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Once Upon a Time in America
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Once Upon a Time in America (1984) More at IMDbPro »

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Once Upon a Time in America (1984) -- A former Prohibition-era Jewish gangster returns to Brooklyn over 30 years later, where he once again must confront the ghosts and regrets of his old life.

Overview

Note des utilisateurs:
MOVIEmeter: ?
Down 7% in popularity this week. See rank & trends on IMDbPro.
Réalisateur:
Sergio Leone
Writers:
Harry Grey (novel)
Leonardo Benvenuti (writer) ...
(suite)
Contact:
View company contact information for Once Upon a Time in America on IMDbPro.
Release Date:
1 juin 1984 (USA) suite
Genre:
Crime | Drame suite
Accroche:
Crime, passion and lust for power - Sergio Leone's explosive saga of gangland America. [Australia Theatrical] suite
Plot:
A former Prohibition-era Jewish gangster returns to Brooklyn over 30 years later, where he once again must confront the ghosts and regrets of his old life. full summary | full synopsis
Plot Keywords:
suite
Awards:
Nominated for 2 Golden Globes. Another 11 wins & 3 nominations suite
Avis des utilisateurs:
Make sure you get the director's cut! suite

Ensemble

  (in credits order) (verified as complete)

Robert De Niro ... David 'Noodles' Aaronson

James Woods ... Maximilian 'Max' Bercovicz / Secretary Christopher Bailey

Elizabeth McGovern ... Deborah Gelly

Tuesday Weld ... Carol

Treat Williams ... James Conway O'Donnell
James Hayden ... Patrick 'Patsy' Goldberg

Joe Pesci ... Frankie Minoldi
Larry Rapp ... 'Fat' Moe Gelly

Danny Aiello ... Police Chief Vincent Aiello

William Forsythe ... Philip 'Cockeye' Stein

Burt Young ... Joe

Darlanne Fluegel ... Eve (as Darlanne Fleugel)
Dutch Miller ... Van Linden

Robert Harper ... Sharkey

Richard Bright ... Chicken Joe
Gerard Murphy ... Crowning
Amy Ryder ... Peggy
Olga Karlatos ... Woman in the Puppet Theatre
Mario Brega ... Mandy
Ray Dittrich ... Trigger
Frank Gio ... Beefy
Karen Shallo ... Lucy Aiello
Angelo Florio ... Willie The Ape

Scott Schutzman Tiler ... Young Noodles (as Scott Tiler)
Rusty Jacobs ... Young Max / David Bailey

Brian Bloom ... Young Patsy
Adrian Curran ... Young Cockeye
Mike Monetti ... Young 'Fat' Moe
Noah Moazezi ... Dominic

James Russo ... Bugsy
Frankie Caserta ... Bugsy's Gang Member #1
Joey Marzella ... Bugsy's Gang Member #2
Clem Caserta ... Al Capuano
Frank Sisto ... Fred Capuano
Jerry Strivelli ... Johnny Capuano
Julie Cohen ... Young Peggy
Marvin Scott ... Marvin Brentley
Mike Gendel ... Irving Gold
Paul Herman ... Monkey
Ann Neville ... Girl in Coffin
Joey Faye ... Adorable Old Man
Linda Ipanema ... Nurse Thompson

Tandy Cronyn ... Reporter #1 (as Tandy Cronin)
Richard Zobel ... Reporter #2
Baxter Harris ... Reporter #3
Arnon Milchan ... Limousine Chauffeur

Bruno Iannone ... Thug
Marty Licata ... Cemetery Caretaker

Marcia Jean Kurtz ... Max's Mother
Estelle Harris ... Peggy's Mother
Richard Foronjy ... Officer 'Fartface' Whitey (as Richard Foronji)
Gerritt Debeer ... Drunk

