Best friends and their daughters vacation in Rio de Janeiro only for one to fall for the other's daughter.Best friends and their daughters vacation in Rio de Janeiro only for one to fall for the other's daughter.Best friends and their daughters vacation in Rio de Janeiro only for one to fall for the other's daughter.
- Awards
- 1 nomination
Victor Haïm
- Bernardo
- (as Victor Haim)
- Director
- Writers
- Charlie Peters
- Larry Gelbart
- Claude Berri(uncredited)
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaMichelle Johnson said during a 1984 interview that it wasn't until after she was cast that she learned her role involved total nudity. "My parents were a bit concerned about it and I was too," she said. "I always wanted to have a career (in film) and I wanted to make the right moves at the right time. So we read the script and we talked to Stanley to find out exactly what his intentions were for the film. My parents looked into Stanley's reputation and seemed satisfied because he makes such quality films." Johnson said she was incredibly nervous the first time she took her clothes off and stood around naked in front of the cast and mostly male crew. It was like hundreds of eyes were all staring at her exposed body. But once the camera started rolling, she was fine. "When I was being Jennifer, when I was really focused in on that character, I wasn't aware that I was topless or completely naked in those scenes. That was the last thing on my mind because I was so focused. But the minute Stanley said "cut' I was immediately aware that I was standing in front of 20 or 30 people with no clothes on and I picked up a robe and ran to my room."
- GoofsThe beach scene in which Matthew Hollis (Michael Caine) and Victor Lyons (Joseph Bologna) see several topless women (including their daughters) is Ipanema Beach. Not only is Ipanema Beach not a topless beach, topless sunbathing is not permitted on the city beaches of Rio de Janeiro.
- Quotes
Victor Lyons: I love you no matter what rotten things your mother says about me.
Jennifer Lyons: She doesn't say anything bad about you.
Victor Lyons: Yeah, but you can't always believe her.
- Crazy creditsThe end billing featured scenes of some of the movie's best and funniest moments.
- ConnectionsFeatured in Retrosexual: The 80's (2004)
- SoundtracksBlame It On Rio
Performed by Lisa Roberts Gillan (as Lisa Roberts) and Oren Waters
Music by Cy Coleman
Lyrics by Sheldon Harnick
Featured review
Make Room For Daddy
A comedy where a middle-aged man has sex with his best friend's teenage daughter would seem morally wrong on so many levels as to violate municipal zoning ordinances. So why my lack of shame in copping to really enjoying this movie?
Watching "Blame It On Rio" back in 1984 when I was 18, the following items appealed to me. 1. Michelle Johnson naked. 2. Michelle Johnson in white pants. 3. Michael Caine's monologues. 4. Caine's chemistry with Joseph Bologna. 5. Michelle in her two-toned bikini.
Watching it now doesn't change what I like so much as in what order. Michelle Johnson is an extraordinarily beautiful woman and an engaging presence when she doesn't have a crying scene, and I think I have grown to appreciate her in other stages of dress, but the person that makes this film work for me now is Caine, whose level of commitment to this film is a thing of wonder.
"Blame It On Rio" is a sex farce which skates around real human feelings with moments of slapstick and sitcom repartee. There are about 150 ways the film can go wrong, but Caine sells it by keeping it light and silly.
Caine's character, Matthew Hollis, is a sympathetic, awkward type whose life gets upended when his wife Karen (Valerie Harper) decides she isn't going with him on vacation to Rio de Janiero. So it's just him, his friend Victor (Bologna), Victor's daughter Jennifer (Johnson), and Matthew's daughter Nicole (Demi Moore.)
Victor rides Matthew about making the most of his new opportunity: "Is tasting life, creating a little magic, is that cheating? You're a long time dead."
Jennifer has her own ideas on what Matthew should be doing, which she unleashes on him at an evening wedding festival at a beach: "Poor Uncle Matthew, he never had a chance."
Her nude scenes still pack a punch, but its the stuff in-between the nude scenes that excite me more now. Caine with anything in his hands, whether it be grating a carrot or brushing his teeth, is joyfully amusing, and his one-liners as revealed "Alfie"-style to the camera are just a lot of fun: "He needed my help...it's like asking an arsonist become the fire chief."
Bologna also makes me laugh, but something else, too. In his own askew, over-emoting way, he's the heart that makes the film work. When he discovers his daughter has been seeing another man, he immediately settles on Matthew - for help finding the culprit. This accounts for the funniest scenes in the film, but it also gives us something to care about. You laugh at Victor's blindness, but you also feel a little between the giggles when he tells Matthew: "You're a rock."
