A computer hacker is abducted into the digital world and forced to participate in gladiatorial games where his only chance of escape is with the help of a heroic security program.
Director:
Writers:
Awards:
- Nominated for 2 Oscars. Another 2 wins & 6 nominations.
- See more »
Reviews:
Photos and Videos
Cast verified as complete
| Jeff Bridges | ... |
Kevin Flynn / Clu
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| Bruce Boxleitner | ... |
Alan Bradley / Tron
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| David Warner | ... |
Ed Dillinger / Sark / Master Control Program
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| Cindy Morgan | ... |
Lora / Yori
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| Barnard Hughes | ... |
Dr. Walter Gibbs / Dumont
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| Dan Shor | ... |
Ram / Popcorn Co-Worker
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| Peter Jurasik | ... |
Crom
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Stuart Thomas | ... |
Peter / Sark's Lieutenant
(as Tony Stephano)
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Craig Chudy | ... |
Warrior #1
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Vince Deadrick Jr. | ... |
Warrior #2
(as Vince Deadrick)
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Sam Schatz | ... |
Expert Disc Warrior
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| Jackson Bostwick | ... |
Head Guard
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| David S. Cass Sr. | ... |
Factory Guard
(as Dave Cass)
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| Gerald Berns | ... |
Guard #1
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Bob Neill | ... |
Guard #2
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| Ted White | ... |
Guard #3
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| Mark Stewart | ... |
Guard #4
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Michael Sax | ... |
Guard #5
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| Tony Brubaker | ... |
Guard #6
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| Charlie Picerni | ... |
Tank Commander
(as Charles Picerni)
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Pierre Vuilleumier | ... |
Tank Gunner #1
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Erik Cord | ... |
Tank Gunner #2
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| Loyd Catlett | ... |
Conscript #1 / Video Game Cowboy
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| Michael Dudikoff | ... |
Conscript #2
(as Michael J. Dudikoff II)
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| Richard Bruce Friedman | ... |
Video Game Player
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Rick Feck | ... |
Boy in Video Game Arcade
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John Kenworthy | ... |
Boy in Video Game Arcade
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| Rest of cast listed alphabetically: | |||
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Lisette Kremer | ... |
Video Gamer (uncredited)
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| Jerry Maren | ... |
(uncredited)
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Directed by
| Steven Lisberger | ... | (directed by) |
Written by
| Steven Lisberger | ... | (screenplay) |
| Steven Lisberger | ... | (story) and |
| Bonnie MacBird | ... | (story) |
| Charles S. Haas | ... | (screenplay) (uncredited) |
Produced by
| Harrison Ellenshaw | ... | associate producer |
| Donald Kushner | ... | producer (produced by) |
| Ron Miller | ... | executive producer |
Music by
| Wendy Carlos | ... | (music by) |
Cinematography by
| Bruce Logan | ... | director of photography |
Editing by
| Jeff Gourson | ... | film editor |
Editorial Department
| Edward M. Capuano | ... | negative cutter (as Ed Capuano) |
| Baylis Glascock | ... | assistant editor |
| Walter Hekking | ... | assistant editor |
| Martin Welsh | ... | color timer |
Casting By
| Pam Polifroni | ... | (casting) |
Production Design by
| Dean Edward Mitzner | ||
Art Direction by
| John B. Mansbridge | ... | (as John Mansbridge) |
| Al Roelofs | ||
Set Decoration by
| Roger M. Shook | ... | (as Roger Shook) |
Costume Design by
| Elois Jenssen | ... | (costumes designed by) |