Jennifer Connelly ... Young Deborah
Alexander Godfrey ... Newstand Proprietor
Cliff Cudney ... Mounted Policeman #1
Paul Farentino ... Mounted Policeman #2
Bruce Bahrenburg ... Sgt. P. Halloran
Mort Freeman ... Street Singer
Sandra Solberg ... Friend of Young Deborah
Jay Zeely ... Foreman
Massimo Liti ... Macrò
reste de la distribution par ordre alphabétique:
Salvatore Billa ... One of Beefy's Thugs (uncredited)
Matteo Cafiso ... Boy in Park (uncredited)
Nelson Camp ... Newspaper Salesman (uncredited)
Scott Coffey ... Teenager (uncredited)
Francesca Leone ... David Bailey's Girlfriend (uncredited)
Chuck Low ... Deborah Gelly's father (uncredited)
Ron Nummi ... Waiter (uncredited)
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Réalisé par
Sergio Leone 
 
Scénaristes
Harry Grey (novel "The Hoods")

Leonardo Benvenuti (writer) &
Piero De Bernardi (writer) &
Enrico Medioli (writer) &
Franco Arcalli (writer) &
Franco Ferrini (writer) &
Sergio Leone (writer)

Stuart Kaminsky (additional dialogue)

Ernesto Gastaldi  uncredited

Produit par
Claudio Mancini .... executive producer
Arnon Milchan .... producer
 
Musique originale
Ennio Morricone 
 
Image
Tonino Delli Colli 
 
Montage
Nino Baragli 
Zach Staenberg (uncredited)
 
Distribution des rôles
Cis Corman 
Joy Todd 
 
Création des décors
Carlo Simi (uncredited)
 
Direction artistique
Carlo Simi 
 
Création des costumes
Gabriella Pescucci 
 
Maquillage
Carboni .... wigs
Vincenzo Cardella .... hair stylist (as Enzo Cardella)
Randy Coronato .... hair stylist: New York
Randy Coronato .... makeup artist: New York
Maria Teresa Corridoni .... hair stylist
Henry R. Dwork .... dental makeup artist: New York
Nilo Jacoponi .... makeup artist
Renata Magnanti .... hair stylist
Rocchetti .... wigs
Manlio Rocchetti .... makeup artist
Gino Zamprioli .... makeup artist
Giancarlo De Leonardis .... hair stylist: James Wood and Tuesday Weld (uncredited)
Giancarlo De Leonardis .... hairdresser: James Wood (uncredited)
 
Directeur de production
Fred C. Caruso .... executive in charge of production (as Fred Caruso)
Mario Cotone .... production supervisor
Ginette Hardy .... production manager: Montreal
Walter Massi .... unit manager
 
Assistant réalisateur
Dennis T. Benatar .... assistant director: New York (as Dennis Benatar)
Fabrizio Sergenti Castellani .... first assistant director
Luca Morsella .... assistant director
Amy Wells .... assistant director: New York
 
Art Department
Bruno Cesari .... set dresser
Osvaldo Desideri .... set dresser
Ronald Fauteux .... prop man: Montreal
Gianni Fiumi .... property master
Alain Giguère .... scenic painter: Montreal
Nello Giorgetti .... swing gang
Otto Jacoby .... set builder: New York
Steven Kirshoff .... prop man: New York
Walter Klymkiw .... chief carpenter: Montreal
Joey Litto .... construction coordinator: New York
Tullio Lullo .... construction coordinator
Domenico Mancino .... blacksmith
George Messaris .... set builder: New York
Elouise Meyer .... scenic chargeperson: New York
Giovanni Natalucci .... set designer
Gretchen Rau .... set decorator: New York
Claude Simard .... chief carpenter: Montreal
James T. Singelis .... art director: New York (as James Singelis)
Rejean Brochu .... construction supervisor (uncredited)
Clément Hurel .... poster artist (uncredited)
Dan Mahoney .... construction grip (uncredited)
 
Technicien du son
Fausto Ancillai .... sound recording mixer
Bruno Charier .... boom operator
Robert Rietty .... dubbing editor
Jean-Pierre Ruh .... sound engineer (as Jean Pierre Ruhu)
Paul J. Zydel .... adr sound: New York (as Paul Zydel)
Chris David .... stereo sound consultant: Dolby (uncredited)
 
Effets spéciaux
Louis Craig .... special effects assistant: Montreal
Gabe Videla .... special effects: Montreal
Danilo Bollettini .... special effects (uncredited)
Giovanni Corridori .... special effects (uncredited)
Jacques Godbout .... special effects (uncredited)
 
