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Mommie Dearest ()


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The abusive and traumatic adoptive upbringing of Christina Crawford at the hands of her mother, screen queen Joan Crawford, is depicted.

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Cast verified as complete

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Joan Crawford
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Christina Crawford - Adult
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Greg Savitt
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L.B. Mayer
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Christina Crawford - Child
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Carol Ann
Harry Goz ...
Al Steele
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Ted Gelber
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Barbara Bennett
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Mrs. Chadwick
Joe Abdullah ...
Captain
Gary Allen ...
Jimmy - Photographer
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Connie
Adrian Aron ...
Wedding Guest
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Christopher Crawford - Adult
Matthew Campion ...
Actor in Soap - Bill
Carolyn Coates ...
Mother Superior
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Radio Interviewer
Margaret Fairchild ...
Mother Superior - Orphanage
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Pepsi Executive #1
James Kirkwood Jr. ...
Master of Ceremonies (as James Kirkwood)
Michael Hawkins ...
Pepsi Executive #2 (as Michael D. Gainsborough)
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Pepsi Executive #3
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Pepsi Executive #4
Ellen Feldman ...
Ginny
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David
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Nurse
Victoria James ...
Photographer
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Vera
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Beth Simpson
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Pepsi Chairman
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Funeral Director
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Assistant Director #2
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Belinda Rosenberg
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Lawyer
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Helga
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Male Guest
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Tony
Jeremy Scott Reinbolt ...
Christopher Crawford - Age 5
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Driver
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Decorator
Joe Warren ...
Mr. Dodd (as Joseph Warren)
Erica Wexler ...
Susan
Dick McGarvin ...
Tour Bus Driver
Brent Dunsford ...
Fan
Joseph Dypwick ...
Fan
Wendy Pitzer ...
Fan
David Sanderson ...
Fan
Ian Bruce ...
Assistant Director
Peter Eastman ...
Doctor (as Peter Paul Eastman)
Rest of cast listed alphabetically:
Herbert Benkman ...
Reporter (uncredited)
Josh Gans ...
Boy on Carousel (uncredited)
Lars Hensen ...
Minor Role (uncredited)
Keith Paul Hunter ...
Orphan (uncredited)
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Formal Audience Member (uncredited)
Lori Randolph ...
Blonde Little Girl at Birthday Party (uncredited)
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Elderly Audience Member (uncredited)

Directed by

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Frank Perry

Written by

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Christina Crawford ... (book)
 
Frank Yablans ... (screenplay) &
Frank Perry ... (screenplay) and
Tracy Hotchner ... (screenplay) and
Robert Getchell ... (screenplay)

Produced by

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David Koontz ... executive producer
Neil A. Machlis ... associate producer
Terry O'Neill ... executive producer (as Terence O'Neill)
Frank Yablans ... producer

Music by

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Henry Mancini

Cinematography by

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Paul Lohmann

Editing by

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Peter E. Berger

Editorial Department

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Greig McRitchie ... assistant film editor

Casting By

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Nancy Klopper
Lynn Stalmaster

Production Design by

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Bill Malley

Art Direction by

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Harold Michelson

Set Decoration by

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Richard C. Goddard

Costume Design by

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Irene Sharaff

Makeup Department

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Kathryn Blondell ... hair stylist: Ms. Dunaway
Claude Díaz ... wig maker: Faye Dunaway
Lee Harman ... makeup artist: Ms. Dunaway
Charles H. Schram ... makeup artist
Vivienne Walker ... hair stylist
Sylvia Nava ... hair technician (uncredited)

Production Management

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Neil A. Machlis ... unit production manager

Second Unit Director or Assistant Director

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Alan B. Curtiss ... second assistant director
Michael Daves ... first assistant director
Robert J. Doherty ... second assistant director

Art Department

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Matty Azzarone ... assistant property master
Jeff Clark ... sign writer
Kent H. Johnson ... property master
Eugene S. Kelley ... construction coordinator
Nikita Knatz ... storyboard artist
Margie Stone McShirley ... set designer
Peter Van Zyl ... greensman

