Directed by
| Gus Trikonis | ||
Writing Credits
| Judith Parker | ... | (written by) |
Cast (in credits order) verified as complete
Produced by
| Andrew Gottlieb | ... | producer |
| Judith Parker | ... | producer |
Music by
| Lee Holdridge | ||
Cinematography by
| Arthur J. Ornitz | ... | (as Arthur Ornitz) |
Editing by
| Richard Bracken | ||
Casting By
| Fran Kumin | ||
| Meg Simon | ||
Art Direction by
| Robert Gundlach | ||
Set Decoration by
| Frederic C. Weiler | ... | (as Fred Weiler) |
Costume Design by
| Jo Ynocencio | ||
Makeup Department
| Irving Buchman | ... | makeup artist |
| Mona Orr | ... | hair stylist |
Production Management
| Cosmas P. Bolger | ... | post-production manager |
| John Zane | ... | unit production manager |
Second Unit Director or Assistant Director
| Deborah L. Marrs | ... | second assistant director |
| Allan Wertheim | ... | first assistant director (as Allan J. Wertheim) |
Art Department
| William Kane | ... | property master |
Sound Department
| Sam Horta | ... | sound editor |
| Peter Ilardi | ... | sound mixer (as Peter A. Ilardi) |
Camera and Electrical Department
| Louis Cappeta | ... | key grip |
| Louis Carpeto | ... | key grip |
| Gene Engels | ... | gaffer |
Costume and Wardrobe Department
| Melissa Franz | ... | costumer |
| Debbie Holbrook | ... | wardrobe: women |
| Ruth Mathews | ... | wardrobe: men |
Location Management
| Alexandra Decker | ... | location manager (as Alexandra C. Decker) |
Music Department
| Robert Drasnin | ... | music supervisor |
| Robert Takagi | ... | music editor |
Script and Continuity Department
| Renata Stoia | ... | script supervisor |
Additional Crew
| Paul A. Levin | ... | assistant to producer |
| Alesandra M. Tabor | ... | production coordinator |
| Rosanne Vogel | ... | production auditor |
