| Hanna Schygulla | ... | Willie | |
| Giancarlo Giannini | ... | Robert | |
| Mel Ferrer | ... | David Mendelsson | |
| Karl-Heinz von Hassel | ... | Henkel (as Karl Heinz von Hassel) | |
| Erik Schumann | ... | von Strehlow | |
| Hark Bohm | ... | Taschner | |
| Gottfried John | ... | Aaron | |
| Karin Baal | ... | Anna Lederer | |
| Christine Kaufmann | ... | Miriam | |
| Udo Kier | ... | Drewitz | |
| Roger Fritz | ... | Kauffmann | |
| Rainer Will | ... | Bernt | |
| Raúl Gimenez | ... | Blonsky (as Raul Giminez) | |
| Adrian Hoven | ... | Ginsberg | |
| Willy Harlander | ... | Prosel | |
| Barbara Valentin | ... | Eva | |
| Helen Vita | ... | Grete | |
| Elisabeth Volkmann | ... | Marika | |
| Lilo Pempeit | ... | Tamara | |
| Traute Höss | ... | Polin (Polish woman) | |
| Brigitte Mira | ... | Nachbarin (Neighbor) | |
| Herb Andress | ... | Reintgen | |
| Michael McLernon | ... | Schweizer Grenzbeamter (Swiss officer) | |
| Jürgen Draeger | ... | Journalist (as Jürgen Dräger) | |
| Rudolf Lenz | ... | Dr. Glaubrecht | |
| Harry Baer | ... | Norbert Schultze | |
| Toni Netzle | ... | Frau Prosel (Mrs. Prosel) | |
| Daniel Schmid | ... | Pförtner Victor (Doorman) | |
| Peter Chatel | ... | SA-Mann (SA man) | |
| Volker Eckstein | ... | 1. SD-Mann (1st SD man) | |
| Helmut Petigk | ... | 2. SD-Mann (2nd SD man) | |
| Werner Asam | ... | 3. SD-Mann (3rd SD man) | |
| Dirk Galuba | ... | 4. SD-Mann (4th SD man) | |
| Sonja Neudorfer | ... | Frau Buerli (Mrs. Buerli) | |
| Irm Hermann | ... | Krankenschwester (Nurse) | |
| Herbert Steinmetz | ... | Artzt (Doctor) | |
| Alexander Allerson | ... | Goedecke | |
| Kristine De Loup | ... | Nachrichtensprecherin (News host) (as Christine de Loupe) | |
| reste de la distribution par ordre alphabétique: | |||
| Adam & Eve | ... | (uncredited) | |
| Franz Buchrieser | ... | Thome (uncredited) | |
| Rainer Werner Fassbinder | ... | Weissenborn (uncredited) | |
| Michele Oliveri | ... | Soldat (uncredited) | |
Réalisé par | |||
| Rainer Werner Fassbinder | |||
Scénaristes(dans l'ordre alphabétique) | ||
| Lale Andersen | novel "Der Himmel hat viele Farben" | |
| Rainer Werner Fassbinder | additional dialogue | |
| Rainer Werner Fassbinder | screenplay | |
| Manfred Purzer | screenplay | |
| Joshua Sinclair | screenplay | |
| Werner Uschkurat | German dialogue | |
Produit par | |||
| Luggi Waldleitner | .... | producer | |
| Enzo Peri | .... | producer (uncredited) | |
| Horst Wendlandt | .... | producer (uncredited) | |
Musique originale | |||
| Peer Raben | |||
Image | |||
| Xaver Schwarzenberger | |||
| Michael Ballhaus | (uncredited) | ||
Montage | |||
| Rainer Werner Fassbinder | (as Franz Walsch) | ||
| Juliane Lorenz | |||
Création des décors | |||
| Rolf Zehetbauer | |||
Direction artistique | |||
| Herbert Strabel | |||
Création des costumes | |||
| Barbara Baum | |||
Maquillage | |||
| Edwin Erfmann | .... | makeup artist | |
| Anni Nöbauer | .... | makeup artist | |
| Hedy Polensky | .... | makeup artist | |
| Ingrid Thier | .... | makeup artist | |
Directeur de production | |||
| Franz Achter | .... | production manager | |
| Gerhard Jakubowski | .... | production manager (as Gert Jakubowski) | |
| Josef Moosholzer | .... | production manager | |
| Konstantin Thoeren | .... | production manager | |
| Michael Zöllner | .... | production manager | |
Assistant réalisateur | |||
