Coup de torchon (1981)

Réalisateur:

Bertrand Tavernier

Scénaristes:

Jean Aurenche (writer)
Bertrand Tavernier (writer)
(suite)

Date de sortie:

4 novembre 1981 (France)

Genre:

Comedie | Crime | Drame

Intrigue:

1938, in a French african colony. Lucien Cordier is the cop of this village, populated with blacks and a few whites (usually racialist and lustful)...

Plot Keywords:

Retaliation | Shower | Voyeurism | Female Frontal Nudity | Retribution

Récompenses:

Nominated for Oscar. Another 2 wins & 10 nominations

Avis des utilisateurs:

very oddly humorous and cold at the same time, and a curiously moving, low-key performance

Ensemble

Philippe Noiret	...	Lucien Cordier
Isabelle Huppert	...	Rose Mercaillou
Jean-Pierre Marielle	...	Le Peron et son frère L'adjudant Georges Le Peron
Stéphane Audran	...	Huguette Cordier
Eddy Mitchell	...	Nono - l'amant demeuré d'Huguette
Guy Marchand	...	Marcel Chavasson
Irène Skobline	...	Anne - la nouvelle institutrice
Michel Beaune	...	Vanderbrouck - un nouveau riche arrogant
Jean Champion	...	Priest
Victor Garrivier	...	Mercaillou
Gérard Hernandez	...	Leonelli
Abdoulaye Diop	...	Fête Nat - le serviteur noir de Lucien
Daniel Langlet	...	Paulo - un flic larvaire
François Perrot	...	Le colonel Tramichel
Raymond Hermantier	...	L'aveugle
Mamadou Dioumé	...	Mamadou - l'interprète
Samba Mané	...	Vendredi - un noir qui en sait trop
reste de la distribution par ordre alphabétique:
Irénée Martin	...	La femme au cimetière (uncredited)

Réalisé par
Bertrand Tavernier

Scénaristes (dans l'ordre alphabétique)
Jean Aurenche		writer
Bertrand Tavernier		writer
Jim Thompson		novel "Pop. 1280"

Produit par
Henri Lassa	....	producer
Adolphe Viezzi	....	producer

Musique originale
Philippe Sarde

Image
Pierre-William Glenn

Montage
Armand Psenny

Création des décors
Alexandre Trauner

Création des costumes
Jacqueline Moreau

Maquillage
Ludovic Paris	....	hair stylist

Directeur de production
Louis Wipf	....	production leader

Assistant réalisateur
Jean Achache	....	assistant director

Département Art
Ferracci	....	poster designer (uncredited)

Technicien du son
Michel Desrois	....	sound
Catherine D'Hoir	....	sound editor

Caméra et Département Electrique
Marc Casi	....	electrician
Michael Coulter	....	assistant camera

Département Musique
William Flageollet	....	music mixer
Peter Knight	....	conductor

Divers
Peter Fernandez	....	voice director: English version

Companies de production

• Les Films de la Tour
• Films A2
• Little Bear

Distributeurs

• Parafrance Films (1981) (France) (theatrical)
• Biograph International (1982) (USA) (theatrical) (subtitled)
• Moreno Films (1982) (USA) (theatrical) (subtitled)
• Quartet Films (1982) (USA) (theatrical) (subtitled)
• Embassy Home Entertainment (1985) (USA) (VHS)
• Criterion Collection, The (2004) (USA) (DVD)

Autre(s) titre(s):

Clean Slate (USA)
Clean Up (UK)

Durée:

128 min

Pays:

France

Langue:

Français | Anglais

Couleur:

Couleur

Rapport de forme:

1,66 : 1

Son:

Mono

Classification:

Singapore:NC-16 | Australia:MA | Finland:K-16 | West Germany:16

Lieux de tournage:

Avenue Blaise-Diagne, Saint-Louis, Senegal

Société:

Les Films de la Tour

Goofs:

Révélant des erreurs: When Marcel is playing billiards, he continues his turn even though he has not scored.

Guillemet:

[Marcel Chevasson is bragging about how he dealt with two offenders]
Marcel Chevasson: Where do you think they are now?
Lucien Cordier: In jail?
Marcel Chevasson: Someday you'll learn a coffin costs the state less than a man in a cell, old chum.

Connexions De Film:

Références L'affaire du courrier de Lyon (1937)

very oddly humorous and cold at the same time, and a curiously moving, low-key performance

Lucien Cordier is not like most cops. He's a main chief in a West African village where white people are the minority though, in 1938, are as racist and sexist as can be. He's also not a very good cop, as he barely ever arrests anyone and his authority can be challenged pretty quickly, even by two scummy pimps. He's like the pushover kid in a playground who may be a nice guy, but he's also not quite strong enough to actually attain the authority needed to stand up against the bullies. That is until Lucien decides to fight back, in a manner that is at a calm extreme; an oxymoron, perhaps, but watching Lucien is an oxymoron in human form, but a fascinating one. He'll kill someone, anyone, he thinks of as an enemy to him, shooting a man in the back, the pimps, or even the man who helps him dig a grave. He calmly explains some of the whys, but he never goes too ballistic. Lucien is a man of principles, but to say exactly what or why is a mystery.

This is what makes Coup de tochon, or Clean Slate, based on the Jim Thompson novel Pop 1280 (mentioned in passing as Pop. 1275 for no good reason at one point in the film), is about this man who is warm, lustful, proud, and perhaps a not entirely bright but not stupid either. And as played by Philippe Noiret he makes this film compulsively watchable. The supporting cast, such as Isabelle Hupert and Jean-Pierre Marielle, don't fare too badly either, but it's Noiret that elevates this to something more than director Bertrand Tavernier could have expected. He gives a performance that is intense without ever being over the top, and thoughtful while seemingly aloof in some points. He makes Lucien a guy we might like to know or talk to for a little while, until we see the veneer peel away, a fragile man who has been pushed around by his bosses and his wife (Stephan Audran) and in a position with such little power that the only way to bust loose is senseless killing. As he says, "Would a man with these eyes be a killer?"

Tavernier's direction is lax and smooth, jagged with some documentary style and realism (it was shot all on location, and it looks it always), but there's also a distance I felt to many of the scenes, a deliberate attempt to strip down film-noir elements to light absurdism mixed with sardonic tragedy. There are some great moments, don't get me wrong: the scene with the film screened for the village people at night that gets ruined by a windstorm as the audio keeps playing on with the film cut off and people scrambling for cover; the first killing scene of the pimps where Lucien becomes a larger threat with every passing second leading up to a predictable but still shocking climax; an ending, which I won't mention here.

It has such moments, but I wasn't very moved by Coup de torchon throughout, and it's not directed with the surest hand. And yet, I have to give it to Philippe Noiret: in any other film noir he'd be out of place, and yet here, he's perfect.