| Photos (see all 34 | slideshow) | Videos |
| Robert De Niro | ... | David 'Noodles' Aaronson | |
| James Woods | ... | Maximilian 'Max' Bercovicz / Secretary Christopher Bailey | |
| Elizabeth McGovern | ... | Deborah Gelly | |
| Tuesday Weld | ... | Carol | |
| Treat Williams | ... | James Conway O'Donnell | |
| James Hayden | ... | Patrick 'Patsy' Goldberg | |
| Joe Pesci | ... | Frankie Minoldi | |
| Larry Rapp | ... | 'Fat' Moe Gelly | |
| Danny Aiello | ... | Police Chief Vincent Aiello | |
| William Forsythe | ... | Philip 'Cockeye' Stein | |
| Burt Young | ... | Joe | |
| Darlanne Fluegel | ... | Eve (as Darlanne Fleugel) | |
| Dutch Miller | ... | Van Linden | |
| Robert Harper | ... | Sharkey | |
| Richard Bright | ... | Chicken Joe | |
| Gerard Murphy | ... | Crowning | |
| Amy Ryder | ... | Peggy | |
| Olga Karlatos | ... | Woman in the Puppet Theatre | |
| Mario Brega | ... | Mandy | |
| Ray Dittrich | ... | Trigger | |
| Frank Gio | ... | Beefy | |
| Karen Shallo | ... | Lucy Aiello | |
| Angelo Florio | ... | Willie The Ape | |
| Scott Schutzman Tiler | ... | Young Noodles (as Scott Tiler) | |
| Rusty Jacobs | ... | Young Max / David Bailey | |
| Brian Bloom | ... | Young Patsy | |
| Adrian Curran | ... | Young Cockeye | |
| Mike Monetti | ... | Young 'Fat' Moe | |
| Noah Moazezi | ... | Dominic | |
| James Russo | ... | Bugsy | |
| Frankie Caserta | ... | Bugsy's Gang Member #1 | |
| Joey Marzella | ... | Bugsy's Gang Member #2 | |
| Clem Caserta | ... | Al Capuano | |
| Frank Sisto | ... | Fred Capuano | |
| Jerry Strivelli | ... | Johnny Capuano | |
| Julie Cohen | ... | Young Peggy | |
| Marvin Scott | ... | Marvin Brentley | |
| Mike Gendel | ... | Irving Gold | |
| Paul Herman | ... | Monkey | |
| Ann Neville | ... | Girl in Coffin | |
| Joey Faye | ... | Adorable Old Man | |
| Linda Ipanema | ... | Nurse Thompson | |
| Tandy Cronyn | ... | Reporter #1 (as Tandy Cronin) | |
| Richard Zobel | ... | Reporter #2 | |
| Baxter Harris | ... | Reporter #3 | |
| Arnon Milchan | ... | Limousine Chauffeur | |
| Bruno Iannone | ... | Thug | |
| Marty Licata | ... | Cemetery Caretaker | |
| Marcia Jean Kurtz | ... | Max's Mother | |
| Estelle Harris | ... | Peggy's Mother | |
| Richard Foronjy | ... | Officer 'Fartface' Whitey (as Richard Foronji) | |
| Gerritt Debeer | ... | Drunk | |
| Jennifer Connelly | ... | Young Deborah | |
| Alexander Godfrey | ... | Newstand Proprietor | |
| Cliff Cudney | ... | Mounted Policeman #1 | |
| Paul Farentino | ... | Mounted Policeman #2 | |
| Bruce Bahrenburg | ... | Sgt. P. Halloran | |
| Mort Freeman | ... | Street Singer | |
| Sandra Solberg | ... | Friend of Young Deborah | |
| Jay Zeely | ... | Foreman | |
| Massimo Liti | ... | Macrò | |
| reste de la distribution par ordre alphabétique: | |||
| Salvatore Billa | ... | One of Beefy's Thugs (uncredited) | |
| Matteo Cafiso | ... | Boy in Park (uncredited) | |
| Nelson Camp | ... | Newspaper Salesman (uncredited) | |
| Scott Coffey | ... | Teenager (uncredited) | |
| Francesca Leone | ... | David Bailey's Girlfriend (uncredited) | |
| Chuck Low | ... | Deborah Gelly's father (uncredited) | |
| Ron Nummi | ... | Waiter (uncredited) | |
Réalisé par | |||
| Sergio Leone | |||
Scénaristes | ||
| Harry Grey | (novel "The Hoods") | |
| Leonardo Benvenuti | (writer) & | |
| Piero De Bernardi | (writer) & | |
| Enrico Medioli | (writer) & | |
| Franco Arcalli | (writer) & | |
| Franco Ferrini | (writer) & | |
| Sergio Leone | (writer) | |
| Stuart Kaminsky | (additional dialogue) | |
| Ernesto Gastaldi | uncredited | |
Produit par | |||
| Claudio Mancini | .... | executive producer | |
| Arnon Milchan | .... | producer | |
Musique originale | |||
| Ennio Morricone | |||
Image | |||
| Tonino Delli Colli | |||
Montage | |||
| Nino Baragli | |||
| Zach Staenberg | (uncredited) | ||
Distribution des rôles | |||
| Cis Corman | |||
| Joy Todd | |||
Création des décors | |||
| Carlo Simi | (uncredited) | ||
Direction artistique | |||
| Carlo Simi | |||
Création des costumes | |||
| Gabriella Pescucci | |||
Maquillage | |||
| Carboni | .... | wigs | |