| Rosanna Norton | ... | (costumes designed by) |
Makeup Department
| Gary Liddiard | ... | makeup artist |
| Robert J. Schiffer | ... | makeup supervisor (as Robert J. Schiffer CMAA) |
| Joy Zapata | ... | hair stylist |
| Robin LaVigne | ... | makeup artist (uncredited) |
Production Management
| Ralph Sariego | ... | unit production manager |
| Ted Schilz | ... | studio production manager |
| Thomas L. Wilhite | ... | executive in charge of production |
Second Unit Director or Assistant Director
| Lisa Marmon | ... | second assistant director |
| Lorin Bennett Salob | ... | first assistant director (as Lorin B. Salob) |
| Carol Green | ... | dga trainee (uncredited) |
Art Department
| Roger Allers | ... | pre-production concepts |
| Robert M. Beall | ... | draftsman (as Bob Beall) |
| John Dail | ... | draftsman |
| Andy Gaskill | ... | production storyboards |
| Jean 'Moebius' Giraud | ... | conceptual artist: electronic world / electronic conceptual design |
| Antoinette J. Gordon | ... | draftsman (as Antoinette Gordon) |
| Eugene Harris | ... | draftsman |
| Bill Kroyer | ... | production storyboards |
| Chris Lane | ... | pre-production concepts |
| Peter Lloyd | ... | conceptual artist: electronic world |
| Syd Mead | ... | conceptual artist: electronic world |
| Peter Mueller | ... | pre-production concepts |
| John Norton | ... | pre-production concepts / production storyboards |
| Shelley Phillips | ... | production painter |
| Jerry Rees | ... | production storyboards (as Jerry W. Rees) |
| Wilbur L. Russell | ... | property master (as Wilbur Russell) |
| Bob Stahler | ... | draftsman |
| Richard Taylor | ... | electronic conceptual design |
| John Alvin | ... | poster artist (uncredited) |
| Richard J. Bayard | ... | construction coordinator (uncredited) |
| Keith McCormick | ... | assistant property master (uncredited) |
| Chip Miller | ... | illustrator (uncredited) |
| Michael Peraza Jr. | ... | conceptual artist (uncredited) |
| Henry Selick | ... | storyboard artist (uncredited) |
| Drew Struzan | ... | poster artist (uncredited) |
| Tom von Badinski | ... | welder (uncredited) |
Sound Department
| Robert Bradshaw | ... | dialogue editor |
| Steven Brimmer | ... | recording engineer |
| Champ Davenport | ... | voice processing: "MCP" |
| Gordon Ecker | ... | supervising sound editor (as Gordon Ecker Jr.) |
| Michael Fremer | ... | sound design supervisor |
| Stan Gilbert | ... | dialogue editor |
| Robert Hathaway | ... | sound department supervisor (as Bob Hathaway) |
| Randy Kelley | ... | sound effects editor |
| James LaRue | ... | production sound mixer (as Jim LaRue) |
| John M. Lowry | ... | assistant sound editor |
| Jack Manning | ... | voice processing: "MCP" |
| Vince Melandri | ... | sound effects editor |
| Anthony Milch | ... | sound effects editor |
| Bob Minkler | ... | re-recording mixer |
| Lee Minkler | ... | re-recording mixer |
| Michael Minkler | ... | re-recording mixer |
| Bob Newlan | ... | assistant sound editor |
| Frank Serafine | ... | sound effects design and synthesis |
| William Shenberg | ... | dialogue editor (as Bill Shenberg) |
| Marvin Walowitz | ... | sound effects editor |
| Michael D. Wilhoit | ... | foley editor (as Mike Wilhoit) |
| Marty Church | ... | adr mixer (uncredited) / foley mixer (uncredited) |
| Allen Hurd | ... | sound (uncredited) |
| Maureen Mitchell | ... | utility (uncredited) |
| Paul Mitchell | ... | boom operator (uncredited) |
| Morten Folmer Nielsen | ... | adr editor (uncredited) / adr recorder (uncredited) |
| Darren Polish | ... | audio description narrator (uncredited) |
| John Roesch | ... | foley artist (uncredited) |
| Philip Rogers | ... | sound recordist (uncredited) |
| Joseph T. Sabella | ... | foley artist (uncredited) |
| Wylie Stateman | ... | sound designer (uncredited) / sound editor (uncredited) / supervising sound editor (uncredited) |
| Alicia Stevenson | ... | foley artist (uncredited) |
| Carolyn Tapp | ... | foley recordist (uncredited) |
| Dan Wallin | ... | re-recording mixer (uncredited) |
| Don White | ... | foley mixer (uncredited) |
Special Effects by
| R.J. Spetter | ... | mechanical special effects |
| Gary D'Amico | ... | special effects (uncredited) |
| David Domeyer | ... | special effects (uncredited) |
| Mike Edmonson | ... | special effects technician (uncredited) |
