Directed by
| Michael Anderson | ||
Writing Credits (in alphabetical order)
| Allan Burns | ... | (additional screenplay) |
| Allan Burns | ... | (story) |
| Ron Challinor | ... | (additional screenplay) (as Ron Challoner) |
| Ross Dimsey | ||
| Howard Grigsby | ... | (as D. Howard Grigsby) |
| David Sigmund | ||
Cast (in credits order)
Produced by
| Brian W. Cook | ... | producer |
| Antony I. Ginnane | ... | producer |
| Jon Turtle | ... | associate producer |
Music by
| Garry McDonald | ||
| Laurie Stone | ||
Cinematography by
| John R. McLean | ||
Editing by
| Tony Paterson | ||
Production Design by
| David Copping | ||
Art Direction by
| Ron Highfield | ||
Costume Design by
| Bruce Finlayson | ||
Production Management
| Michael Fuller | ... | unit manager |
Second Unit Director or Assistant Director
| Jonty Barraud | ... | second assistant director |
| Howard Grigsby | ... | first assistant director (as D. Howard Grigsby) |
| Geoffery Hill | ... | third assistant director |
Sound Department
| Don Connolly | ... | sound |
| David Coulson | ... | sound |
| James Currie | ... | sound |
| Andy Duncan | ... | boom operator (as Andrew Duncan) |
| Pete Smith | ... | sound (as Peter Smith) |
Special Effects by
| Selwyn Anderson | ... | special effects assistant |
| Kevin Chisnall | ... | special effects supervisor |
| Ralph Gardiner | ... | special effects assistant |
| Steve Ingram | ... | special effects technician |
Visual Effects by
| Roger Cowland | ... | visual effects |
Camera and Electrical Department
| Don Jowsey | ... | gaffer |
| Grahame Litchfield | ... | key grip |
| Brendon Mune | ... | electrician |
| Ian Philp | ... | best boy |
| Mike Roberts | ... | camera operator |
| David Wynn-Jones | ... | focus puller |
Editorial Department
| David Coulson | ... | assistant editor |
Location Management
| Dan Hennah | ... | location manager |
Script and Continuity Department
| Daphne Paris | ... | continuity |
Additional Crew
| Jennifer Barty | ... | production secretary |