| Vincenzo Cardella | .... | hair stylist (as Enzo Cardella) | |
| Randy Coronato | .... | hair stylist: New York | |
| Randy Coronato | .... | makeup artist: New York | |
| Maria Teresa Corridoni | .... | hair stylist | |
| Henry R. Dwork | .... | dental makeup artist: New York | |
| Nilo Jacoponi | .... | makeup artist | |
| Renata Magnanti | .... | hair stylist | |
| Rocchetti | .... | wigs | |
| Manlio Rocchetti | .... | makeup artist | |
| Gino Zamprioli | .... | makeup artist | |
| Giancarlo De Leonardis | .... | hair stylist: James Wood and Tuesday Weld (uncredited) | |
| Giancarlo De Leonardis | .... | hairdresser: James Wood (uncredited) | |
Directeur de production | |||
| Fred C. Caruso | .... | executive in charge of production (as Fred Caruso) | |
| Mario Cotone | .... | production supervisor | |
| Ginette Hardy | .... | production manager: Montreal | |
| Walter Massi | .... | unit manager | |
Assistant réalisateur | |||
| Dennis T. Benatar | .... | assistant director: New York (as Dennis Benatar) | |
| Fabrizio Sergenti Castellani | .... | first assistant director | |
| Luca Morsella | .... | assistant director | |
| Amy Wells | .... | assistant director: New York | |
Art Department | |||
| Bruno Cesari | .... | set dresser | |
| Osvaldo Desideri | .... | set dresser | |
| Ronald Fauteux | .... | prop man: Montreal | |
| Gianni Fiumi | .... | property master | |
| Alain Giguère | .... | scenic painter: Montreal | |
| Nello Giorgetti | .... | swing gang | |
| Otto Jacoby | .... | set builder: New York | |
| Steven Kirshoff | .... | prop man: New York | |
| Walter Klymkiw | .... | chief carpenter: Montreal | |
| Joey Litto | .... | construction coordinator: New York | |
| Tullio Lullo | .... | construction coordinator | |
| Domenico Mancino | .... | blacksmith | |
| George Messaris | .... | set builder: New York | |
| Elouise Meyer | .... | scenic chargeperson: New York | |
| Giovanni Natalucci | .... | set designer | |
| Gretchen Rau | .... | set decorator: New York | |
| Claude Simard | .... | chief carpenter: Montreal | |
| James T. Singelis | .... | art director: New York (as James Singelis) | |
| Rejean Brochu | .... | construction supervisor (uncredited) | |
| Clément Hurel | .... | poster artist (uncredited) | |
| Dan Mahoney | .... | construction grip (uncredited) | |
Technicien du son | |||
| Fausto Ancillai | .... | sound recording mixer | |
| Bruno Charier | .... | boom operator | |
| Robert Rietty | .... | dubbing editor | |
| Jean-Pierre Ruh | .... | sound engineer (as Jean Pierre Ruhu) | |
| Paul J. Zydel | .... | adr sound: New York (as Paul Zydel) | |
| Chris David | .... | stereo sound consultant: Dolby (uncredited) | |
Effets spéciaux | |||
| Louis Craig | .... | special effects assistant: Montreal | |
| Gabe Videla | .... | special effects: Montreal | |
| Danilo Bollettini | .... | special effects (uncredited) | |
| Giovanni Corridori | .... | special effects (uncredited) | |
| Jacques Godbout | .... | special effects (uncredited) | |
Cascadeur | |||
| Benito Stefanelli | .... | stunt coordinator | |
Camera and Electrical Department | |||
| Steve Baker | .... | key grip: New York | |
| Sandro Battaglia | .... | assistant camera | |
| Augusto Diamanti | .... | key grip | |
| Normand Guy | .... | key grip: Montreal | |
| Walter Klymkiw | .... | gaffer: Montreal | |
| Romano Mancini | .... | gaffer | |
| John Newby | .... | gaffer: New York | |
| Crescenzo Notarile | .... | assistant camera: New York | |
| Angelo Novi | .... | still photographer | |
| Antonio Scaramuzza | .... | assistant camera | |
| Carlo Tafani | .... | camera operator | |
| Carlo Vinciguerra | .... | gaffer | |
| Eraldo Barbona | .... | grip (uncredited) | |
| Edward Cohen | .... | electrician (uncredited) | |
| Jean Courteau | .... | electrician (uncredited) | |
Casting Department | |||
| Sylvie Bourque | .... | extras casting: Montreal | |
| Flo Gallant | .... | extras casting: Montreal | |
Costume and Wardrobe Department | |||
| Richard Bruno | .... | associate costume designer: New York | |
| Helen P. Butler | .... | costumer: New York (as Helen Butler) | |