| Donald Kushner | ... | special effects (uncredited) |
| Hans Metz | ... | special effects assistant (uncredited) |
| Mike Reedy | ... | special effects technician (uncredited) |
Visual Effects by
| John Aardal | ... | animation compositing camera |
| Frank Amador | ... | photo-rotoscope supervisor |
| Peter Anderson | ... | visual effects supervisor: Disney Studios |
| William L. Arance | ... | airbrush artist (as William Arance) |
| Andy Atkins | ... | airbrush artist |
| Richard 'Dr.' Baily | ... | systems programmer: Robert Abel and Associates (as Richard Baily) |
| Don Baker | ... | animation compositing camera |
| Vicki Banks | ... | assistant effects animator |
| Carolyn Bates | ... | background technical inker |
| John Bates | ... | background composite assistant |
| Greg Battes | ... | airbrush supervisor |
| John Beach | ... | Synthavision production: MAGI Synthavision |
| Tom Bisogno | ... | Synthavision production: MAGI Synthavision |
| Peter Blinn | ... | scene coordinator |
| Allen Blyth | ... | assistant effects animator |
| Bob Broughton | ... | opticals |
| Jan Browning | ... | matte production |
| Deena Burkett | ... | scene coordinator |
| Don Button | ... | scene coordinator |
| Glenn Campbell | ... | animation compositing camera |
| Nancy Hunter Campi | ... | scene programmer: MAGI Synthavision |
| Chris Casady | ... | effects animator |
| Ed Coffey | ... | assistant effects animator |
| Kerry Colonna | ... | scene coordinator |
| Clint Colver | ... | scene coordinator |
| Barry Cook | ... | effects animator |
| Art Cruickshank | ... | photographic process lab supervisor |
| Dana Duff | ... | assistant scene coordinator |
| William Dungan Jr. | ... | scene programmer: Information International Inc. |
| Art Durinski | ... | object digitizing: Information International Inc. |
| Eric Durst | ... | assistant effects animator |
| Lee Dyer | ... | effects animation supervisor |
| Douglas Eby | ... | animation compositing camera |
| Dennis Edwards | ... | assistant effects animator |
| Larry Elin | ... | scene creation concepts: MAGI Synthavision (as Larry Elin Popielinski) |
| Harrison Ellenshaw | ... | visual effects supervisor |
| George Epperson | ... | animation compositing camera |
| Gail Frank | ... | effects animator (as Gail Finkeldei) |
| Bernie Gagliano | ... | background plate photography |
| Michael Gibson | ... | scene coordinator |
| Kris Gregg | ... | camera: Robert Abel and Associates |
| John Grower | ... | scene coordinator |
| Marian Guder | ... | photo-rotoscope coordinator |
| Peter Gullerud | ... | assistant effects animator |
| Valerie Hagenbush | ... | camera schedule coordinator |
| Sandra Harper | ... | background composite assistant |
| Brandy Hill | ... | animation compositing camera (as Brandy Whittington) |
| Shelley Rae Hinton | ... | assistant scene coordinator (as Shelley Hinton) |
| Jacqueline Hooks | ... | assistant scene coordinator (as Jacqui Hooks) |
| Dave Iwerks | ... | background plate photography |
| Jim Keating | ... | scene coordinator |
| Christopher Keith | ... | camera schedule coordinator |
| Gayl Kelm | ... | photo-rotoscope supervisor |
| Dick Kendall | ... | animation compositing camera |
| Patric Kenly | ... | camera: Robert Abel and Associates |
| Jeffrey Kleiser | ... | computer production supervisor: Digital Effects Inc. |
| Bill Kovacs | ... | systems programmer: Robert Abel and Associates |
| Bill Kroyer | ... | computer image choreography |
| Paul LaMori | ... | assistant scene coordinator (as Paul La Mori) |
| Gene Larmon | ... | background plate photography |
| Laura Leiben | ... | assistant scene coordinator |
| Donald Leich | ... | computer animator: Digital Effects Inc. |
| David V. Lester | ... | effects unit manager |
| Steven Lisberger | ... | visual effects concepts |
| Larry Malone | ... | scene programmer: Information International Inc. |
| Annie McEveety | ... | animation compositing camera |
| Stephen McEveety | ... | effects unit manager |
| Tim McGovern | ... | systems programmer: Robert Abel and Associates |
| Malcolm McMillan | ... | scene programmer: Information International Inc. (as Mal McMillan) |
| Gene Miller | ... | computer animator: Digital Effects Inc. |
| Kenny Mirman | ... | design supervisor: Robert Abel and Associates |