Cascadeur
Benito Stefanelli .... stunt coordinator
 
Camera and Electrical Department
Steve Baker .... key grip: New York
Sandro Battaglia .... assistant camera
Augusto Diamanti .... key grip
Normand Guy .... key grip: Montreal
Walter Klymkiw .... gaffer: Montreal
Romano Mancini .... gaffer
John Newby .... gaffer: New York
Crescenzo Notarile .... assistant camera: New York
Angelo Novi .... still photographer
Antonio Scaramuzza .... assistant camera
Carlo Tafani .... camera operator
Carlo Vinciguerra .... gaffer
Eraldo Barbona .... grip (uncredited)
Edward Cohen .... electrician (uncredited)
Jean Courteau .... electrician (uncredited)
 
Casting Department
Sylvie Bourque .... extras casting: Montreal
Flo Gallant .... extras casting: Montreal
 
Costume and Wardrobe Department
Richard Bruno .... associate costume designer: New York
Helen P. Butler .... costumer: New York (as Helen Butler)
Marina Frassine .... assistant costume designer
Raffaella Leone .... assistant costume designer
Tirelli .... wardrobe costumes (as Umberto Tirelli)
 
Editorial Department
Gabrio Astori .... postint editor
Alessandro Baragli .... assistant editor
Patrizia Ceresani .... assistant editor (as Patricia Cerasani)
Ornella Chistolini .... assistant editor
Maurizio Mancini .... editing coordinator
Nicholas Stevenson .... postint editor
Elvira Tonini .... first assistant editor (as Vivi Tonini)
Giorgio Venturoli .... assistant editor
J. Kathleen Gibson .... first assistant editor (uncredited)
Howard Heard .... assistant film editor (uncredited)
 
Music Department
Sergio Marcotulli .... music recording mixer
Ennio Morricone .... musical director
Gheorghe Zamfir .... musician: pan flute
 
Transportation Department
James Giblin .... transportation captain: New York
Bobby Marsh .... driver (uncredited)
 
Divers
Sonny Abagnale .... antique car coordinator: New York
Francesca Alatri .... production secretary: New York
Bruce Bahrenburg .... unit publicist: New York
Robert Benmussa .... consultant to producer
Dominique Bruballa .... accountant: New York
Fausto Capozzi .... accountant
Diana Di Michele .... accountant
Gianna Di Michele .... production auditor
Lucie Drolet .... accountant: Montreal
Brian Freilino .... dialogue director
Herb Hetzer .... location controller: New York
Gail Kearns .... production coordinator: New York
Ted Kurdyla .... production liaison: New York
Pierre Laberge .... location manager: Montreal
Margherita Pace .... body double: Jennifer Connelly
Tonino Palombi .... production assistant
Sergio Rosa .... accountant
Robert Rothbard .... location manager: New York
Pietro Sassaroli .... production assistant (as Piero Sassaroli)
Jennifer W. Shore .... production secretary: New York (as Jennifer Wyckoff)
Attilio Viti .... location manager
Mark Del Costello .... assistant: Mr. Leone (uncredited)
Simona Patitucci .... production assistant (uncredited)
Alan Potashnick .... personal assistant: Robert DeNiro (uncredited)
Eugene Rizzo .... unit publicist (uncredited)
Danièle Rohrbach .... production coordinator (uncredited)
 
Thanks
Borsalino .... special thanks
Bulgari .... special thanks
Italo Gasparucci .... special thanks
Hedy Martinelli .... special thanks
 
Crew verified as complete


Production CompaniesDistributorsTechnicien des effets spéciauxOther Companies
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Additional Details

Autre(s) titre(s):
C'era una volta in America (Italy)
Il était une fois en Amérique (Canada: French title) (France) [fr]
suite
MPAA:
Rated R for strong violence, sexual content, language and some drug use. (edited version)
Durée:
229 min | USA:139 min (re-cut)
Pays:
Italy | USA
Couleur:
Couleur (Technicolor)
Aspect Ratio:
1.85 : 1 suite
Son:
Mono
Classification:
Finland:K-16 (1990) | Finland:K-18 (1984) | Canada:13+ (Quebec) | Canada:R (Manitoba/Nova Scotia/Ontario) | Iceland:16 | UK:18 (cut) | Brazil:14 | Germany:16 (f) (re-rating) (2003) | West Germany:18 (f) (original rating) (1984-2003) | Portugal:M/16 | Australia:R | France:-12 (re-rating) (2003) | France:-16 (original rating) | Hong Kong:III | Ireland:18 | Italy:VM14 | Japan:R-15 | Netherlands:12 (original rating) | Netherlands:16 (re-rating) | New Zealand:R16 | Norway:18 | Singapore:M18 | South Korea:18 | Spain:18 | Sweden:15 | USA:R
Emplacements De Pelliculage:
Brooklyn, New York City, New York, USA suite