| Marina Frassine | .... | assistant costume designer | |
| Raffaella Leone | .... | assistant costume designer | |
| Tirelli | .... | wardrobe costumes (as Umberto Tirelli) | |
Editorial Department | |||
| Gabrio Astori | .... | postint editor | |
| Alessandro Baragli | .... | assistant editor | |
| Patrizia Ceresani | .... | assistant editor (as Patricia Cerasani) | |
| Ornella Chistolini | .... | assistant editor | |
| Maurizio Mancini | .... | editing coordinator | |
| Nicholas Stevenson | .... | postint editor | |
| Elvira Tonini | .... | first assistant editor (as Vivi Tonini) | |
| Giorgio Venturoli | .... | assistant editor | |
| J. Kathleen Gibson | .... | first assistant editor (uncredited) | |
| Howard Heard | .... | assistant film editor (uncredited) | |
Music Department | |||
| Sergio Marcotulli | .... | music recording mixer | |
| Ennio Morricone | .... | musical director | |
| Gheorghe Zamfir | .... | musician: pan flute | |
Transportation Department | |||
| James Giblin | .... | transportation captain: New York | |
| Bobby Marsh | .... | driver (uncredited) | |
Thanks | |||
| Borsalino | .... | special thanks | |
| Bulgari | .... | special thanks | |
| Italo Gasparucci | .... | special thanks | |
| Hedy Martinelli | .... | special thanks | |
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| The Godfather | The Godfather: Part II | Cidade de Deus | Scarface | Novecento |
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Many people compare "Once Upon a Time in America" with "The Godfather". In my opinion these two movies can't be compared. Both are masterpieces in their own way, but each of them has a different style. You don't compare a Picasso to Michelangelo's Sixteen Chapel either, do you?
What is it that makes this movie a masterpiece? Well, first of all there is the director. Sergio Leone is a real master when it comes to creating a special atmosphere, full of mystery, surprises and drama... He's one of the few directors who understands the art of cutting a movie in such a way that you stay focused until the end.
The way the movie was cut is also the reason why a lot of Americans don't think this movie is very special. There are three versions, but only the European version is how the director imagined it to be. He didn't want his movie to be shown in chronological order (1910's - 1930's - 1960's), but wanted to mix these three periods of time. The studio cut the movie in chronological order, loosing a lot of its originality and therefor getting a lot of bad critics. If you want to see this film the way Sergio Leone saw it, you have to make sure you get the director's cut.
The second reason why this movie is so great is the music. Ennio Morricone, who is seen as the greatest writer of film music ever, did an excellent job. Together with the images, the music speaks for itself in this movie. From time to time there isn't said a word, but the music and the images on their own tell the story. He understood perfectly what Sergio Leone wanted and composed most of the music even before the movie was shot.
Last but not least there is also the acting and the script. The actors all did an excellent job. But what else can you expect from actors like Robert De Niro, Joe Pesci... They helped making this movie as great as it is by putting there best effort in it. The script helped them with it. It took twelve years to complete, but it hasn't left any detail untouched. The writers really thought of everything when creating it.
I can really recommend this movie to everyone, but especially to people who like the gangster genre. When you want to see the movie, you better be sure that you will have the time for it. This isn't a movie that is finished after 90 minutes. You'll have to be able to stay focused during 3 hours and 47 minutes, which will certainly not be easy during the first 20 to 30 minutes. Some scenes at the beginning only make sense when you have seen the end of the movie. But when you are able to stay focused, you'll find this one of the best movies you've ever seen. I certainly did and I rewarded it with a well deserved 10/10.