| Kieran Mulgrew | ... | animation compositing camera |
| Craig Newman | ... | scene coordinator |
| John Norton | ... | effects animator |
| Ron Osenbaugh | ... | photo-rotoscope supervisor |
| Jim Pickel | ... | animation compositing camera supervisor |
| Ron Rae | ... | assistant scene coordinator |
| Jerry Rees | ... | computer image choreography (as Jerry W. Rees) |
| Craig Reynolds | ... | scene programmer: Information International Inc. (as Craig W. Reynolds) |
| Roger Rinati | ... | photo-rotoscope supervisor |
| Cat Robson | ... | background composite assistant (as Catherine Eby) |
| Darrell Rooney | ... | effects animator |
| Maria Rosetti | ... | assistant effects animator (as Maria Ramocki) |
| Dana Ross | ... | animation compositing camera |
| Cynthia Rush | ... | assistant scene coordinator |
| Marta Russell | ... | background composite supervisor |
| Scott Russo | ... | assistant scene coordinator |
| John Scheele | ... | effects technical supervisor |
| Jeremy Schwartz | ... | scene programmer: Information International Inc. |
| Lorraine Schweizer | ... | background composite assistant |
| Dave Scott | ... | photo-rotoscope supervisor |
| Jim Shaw | ... | airbrush artist (as James Walter Shaw) |
| Lynn Singer | ... | matte production |
| Ron Stangl | ... | assistant effects animator |
| David Stephan | ... | assistant effects animator (as Dave Stephan) |
| Linda D. Stokes | ... | scene coordinator |
| Richard Taylor | ... | computer effects supervisor / visual effects supervisor |
| Lynda Thompson | ... | assistant scene coordinator (as Lynda Ellenshaw) |
| Maureen Trueblood | ... | assistant effects animator |
| John Tucker | ... | assistant effects animator |
| James Valentine | ... | assistant scene coordinator |
| John T. Van Vliet | ... | effects animator (as John Van Vliet) |
| Neil Viker | ... | animation compositing camera |
| Frank Vitz | ... | systems programmer: Robert Abel and Associates |
| Paul Wainess | ... | animation compositing camera |
| Chris Wedge | ... | scene programmer: MAGI Synthavision (as Christian Wedge) |
| Byron Werner | ... | assistant effects animator |
| Denise Wethington | ... | assistant scene coordinator |
| Lynn Wilkinson | ... | computer production coordinator: Information International Inc. |
| Michael Wolf | ... | effects animator |
| Arnie Wong | ... | matte production supervisor |
| Max W. Anderson | ... | visual effects (uncredited) |
| Thomas Baker | ... | animation compositing camera (uncredited) |
| William Cruse | ... | animation camera (uncredited) |
| Christopher Dusendschon | ... | camera system design team: Robert Abel & Assoc. (uncredited) |
| Jon M. Edwards | ... | visual effects (uncredited) |
| Jammie Friday | ... | rotoscope (uncredited) |
| John Hughes | ... | technical director: Robert Abel and Associates (uncredited) |
| Peg Hunter | ... | animation camera: Praxis (uncredited) |
| Mark Jaffe | ... | digital effects (uncredited) |
| Bill Kent | ... | animation compositing camera (uncredited) |
| David Mattingly | ... | digital artist (uncredited) |
| Liza Moon | ... | digital artist: MAGI Synthavision (uncredited) |
| Patricia Peraza | ... | visual effects artist (uncredited) |
Stunts
| William H. Burton | ... | stunts (as Bill Burton) |
| Richard E. Butler | ... | stunt coordinator (as Richard E. Butler Jr.) |
| James Deeth | ... | stunts |
| Bennie E. Dobbins | ... | stunts |
| Rita Egleston | ... | stunts |
| Gary Epper | ... | stunts |
| Donna Garrett | ... | stunts |
| Larry Holt | ... | stunts |
| Billy Hank Hooker | ... | stunts (as Hank Hooker) |
| Gary Jensen | ... | stunts |
| Al Jones | ... | stunts |
| Fred Lerner | ... | stunts |
| Ross Reynolds | ... | stunts |
| Walter Scott | ... | stunts |
| Glenn R. Wilder | ... | stunts (as Glenn Wilder) |
| James Winburn | ... | stunts |
| Charlie Picerni | ... | stunts (uncredited) |
Camera and Electrical Department
| Jamie Anderson | ... | first assistant camera (as James Anderson) |
| Bernie Bayless | ... | best boy |
| Owen Crompton | ... | grip supervisor |
| Gregg Heschong | ... | camera operator (as Greg Heschong) |
| Herbert Hughes | ... | electrician supervisor |
| Horace Jordan | ... | first assistant camera |
| Rexford L. Metz | ... | camera operator (as Rexford Metz) |
| Ron Peebles | ... | second grip |
