Directed by
| Donald Crombie | ||
Writing Credits
| John Burnley | ... | (screenplay) & |
| Philip Cornford | ... | (screenplay) |
Cast (in credits order) verified as complete
Produced by
| Phillip Adams | ... | executive producer |
| Anthony Buckley | ... | producer |
| Jacqueline Ireland | ... | associate producer |
Music by
| Brian May | ||
Cinematography by
| Dean Semler | ... | director of photography |
Editing by
| Tim Wellburn | ||
Production Design by
| Owen Williams | ||
Art Direction by
| Stewart Burnside | ||
| John Carroll | ||
Costume Design by
| Judith Dorsman | ||
Makeup Department
| Willi Kenrick | ... | hair stylist |
| Lesley Lamont-Fisher | ... | makeup artist |
Production Management
| Lynn Gailey | ... | production manager |
| Di Nicholas | ... | unit manager |
Second Unit Director or Assistant Director
| Colin Fletcher | ... | second assistant director |
| Stuart Freeman | ... | first assistant director |
| Chris Short | ... | third assistant director |
Art Department
| Billy Allen | ... | props buyer |
| Steve Amezdroz | ... | props buyer (as Stephen Amezdroz) |
| Jenny Green | ... | props buyer |
| Sue Hoyle | ... | props buyer |
| Paul Jones | ... | stand-by props |
| Ned McCann | ... | scenic artist |
| Joyce McFarlane | ... | scenic artist |
| John Murch | ... | model maker |
| Judith Russell | ... | assistant art director |
Sound Department
| Vicki Ambrose | ... | sound editor |
| Peter Fenton | ... | sound mixer |
| Alasdair Macfarlane | ... | sound mixer |
| Michael O'Donnell | ... | assistant sound editor |
| John Phillips | ... | sound recordist |
| Ray Phillips | ... | boom operator |
| Phil Judd | ... | sound effects recordist (uncredited) |
Special Effects by
| Alan Maxwell | ... | special effects coordinator |
Visual Effects by
| Roger Cowland | ... | visual effects |
Camera and Electrical Department
| Steve Dobson | ... | focus puller |
| Brian Edmonds | ... | assistant grip |
| Bede Ireland | ... | 3rd electrics |
| Merv McLaughlin | ... | key grip |
| Andrew McLean | ... | clapper loader |
| John Morton | ... | gaffer |
| Pat Nash | ... | assistant grip |
| Ian Plummer | ... | best boy |
| Jason Rogers | ... | electrician |
| Wayne Simpson | ... | electrician |
Casting Department
| Miriam Freeman | ... | casting assistant |
Costume and Wardrobe Department
| Lyn Askew | ... | wardrobe assistant |
| Kerri Mazzocco | ... | wardrobe assistant (as Kerri Barnett) |
| Joyce Stokes | ... | seamstress |
Editorial Department
| Arthur Cambridge | ... | grading |
| Margaret Cardin | ... | negative matching |
| Bill Gooley | ... | lab liaison |
| Annabelle Sheehan | ... | assistant editor |
Location Management
| Di Nicholas | ... | location manager |
Music Department
| Robert John | ... | musician |
Script and Continuity Department
| Betty Archer | ... | script consultant |
| Jo Weeks | ... | continuity |
Additional Crew
| Antonia Barnard | ... | production secretary |
| Matthew Cummings | ... | runner |
| Rea Francis | ... | publicist |
| Carol Hughes | ... | production assistant |
| Annie Peacock | ... | unit runner |
| Adrienne Rolf | ... | titles (as Adrienne Rolfe) |
| Annie Semler | ... | choreographer (as Anne Semler) |
| Howard Wheatley | ... | production accountant |
| John Wiggins | ... | runner |