Sound Department

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Clint Althouse ... boom operator
David E. Campbell ... re-recording mixer
Denis Dutton ... sound effects editor
Cecelia Hall ... sound effects editor
Sean Hanley ... dialogue loop editor
David J. Hudson ... re-recording mixer
Larry Jost ... sound mixer
John T. Reitz ... re-recording mixer
George Watters II ... sound effects editor

Special Effects by

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Joseph P. Mercurio ... special effects
Ken Speed ... special effects assistant

Stunts

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Sherry Peterson ... stunts

Camera and Electrical Department

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Doug J. Campbell ... dolly grip (as Douglas J. Campbell)
R.B. Garig ... dolly grip
J. Michael Marlett ... gaffer
John C. Moulds ... second assistant camera
Leo J. Napolitano ... first assistant camera
Ralph Nelson ... still photographer (as Ralph Nelson Jr.)
Guy Polzel ... key grip
Timothy E. Wade ... camera operator

Casting Department

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Deborah Brown ... casting: New York

Costume and Wardrobe Department

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James P. Cullen ... costumer
Bernadene C. Mann ... costumer: Ms. Dunaway
Eric Seelig ... costume supervisor: men
Andrea E. Weaver ... costume supervisor
Robert Iannaccone ... costumer (uncredited)

Music Department

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June Edgerton ... music editor
Murray Adler ... musician: violin (uncredited)
Harry Bluestone ... musician: violin (uncredited)
Denyse Buffum ... musician: viola (uncredited)
Larry Bunker ... musician: percussion (uncredited)
Norman Carr ... musician: violin (uncredited)
Gene Cipriano ... musician: clarinet (uncredited)
Herman Clebanoff ... musician: violin (uncredited)
Chuck Domanico ... musician: bass (uncredited)
Earl Dumler ... musician: oboe (uncredited)
Christine Ermacoff ... musician: cello (uncredited)
Dominick Fera ... musician: clarinet (uncredited)
Norman Forrest ... musician: viola (uncredited)
Carl Fortina ... orchestra contractor (uncredited)
Harris Goldman ... musician: violin (uncredited)
Pamela Goldsmith ... musician: viola (uncredited)
Dan Goldwasser ... soundtrack producer (uncredited)
Gary Gray ... musician: clarinet (uncredited)
Susan Greenberg ... musician: flute (uncredited)
Ralph Grierson ... musician: piano (uncredited)
John C. Hammell ... music editor (uncredited)
Jack Hayes ... music consutant (uncredited) / orchestrator (uncredited)
Norman Herzburg ... musician: bassoon (uncredited)
Barbara Hunter ... musician: cello (uncredited)
Armand Kaproff ... musician: cello (uncredited)
Nathan Kaproff ... musician: violin (uncredited)
Dennis Karmazyn ... musician: cello (uncredited)
Gus Klein ... musician: french horn (uncredited)
Marion Klein ... orchestra contractor (uncredited)
Raphael Kramer ... musician: cello (uncredited)
Michael Lang ... musician: piano (uncredited)
Ronald Langinger ... musician: flute (uncredited)
Henry Mancini ... conductor (uncredited) / orchestrator (uncredited) / score producer (uncredited)
Shelly Manne ... musician: drums (uncredited)
Jack Marsh ... musician: bassoon (uncredited)
Don Menza ... musician: clarinet (uncredited)
Peter Mercurio ... musician: bass (uncredited)
Joel Moss ... music scoring mixer (uncredited)
Carole Mukagawa ... musician: viola (uncredited)
Richard Nash ... musician: trombone (uncredited)
Ted Nash ... musician: flute (uncredited)
Erno Neufeld ... concertmaster (uncredited)
John Neufeld ... orchestrator (uncredited)
Brian O'Connor ... musician: french horn (uncredited)
Richard Perissi ... musician: french horn (uncredited)
Ray Pizzi ... musician: bassoon (uncredited)
Dorothy Remsen ... musician: harp (uncredited)
Ethmer Roten ... musician: flute (uncredited)
Meyer Rubin ... musician: bass (uncredited)
Ambrose Russo ... musician: violin (uncredited)
David Schwartz ... musician: viola (uncredited)
Harry Shlutz ... musician: cello (uncredited)
David Shostac ... musician: flute (uncredited)
Sheridon Stokes ... musician: flute (uncredited)
Linn Subotnick ... musician: viola (uncredited)
Robert Sushel ... musician: violin (uncredited)
James Thatcher ... musician: French horn (uncredited)
Louise Di Tullio ... musician: flute (uncredited)
Lloyd Ulyate ... musician: trombone (uncredited)
Graham Young ... musician: trumpet (uncredited)