| Karin Viesel | .... | assistant director | |
| Renate Leiffer | .... | assistant director (uncredited) | |
Département Art | |||
| Harry Baer | .... | artistic collaborator | |
| Richard Eglseder | .... | property master | |
| Frank D. Geuer | .... | property master (as Frank Geuer) | |
| Hans Stangl | .... | property master | |
Technicien du son | |||
| Milan Bor | .... | sound | |
| Hans-Walter Kramski | .... | sound effects (as Hans Kramsky) | |
| Mel Kutbay | .... | sound effects | |
| Karsten Ullrich | .... | sound | |
| Hans R. Weiss | .... | sound assistant (as Hans Reinhardt Weiss) | |
Effets spéciaux | |||
| Joachim Schulz | .... | special effects | |
Caméra et Département Electrique | |||
| Karl Reiter | .... | still photographer | |
| Christian Sebaldt | .... | assistant camera (as Christian Sebald) | |
| Josef Vavra | .... | assistant camera (as Sepp Vavra) | |
Département Costume et garde-Robe | |||
| Max Dietl | .... | costume designer: Giancarlo Giannini | |
| Georg Kuhn | .... | wardrobe | |
| Friedel Schröder | .... | wardrobe (as Friedl Schröder) | |
| Marianne Schulz | .... | wardrobe | |
| Ralf Rainer Stegemann | .... | costume designer: Hanna Schygulla | |
| Egon Strasser | .... | assistant costume designer | |
Dpartement Editorial | |||
| Claudia Wutz | .... | assistant editor | |
Département Musique | |||
| Ursula May | .... | vocal | |
| Norbert Schultze | .... | composer: song "Lili Marleen" | |
Divers | |||
| Hans Baur | .... | press attache | |
| Michael Behrens | .... | technician | |
| Klaus Emberger | .... | technician | |
| Helmut Flieger | .... | technician | |
| Dieter Gackstetter | .... | choreographer | |
| Heinrich Grob | .... | technician | |
| Siegfried Gundel | .... | technician | |
| Sam McGill | .... | dialogue coach | |
| Paul Michael McLernon | .... | dialogue coach | |
| Enzo Peri | .... | presenter | |
| Alwin Schuler | .... | technician | |
| Carla Thoeren | .... | production assistant | |
| Michael Waldleitner | .... | production assistant | |
| Robert Wischert | .... | technician | |
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| Sophie Scholl - Die letzten Tage | La tregua | The Aryan Couple | Das Boot ist voll | Nackt unter Wölfen |
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| Casting et équipe complète | Remerciements de la Société | Revues externes |
| IMDb Drame section | IMDb Allemagne de l'ouest section | Add this title to MyMovies |
Yes, there is such a thing, despite the fact that IMDb does not currently list it.
This film is a clever examination of how hard it was NOT to become part of the Nazi system. Willie is a German singer, in love with a Swiss Jewish conductor. She returns to Germany to help her lover with the resistance, however his father - who disapproves of their relationship - has arranged that she will not be able to return to Switzerland. Stranded in Berlin, Willie is forced to use a Nazi connection just to get some work...and he just happens to be the newly appointed Cultural Director. So Willie is given the opportunity to perform and record 'Lili Marleen'. The song becomes a hit, and Hitler becomes a fan. I won't go into the rest of the plot, but be assured that there are twists and turns.
By the end of this movie, you will not be able to get the song 'Lili Marleen' out of your head as it is repeated countless times. Believe me, I saw the film last week, and I am still singing it.