| Roger Redel | ... | gaffer |
| Stan Reed | ... | key grip |
| Lynn Tomes | ... | first assistant camera |
| Ronald M. Vargas Sr. | ... | camera operator (as Ron Vargas) |
| Michael D. Weldon | ... | first assistant camera (as Mike Weldon) |
| Mario Zavala | ... | second assistant camera |
| Sanford Barr | ... | lamp operator (uncredited) |
| Danny Boldroff | ... | company grip (uncredited) |
| Larry Brown | ... | lamp operator (uncredited) |
| Joe Cantu | ... | company grip (uncredited) |
| Harry Dial | ... | lamp operator (uncredited) |
| George Hewitt | ... | dolly grip (uncredited) |
| Tim King | ... | lamp operator (uncredited) |
| Mike Laas | ... | lamp operator (uncredited) |
| Peter McEvoy | ... | animation camera operator (uncredited) |
| Mike Mendez | ... | company grip (uncredited) |
| Ron Peebles | ... | best boy (uncredited) |
| Rudy Pohlert | ... | lamp operator (uncredited) |
| Morgan Renard | ... | still photographer (uncredited) |
| Hank Sheppherd | ... | company grip (uncredited) |
| Dan Smith | ... | dolly grip (uncredited) |
| Clarence Tindell | ... | dolly grip (uncredited) |
| Steven Wilzbach | ... | animation camera operator (uncredited) |
| Ray Wojdynski | ... | Oxberry multi-matte cameraman (uncredited) |
| Steve Wolfe | ... | lamp operator (uncredited) |
Animation Department
| Maria Alvarez | ... | ink artist (as Maria Luisa Alvarez) |
| Priscilla Alvarez | ... | ink and paint artist |
| Christopher D. Andrews | ... | background artist |
| Peter Aries | ... | international cel coordinator |
| Christina Caspary | ... | ink artist |
| Shih-hsiung Chen | ... | production ink and paint matting: Cuckoo's Nest Studios |
| Gary Conklin | ... | background artist |
| Cathy Crum | ... | ink and paint artist |
| Lillian Fitts | ... | ink artist |
| Alison Gefre | ... | ink and paint artist (as Alison DiCecio) |
| Larry Grossman | ... | background artist |
| Corey Harris | ... | background artist |
| Lisa Hazlewood | ... | ink and paint artist (as Lisa Adams) |
| Paul Hernandez | ... | international cel coordinator |
| Lisa Hsieh | ... | production ink and paint matting: Cuckoo's Nest Studios (as Hsieh Tai Hua) |
| Janette Hulett | ... | ink artist (as Janette Downs) |
| Chao Juchang | ... | production ink and paint matting: Cuckoo's Nest Studios |
| May Kong | ... | ink artist |
| Tia W. Kratter | ... | background artist |
| Fonzie Lin | ... | production ink and paint matting: Cuckoo's Nest Studios (as Lin Chin Yi) |
| John Liou | ... | production ink and paint matting: Cuckoo's Nest Studios (as Liu Hsing Yuan) |
| Peter Lloyd | ... | background designer |
| Kao Meiching | ... | production ink and paint matting: Cuckoo's Nest Studios |
| Flavia Mitman | ... | ink and paint artist |
| Peter Mueller | ... | background artist |
| Bonny Nardini | ... | ink artist |
| Julian Pena | ... | international cel coordinator |
| Parker Peng | ... | production ink and paint matting: Cuckoo's Nest Studios (as Peng Yi Lin) |
| Roné Prinz | ... | ink and paint artist (as Ronnie Prinz) |
| Elaine Robinson | ... | ink and paint artist |
| Wu Sheng Neng | ... | production ink and paint matting: Cuckoo's Nest Studios |
| Chiou Wen Shian | ... | production ink and paint matting: Cuckoo's Nest Studios |
| Jesse Silver | ... | background painting supervisor |
| Ann Sorensen | ... | ink and paint artist (as Ann Marie Sorenson) |
| Auril Thompson | ... | effects ink and paint supervisor (as Auril Pebley) |
| Tsai Tingting | ... | production ink and paint matting: Cuckoo's Nest Studios |
| Donald Towns | ... | background artist |
| James Wang | ... | production ink and paint matting: Cuckoo's Nest Studios (as Wang Chung Yuan) |
| Thomas Woodington | ... | background artist |
| Raulette Woods | ... | international cel coordinator |
| Tim Burton | ... | animator (uncredited) |
| David Halver | ... | ink and paint artist (uncredited) |
| Rick Moore | ... | animator (uncredited) |
Costume and Wardrobe Department
| Lorry Richter | ... | costumes: men |
| Nedra Rosemond-Watt | ... | costumes: women |
| Jack Sandeen | ... | costume supervisor |
| John George | ... | costumer: men (uncredited) |
Location Management
| John Morrissey | ... | location auditor (uncredited) |
Music Department
| Richard Bowden | ... | conductor: Los Angeles Orchestra |