Curiosités

Anecdotes:
It is James Woods's opinion that this film was Sergio Leone's finest work, and that acting in it was the highlight of his career. suite
Goofs:
Anachronisms: Just before the boys demonstrate the salt trick to the Italians, fluorescent lighting is visible inside the large buildings in the background. Flourescent lights weren't commercially available until the 1940's. suite
Guillemet:
[first lines]
[In 1933, two goons torture a young woman]
Beefy: Where is he? Where's he hiding?
Eve: I don't know... I've been looking for him since yesterday.
[a second goon slaps her harshly]
Beefy: I'm gonna ask you for the last time: Where is he?
Eve: I don't know... What are you gonna do to him?
[Two shots are head]
Beefy: [to his partner] Stay here in case that rat shows up...
suite
Movie Connections:
Featured in Z Channel: A Magnificent Obsession (2004) (TV) suite
Soundtrack:
YESTERDAY suite

foire aux questions

A Note Regarding Spoilers
Were Max, Patsy & Cockeye killed during Max' planned heist of the Federal Reserve Bank?
I don't get it. Why did Mr Bailey want to get shot by Noodles?
suite
272 out of 336 people found the following comment useful:-
Make sure you get the director's cut!, 19 September 2004
10/10
Author: Philip Van der Veken de Tessenderlo, Belgium

Many people compare "Once Upon a Time in America" with "The Godfather". In my opinion these two movies can't be compared. Both are masterpieces in their own way, but each of them has a different style. You don't compare a Picasso to Michelangelo's Sixteen Chapel either, do you?

What is it that makes this movie a masterpiece? Well, first of all there is the director. Sergio Leone is a real master when it comes to creating a special atmosphere, full of mystery, surprises and drama... He's one of the few directors who understands the art of cutting a movie in such a way that you stay focused until the end.

The way the movie was cut is also the reason why a lot of Americans don't think this movie is very special. There are three versions, but only the European version is how the director imagined it to be. He didn't want his movie to be shown in chronological order (1910's - 1930's - 1960's), but wanted to mix these three periods of time. The studio cut the movie in chronological order, loosing a lot of its originality and therefor getting a lot of bad critics. If you want to see this film the way Sergio Leone saw it, you have to make sure you get the director's cut.

The second reason why this movie is so great is the music. Ennio Morricone, who is seen as the greatest writer of film music ever, did an excellent job. Together with the images, the music speaks for itself in this movie. From time to time there isn't said a word, but the music and the images on their own tell the story. He understood perfectly what Sergio Leone wanted and composed most of the music even before the movie was shot.

Last but not least there is also the acting and the script. The actors all did an excellent job. But what else can you expect from actors like Robert De Niro, Joe Pesci... They helped making this movie as great as it is by putting there best effort in it. The script helped them with it. It took twelve years to complete, but it hasn't left any detail untouched. The writers really thought of everything when creating it.

I can really recommend this movie to everyone, but especially to people who like the gangster genre. When you want to see the movie, you better be sure that you will have the time for it. This isn't a movie that is finished after 90 minutes. You'll have to be able to stay focused during 3 hours and 47 minutes, which will certainly not be easy during the first 20 to 30 minutes. Some scenes at the beginning only make sense when you have seen the end of the movie. But when you are able to stay focused, you'll find this one of the best movies you've ever seen. I certainly did and I rewarded it with a well deserved 10/10.

Was the above comment useful to you?
suite

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My view of the ending: Dreamy Catharsis [spoiler alert] notoupee
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how could max steal the money? mydesign-1
UK DVD uncut? captlupin
Deborah's Accent.... libertino85
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