55
Metascore
7 reviews · Provided by Metacritic.com
- 70The New York TimesVincent CanbyThe New York TimesVincent CanbyProtocol is a breezy, not entirely unpredictable comedy that was made to order for the gifted Goldie Hawn by Buck Henry, the writer, Herb Ross, the director, and Miss Hawn herself, who is the film's executive producer. [21 Dec 1984, p.C25]
- 63Chicago Sun-TimesRoger EbertChicago Sun-TimesRoger EbertThe first hour of Protocol is so much fun, and the Goldie Hawn character is such an engaging original, that at first I couldn't believe they were going to throw away all that work by going for a standard Hollywood ending. But they did.
- 63Miami HeraldMiami HeraldWith a script full of flyaway one-liners by Buck Henry and some tightly edited visual stabs at media news by director Herbert Ross, Protocol is good for about an hour of fast-paced fun, until it starts mushing about looking for an ending. [22 Dec 1984, p.22]
- 63Washington PostPaul AttanasioWashington PostPaul AttanasioProtocol is the kind of corny screwball comedy you thought nobody made anymore. By the end, its ersatz political moralism is almost too much to take; but buoyed by Buck Henry's often hilarious script, a wiggy performance by Goldie Hawn as a not-so-dumb blond, and director Herbert Ross' sure comic touch, Protocol is pleasant piffle for a Sunday afternoon. [21 Dec 1984, p.F1]
- 50TV Guide MagazineTV Guide MagazineHawn has the right screen persona to carry it off, but her character is lost in a barrage of weak comic moments and absurd action.
- 40Time OutTime OutSnoozeworthy diplomatic lark.
- 40NewsweekDavid AnsenNewsweekDavid AnsenHerbert Ross directed this murky-looking film, and Buck Henry wrote it from a story by Charles Shyer, Nancy Meyers and Harvey Miller. They have all had better days. [31 Dec 1984, p.65]