| Jorge Calandrelli | ... | orchestrator |
| Wendy Carlos | ... | music synthesizer performances and processing |
| Michael Dilbeck | ... | special record coordinator |
| Annemarie Franklin | ... | assistant to composer |
| Michael Fremer | ... | music supervisor |
| Douglas Gamley | ... | conductor: London Philharmonic Orchestra |
| Jeffrey G. Gusman | ... | music layout (as Jeffrey Gussman) |
| Journey | ... | songs: music and lyrics by |
| John Mosely | ... | scoring recordist |
| Mark Berrow | ... | musician: violin (uncredited) |
| Tom Bocci | ... | music supervisor: songs (uncredited) |
| Tom Boyd | ... | musician: oboe (uncredited) |
| Sandy De Crescent | ... | orchestra contractor (uncredited) |
| George Doering | ... | musician (uncredited) |
| David Newman | ... | music consultant (uncredited) / musician: violin (uncredited) |
| Joe Renzetti | ... | additional orchestrator (uncredited) / composer: additional music (uncredited) |
| James Thatcher | ... | musician: French horn (uncredited) |
| Jack Wadsworth | ... | supervising music editor (uncredited) |
Script and Continuity Department
| Edle Bakke | ... | script supervisor |
Transportation Department
| Dyke Johnson | ... | effects transportation |
| Katy Johnson | ... | effects transportation |
| Mike Connors | ... | transportation co-captain (uncredited) |
| Chuck Jeglinski | ... | transportation captain (uncredited) |
Additional Crew
| Robert Abel | ... | systems supervisor: Robert Abel and Associates |
| Dave Barnett | ... | computer systems and software development |
| Martin O. Cohen | ... | Synthavision technologist: MAGI Synthavision (as Martin O. Cohen Ph.D.) |
| Michael G. Craig | ... | production assistant |
| Stephanie Graziano | ... | sample art supervisor (as Stephanie Burt) |
| Rob Hummel | ... | laboratory coordinator |
| Dave Inglish | ... | computer systems and software development |
| Don Iwerks | ... | mechanical designs and conversions |
| Debra DeVito Jackson | ... | production assistant |
| Mark Kimball | ... | computer systems and software development |
| Eileen Kuramoto | ... | film logging |
| Peggy Lisberger | ... | secretary: Mr. Lisberger (as Margaret Flook) |
| Phil Mittelman | ... | technology concepts: MAGI Synthavision (as Phillip Mittelman Ph.D.) |
| Mical Morrish | ... | production assistant |
| Anna-Lisa Nilsson | ... | secretary: Mr. Lisberger |
| Denise Olivo | ... | production assistant |
| Bob Otto | ... | mechanical designs and conversions |
| Kenneth Perlin | ... | Synthavision technologist: MAGI Synthavision |
| Don Porterfield | ... | mechanical designs and conversions |
| Marty Prager | ... | computer systems and software development |
| Judson Rosebush | ... | systems supervisor: Digital Effects Inc. |
| Mike Schilz | ... | production assistant (as Michael Schilz) |
| Herbert Steinberg | ... | Synthavision technologist: MAGI Synthavision (as Herbert Steinberg Ph.D.) |
| Bill Tondreau | ... | computer systems and software development |
| Eugene Troubetzkoy | ... | Synthavision technologist: MAGI Synthavision (as Eugene Troubetzkoy Ph.D.) |
| Wendy Williams | ... | production assistant |
| Mike Bonifer | ... | publicist (uncredited) |
| Jerry Bonneville | ... | 40 man (uncredited) |
| Jean Clarke | ... | security (uncredited) |
| Steve Debs | ... | craft service (uncredited) |
| Ken 'Gabby' Hayes | ... | air conditioning (uncredited) |
| Don Henry | ... | projectionist (uncredited) |
| Stephen J. Kerr | ... | evp southeast asia (uncredited) |
| Rob Paulsen | ... | adr loop group: voice (uncredited) |
| Sam Schatz | ... | technical advisor (uncredited) |
| Patricia Thompson | ... | craft service (uncredited) |
Thanks
| L. Basset | ... | special thanks |
| Gary Demos | ... | special thanks |
| Charles S. Haas | ... | special thanks (as Charles Haas) |
| Alan Landaker | ... | special thanks |
| Hal Landaker | ... | special thanks |
| Morgan Renard | ... | special thanks |
| Ed Rotberg | ... | special thanks (as E. Rotberg) |
| Sam Schatz | ... | special thanks |
| Daimon Webster | ... | special thanks |
| John Whitney Jr. | ... | special thanks |
Production Companies
- Walt Disney Productions (presents)
- Lisberger/Kushner
Distributors
- Buena Vista Distribution Company (1982) (United States) (theatrical) (as Buena Vista Distribution Co., Inc.)
