Réalisé par | |||
| Claude Lelouch | |||
Scénaristes(dans l'ordre alphabétique) | ||
| Claude Lelouch | writer | |
Produit par | |||
| Claude Lelouch | .... | producer | |
Musique originale | |||
| Francis Lai | |||
| Michel Legrand | |||
Image | |||
| Jean Boffety | |||
Montage | |||
| Sophie Bhaud | |||
| Hugues Darmois | |||
Distribution des rôles | |||
| Arlette Gordon | |||
Création des décors | |||
| Jean-Louis Povéda | |||
Création des costumes | |||
| Catherine Leterrier | |||
Maquillage | |||
| Dominique Colladant | .... | makeup designer | |
| Reiko Kruk | .... | makeup designer | |
Directeur de production | |||
| Daniel Deschamps | .... | production manager | |
Technicien du son | |||
| Jean-Pierre Lelong | .... | foley artist | |
Caméra et Département Electrique | |||
| Michel Abramowicz | .... | assistant camera (as Michel Abramovitz) | |
| Michael F. Barrow | .... | gaffer: New York | |
| Jean-Yves Le Mener | .... | assistant camera | |
| Tim Wallace | .... | electrician | |
Département Musique | |||
| Pierre Barouh | .... | composer: song "Les uns et les autres" | |
| Jean Yanne | .... | composer: song "Paris des dégueulass" | |
Divers | |||
| Maurice Béjart | .... | choreographer: "Boléro" | |
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| The Man Who Cried | Au revoir les enfants | The Rape of Europa | Sunshine | L'accompagnatrice |
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IMDb Note Générale:
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IMDb Note Générale:
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IMDb Note Générale:
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| Casting et équipe complète | Remerciements de la Société | Revues externes |
| IMDb Drame section | IMDb France section | Add this title to MyMovies |
I share with the other commentators the love of this amazing film, which has been on my 10-best-ever list since I first saw it. The director has done a wonderful job of keeping together the various story lines, that cross each other time and again in different places and times, with their own theme scores that evolve as time passes.
The main story in the film is of course the Second World War, which throws the stories of the four musical families together and mixes their fates.
Many characters in the film are loosely based on musical icons (Josephine Baker, Herbert von Karajan, Glen Miller, Edith Piaf, Rudolf Nureyev, etc.) and the many sub plots, such as in the band of friends returning from the Algerian war, make the film into a rich experience of lives and fates that may confuse some at first sight, but that makes the film interesting and involving even after repeated viewing. The Bolero dance sequence at the end, in which all threads come together, never ceases to blow me away.