A very good film, with a star who seems impossibly beautiful for her character, yet why not? She's archetypal torn between the handsome logger, the solid but dull farmer, and the town dandy, whose characters are interesting and realistic enough to keep them from being stereotypes. She's embedded in this hard farming life in the far north, with a strong father and mother and some lively and interesting younger siblings. The tiny town and its characters figure too, especially the strict but humane priest, trying like all of them to save what seems a doomed, isolated town whose children will inevitably move away.
Life is serious on this frontier, awesomely primal. The darkness of the houses contributes to the sense of harshness, yet the common bond of family, work and survival intensifies the relationships, and the moments of beauty and humor. Gathering blueberries on a warm summer day, wandering off to Maria's favorite spot by a waterfall, a manual gramophone playing The Blue Danube. The logger's neglect of Maria--his failure to write her from his outpost--seems a gap in the story. It at least serves to show her faith in him. The tension over whom she will marry gets turned up. She holds out against advice and temptation. Surprise ending gives food for thought. A beautiful elegy for a dying way of life.
Life is serious on this frontier, awesomely primal. The darkness of the houses contributes to the sense of harshness, yet the common bond of family, work and survival intensifies the relationships, and the moments of beauty and humor. Gathering blueberries on a warm summer day, wandering off to Maria's favorite spot by a waterfall, a manual gramophone playing The Blue Danube. The logger's neglect of Maria--his failure to write her from his outpost--seems a gap in the story. It at least serves to show her faith in him. The tension over whom she will marry gets turned up. She holds out against advice and temptation. Surprise ending gives food for thought. A beautiful elegy for a dying way of life.