- 20th Century Fox Argentina (1982) (Argentina) (theatrical) (through Columbia Pictures of Argentina)
- Buena Vista International Mexico (1982) (Mexico) (theatrical)
- Buena Vista International (1982) (Mexico) (theatrical)
- Columbia Pictures of Argentina (1982) (Argentina) (theatrical) (through 20th Century Fox Argentina)
- Greater Union Organisation (GUO) (1982) (Australia) (theatrical)
- The Walt Disney Company (1982) (United Kingdom) (theatrical)
- Toho-Towa (1982) (Japan) (theatrical)
- Twentieth Century Fox (1982) (West Germany) (theatrical)
- Walt Disney Productions (1982) (France) (theatrical)
- City-Euro-Centra (C.E.C.) (1983) (Netherlands) (theatrical)
- Kommunenes Filmcentral (KF) (1983) (Norway) (theatrical)
- Disney Channel (1983) (United States) (tv)
- Home Box Office (HBO) (1983) (United States) (tv)
- RCA (II) (1983) (United States) (video) (LaserDisc)
- Walt Disney Home Video (1983) (United States) (video) (LaserDisc)
- Walt Disney Telecommunications and Non-Theatrical Company (1983) (United States) (video) (Betamax)
- Buena Vista International (1985) (India) (theatrical)
- Buena Vista International (West Germany) (VHS)
- Audio Visual Enterprises (1986) (Greece) (VHS)
- Gativideo (1986) (Argentina) (VHS)
- CBS (1992) (United States) (tv)
- Buena Vista Home Video (1995) (United States) (video) (LaserDisc)
- Buena Vista Home Entertainment (1998) (United States) (DVD)
- Buena Vista International (2002) (Germany) (DVD)
- Buena Vista International (2002) (Sweden) (DVD)
- Buena Vista International (2002) (United Kingdom) (DVD)
- Walt Disney Home Entertainment (2002) (United States) (DVD)
- Walt Disney Home Entertainment (2003) (Mexico) (DVD)
- Walt Disney Home Entertainment (2003) (Mexico) (VHS)
- Walt Disney Studios Home Entertainment (2011) (Germany) (Blu-ray)
- Walt Disney Studios Home Entertainment (2011) (Germany) (DVD)
- Walt Disney Studios Home Entertainment (2011) (Mexico) (Blu-ray)
- Walt Disney Studios Home Entertainment (2011) (Mexico) (DVD)
- Walt Disney Studios Home Entertainment (2011) (United States) (Blu-ray)
- Disney Channel (2015) (Germany) (tv)
- Moviemax Family (2017) (Turkey) (tv)
- Disney+ (2019) (United States) (video)
- Buena Vista Home Entertainment (Turkey) (DVD)
- Walt Disney Studios Home Entertainment (Turkey) (DVD)
Special Effects
- MAGI-Synthavision
- Information International
- Robert Abel and Associates (transition to electronic world and main title)
- Digital Effects Inc. ("Tron" formation and the "Bit")
- All Electric Cameraworks (additional animation compositing camera)
- Animation Camera Service (matte production)
- Astralvision
- Cruse & Company (additional animation compositing camera)
- Movie Magic (additional animation compositing camera)
- Polyphony Digital (Visual Effects)
- R&B EFX (additional animation compositing camera)
Other Companies
- The Los Angeles Philharmonic Orchestra (music performed by)
- London Philharmonic Orchestra (music performed by)
- Serafine Studios (sound effects design and synthesis)
- Wallaworks (sound editing)
- Synthefex ("MCP" voice processing)
- Lion's Gate Sound (post-production facilities)
- Tom's Chroma Lab (background plate processing)
- Animation Camera Service (matte production)
- Mechanical Concepts (mechanical designs and conversions)
- Cinetron Computer Systems (computer systems and software development)
- G-2 Graphic Service (lithographic production)
- Cuckoo's Nest Studios (production ink and paint matting)
- All Electric Cameraworks (additional animation compositing camera)
- R&B EFX (additional animation compositing camera)
- Praxis Film Works (additional animation compositing camera)
- Cruse & Company (additional animation compositing camera)
- Pacific Title (additional animation compositing camera)
- Movie Magic (additional animation compositing camera)
- Van der Veer Photo Effects (additional animation compositing camera)