Script and Continuity Department

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Marshall Schlom ... script supervisor

Transportation Department

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Joel Marrow ... transportation coordinator

Additional Crew

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Mauri Syd Gayton ... production coordinator
Mario Iscovich ... production staff
Ileen Maisel ... assistant: Mr. Yablans
Jonathan A. Zimbert ... technical advisor

Production Companies

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Distributors

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Special Effects

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Other Companies

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Storyline

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Plot Summary

The relationship between Christina Crawford and her adoptive mother Joan Crawford is presented from Christina's view. Unable to bear children, Joan, in 1940, was denied children through regular adoption agencies due to her twice divorced status and being a single working person. Her lover at the time, Metro-Goldwyn-Mayer lawyer Greg Savitt, was able to go through a brokerage to adopt a baby girl, who would be Christina, the first of Joan's four adoptive children. Joan believes that her own difficult upbringing has made her a stronger person, and decides that, while providing the comforts that a successful Hollywood actress can afford, she will not coddle Christina or her other children, she treating Christina more as a competitor than a daughter. Joan's treatment of Christina is often passive-aggressive, fueled both by the highs and lows of her career, the narcissism that goes along with being an actress, and alcohol abuse especially during the low times. However, Joan sees much of her actions toward Christina as Christina purposefully provoking her. Despite the physical and emotional abuse Joan hurls at Christina over the course of their relationship, Christina, who often wonders why Joan adopted her seeing as to the abuse, seemingly still wants her mother's love right until the very bitter end. Written by Huggo

Plot Keywords
Taglines To my darling Christina, with love...Mommie Dearest See more »
Genres
Parents Guide View content advisory »
Certification

Additional Details

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Also Known As
  • Maman très chère (France)
  • Meine liebe Rabenmutter (Germany)
  • Queridísima mamá (Spain)
  • Canım Annem (Turkey, Turkish title)
  • Скъпа мамо (Bulgaria, Bulgarian title)
  • See more »
Runtime
  • 129 min
Country
Language
Color
Aspect Ratio
Sound Mix
Filming Locations

Box Office

Budget $5,000,000 (estimated)
Opening Weekend United States $905,920, 20 Sep 1981
Cumulative Worldwide Gross $25,032,261

Did You Know?

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Trivia Faye Dunaway mentions in her autobiography that she screamed herself hoarse during the filming for the notorious wire hanger tantrum scene in this movie. She called Frank Sinatra for help, and he gave her some pointers on how to get her voice back into shape. See more »
Goofs When Joan Crawford substitutes for her daughter on a soap opera, producer of show gives her a pep talk during a commercial, indicating it was a live broadcast. In reality 'The Secret Storm' was taped and director later said Crawford's performance was so poor he had to patch it together in editing room. Although it was recorded, The Secret Storm was "live tape", meaning that it was treated as if it were a live broadcast. At the end of each act, the actors stopped for the exact length of the commercials and then resumed taping. See more »
Movie Connections Featured in Continental Divide, Mommie Dearest, Only When I Laugh, Body Heat, First Monday in October (1981). See more »
Soundtracks I'm Sitting On Top Of The World See more »
Quotes [addressing the men in the Pepsi boardroom]
Joan Crawford: Don't fuck with me fellas. This ain't my first time at the rodeo.
See more »

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