sound Mix:

Color:

(Metrocolor)

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

One of eleven movies that John Cassavetes and Gena Rowlands made together. The other films are A Child Is Waiting (1963), Faces (1968), Machine Gun McCain (1969), Minnie and Moskowitz (1971), A Woman Under the Influence (1974), Two-Minute Warning (1976), Shadows (1959), Gloria (1980), Tempest (1982) and Love Streams (1984). See more »

Quotes

Maurice Aarons: I thought that small talk was too small, I thought big talk was too pretentious, I thought music was noise, and I thought art was bullshit.
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Connections

Referenced in All About My Mother (1999) See more »

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User Reviews

My brief review of the film
14 June 2005 | by (Perth, Australia) – See all my reviews

Full of interesting ideas and really rather chilling at times, this account of a mental breakdown is fascinating to watch, with Gena Rowlands a glorious choice for the lead. It is in the way that Rowlands is able to carry emotion on her face that makes her performance so stunning, and along with some well used music and effective close-up photography, it is an intriguing piece of cinema, even if awkwardly very melodramatic at times and a tad hard to digest. The on and off-stage action in the protagonist's life is mixed together, and it is sort of muddled in this sense, though perhaps only as muddled as her mind is. The film poses such interesting questions about how much one should or does care, it portrays mental illness, and, it also has some insight into theatre production. It is very good stuff and only really brought down by being fatally overlong, with the content stretched to its limits.


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