- Robert Abel and Associates (additional animation compositing camera)
- Anicam (special thanks)
- Atari (special thanks)
- Apple (special thanks)
- Mountain Hardwear (special thanks)
- Crown International Pictures (special thanks)
- Goodyear Tire & Rubber Co. (special thanks)
- Pacific Telephone (special thanks)
- Federal Screw Works (special thanks)
- Electro-Voice (special thanks)
- Eastern Acoustical Works (special thanks)
- APT Holman (special thanks)
- Fairlight Instruments USA (special thanks)
- BTX (special thanks)
- Audio and Design Recording (special thanks)
- Delta Labs (special thanks)
- Syntauri (special thanks)
- Jetcopters Inc. (special thanks)
- Lexicon (special thanks)
- Olympia (special thanks)
- After Image (special thanks)
- The Burbank Studios (special thanks)
- Entertainment Effects Group (EEG) (special thanks)
- Music Technology (special thanks)
- Cinema Air (special thanks)
- Advanced Music Systems (special thanks)
- R.H. and A.H.K. Associates (special thanks)
- CBS Records (original motion picture soundtrack album available on)
- Dolby Laboratories (sound post-production)
- Dolby Stereo (in selected theatres)
- Inter Video (24 frame video services)
- International Alliance of Theatrical Stage Employees (IATSE) (this picture made under the jurisdiction of)
- New Japan Philharmonic Orchestra (music performed by)
- Technicolor (color by)
- The Royal Albert Hall (music recorded at)
- Tokyo Philharmonic (music performed by)
- Wang Film Productions Company (production ink and paint matting)
Storyline
| Plot Summary |
Hacker/arcade owner Kevin Flynn is digitally broken down into a data stream by a villainous software pirate known as Master Control and reconstituted into the internal, 3-D graphical world of computers. It is there, in the ultimate blazingly colorful, geometrically intense landscapes of cyberspace, that Flynn joins forces with Tron to outmaneuver the Master Control Program that holds them captive in the equivalent of a gigantic, infinitely challenging computer game. Written by Anthony Pereyra {hypersonic91@yahoo.com} |
| Plot Keywords | |
| Taglines | The Electronic Gladiator See more » |
| Genres | |
| Parents Guide | View content advisory » |
| Certification |
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Additional Details
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Box Office
| Budget | $17,000,000 (estimated) |
| Opening Weekend United States | $4,761,795, 11 Jul 1982 |
Did You Know?
| Trivia | The film was disqualified from receiving an Academy Award nomination for special effects, because the Academy felt at the time that using computer generated effects was "cheating". See more » |
| Goofs | When Ram and Flynn are back in their cells Ram is doing tricks with his identity disk. The close-up of Ram's hands show he has no gloves on. When they cut to a wide shot Ram has gloves on. See more » |
| Movie Connections | Edited into The Making of 'Tron' (2002). See more » |
| Soundtracks | Only Solutions See more » |
| Crazy Credits | A section of the end credits is in Traditonal Chinese. They are the names of the individuals who worked on the movie from the company based in Taipei Taiwan. See more » |
| Quotes |
Alan Bradley:
[about the digitizing laser]
Great. Can it send me to Hawaii? Lora: Yep, but you gotta purchase your program 30 days in advance. How's it going upstairs? Alan Bradley: Frustrating. I had Tron almost ready, when Dillinger cut everyone with Group-7 access out of the system. I tell you ever since he got that Master Control Program, the system's got more bugs than a bait store. Dr. Walter Gibbs: [laughs] You've got to expect some static. After all, computers are just machines; they can't think. Alan Bradley: Some programs will be thinking soon. Dr. Walter Gibbs: Won't that be grand? Computers and the programs will start thinking and the people will stop. See more » |