The main problem I have with "Blame It On Rio" is it is not all that sharp in the one-liner department. Co-screenwriter Larry Gelbart was the guy behind "Tootsie" and the best years of the sitcom "M*A*S*H," but he and Charlie Peters don't produce an especially witty script. There are funny lines, but more duds than you'd expect. "I've always had a problem with nudity. Sometimes, when I'm getting undressed, I almost wish I could leave the room, know what I mean?" Matthew asks us at one point. Fortunately, the writing gets much better in the second half, especially in the last twenty minutes when Matthew discovers he's not the only guy keeping a secret.
Celebrated director Stanley Donen makes the most of the natural beauty and native music of his location while keeping everything as light and fizzy as a tropical drink. "Blame It On Rio" may be morally dubious, but it's solid Hollywood fun of the kind Donen delivered for decades and as good a film as any for him to go out on. And thanks to Caine, "Blame It On Rio" still holds up.
Watching "Blame It On Rio" back in 1984 when I was 18, the following items appealed to me. 1. Michelle Johnson naked. 2. Michelle Johnson in white pants. 3. Michael Caine's monologues. 4. Caine's chemistry with Joseph Bologna. 5. Michelle in her two-toned bikini.
Watching it now doesn't change what I like so much as in what order. Michelle Johnson is an extraordinarily beautiful woman and an engaging presence when she doesn't have a crying scene, and I think I have grown to appreciate her in other stages of dress, but the person that makes this film work for me now is Caine, whose level of commitment to this film is a thing of wonder.
"Blame It On Rio" is a sex farce which skates around real human feelings with moments of slapstick and sitcom repartee. There are about 150 ways the film can go wrong, but Caine sells it by keeping it light and silly.
Caine's character, Matthew Hollis, is a sympathetic, awkward type whose life gets upended when his wife Karen (Valerie Harper) decides she isn't going with him on vacation to Rio de Janiero. So it's just him, his friend Victor (Bologna), Victor's daughter Jennifer (Johnson), and Matthew's daughter Nicole (Demi Moore.)
Victor rides Matthew about making the most of his new opportunity: "Is tasting life, creating a little magic, is that cheating? You're a long time dead."
Jennifer has her own ideas on what Matthew should be doing, which she unleashes on him at an evening wedding festival at a beach: "Poor Uncle Matthew, he never had a chance."
Her nude scenes still pack a punch, but its the stuff in-between the nude scenes that excite me more now. Caine with anything in his hands, whether it be grating a carrot or brushing his teeth, is joyfully amusing, and his one-liners as revealed "Alfie"-style to the camera are just a lot of fun: "He needed my help...it's like asking an arsonist become the fire chief."
Bologna also makes me laugh, but something else, too. In his own askew, over-emoting way, he's the heart that makes the film work. When he discovers his daughter has been seeing another man, he immediately settles on Matthew - for help finding the culprit. This accounts for the funniest scenes in the film, but it also gives us something to care about. You laugh at Victor's blindness, but you also feel a little between the giggles when he tells Matthew: "You're a rock."
The main problem I have with "Blame It On Rio" is it is not all that sharp in the one-liner department. Co-screenwriter Larry Gelbart was the guy behind "Tootsie" and the best years of the sitcom "M*A*S*H," but he and Charlie Peters don't produce an especially witty script. There are funny lines, but more duds than you'd expect. "I've always had a problem with nudity. Sometimes, when I'm getting undressed, I almost wish I could leave the room, know what I mean?" Matthew asks us at one point. Fortunately, the writing gets much better in the second half, especially in the last twenty minutes when Matthew discovers he's not the only guy keeping a secret.
Celebrated director Stanley Donen makes the most of the natural beauty and native music of his location while keeping everything as light and fizzy as a tropical drink. "Blame It On Rio" may be morally dubious, but it's solid Hollywood fun of the kind Donen delivered for decades and as good a film as any for him to go out on. And thanks to Caine, "Blame It On Rio" still holds up.
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Details
Box office
- Gross US & Canada
- $18,644,570
- Opening weekend US & Canada
- $3,437,660
- Feb 20, 1984
- Gross worldwide
- $18,644,570
- Runtime1 hour 40 minutes
- Sound mix
- Aspect ratio
- 1.85 : 1
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