| Photos (see all 27 | slideshow) |
| Harrison Ford | ... | Det. Capt. John Book | |
| Kelly McGillis | ... | Rachel Lapp | |
| Josef Sommer | ... | Chief Paul Schaeffer | |
| Lukas Haas | ... | Samuel Lapp | |
| Jan Rubes | ... | Eli Lapp | |
| Alexander Godunov | ... | Daniel Hochleitner | |
| Danny Glover | ... | Det. Lt. James McFee | |
| Brent Jennings | ... | Det. Sgt. Elden Carter | |
| Patti LuPone | ... | Elaine | |
| Angus MacInnes | ... | Det. 'Fergie' | |
| Frederick Rolf | ... | Stoltzfus | |
| Viggo Mortensen | ... | Moses Hochleitner | |
| John Garson | ... | Bishop Tchantz | |
| Beverly May | ... | Mrs. Yoder | |
| Ed Crowley | ... | Sheriff | |
| Timothy Carhart | ... | Zenovich | |
| Sylvia Kauders | ... | Tourist Lady | |
| Marian Swan | ... | Marilyn Schaeffer | |
| Maria Bradley | ... | Casey Schaeffer | |
| Rozwill Young | ... | T-Bone, Suspect in Bar | |
| Paul S. Nuss | ... | Amish Man | |
| Emily Mary Haas | ... | Amish Woman | |
| Fred Steinharter | ... | Amish Man | |
| John D. King | ... | Amish Man | |
| Paul Goss | ... | Amish Man | |
| Annemarie Vallerio | ... | Amish Woman | |
| Bruce E. Camburn | ... | Amish Man | |
| William Francis | ... | Townsman | |
| Tom Kennedy | ... | Ticket Seller at Station (as Tom W. Kennedy) | |
| Ardyth Kaiser | ... | Couple in Garage | |
| Thomas Quinn | ... | Couple in Garage | |
| Eugene Dooley | ... | Detective | |
| Victoria Scott D'Angelo | ... | Detective | |
| Richard Chaves | ... | Homicide Detective | |
| Tim Moyer | ... | Detective | |
| Nino Del Buono | ... | Detective | |
| James Frank Clark | ... | Detective (as James Clark) | |
| Joseph Kelly | ... | Detective | |
| Norman Carter | ... | Detective | |
| Craig Clement | ... | Detective | |
| Robert Earl Jones | ... | Pop, Witness at Station | |
| Michael Levering | ... | Hoodlum | |
| Cara Giallanza | ... | Hoodlum | |
| Anthony Dean Rubes | ... | Hoodlum | |
| Bernie Styles | ... | Hot Dog Counterman | |
| Blossom Terry | ... | Mother at Station | |
| Jennifer Mancuso | ... | Little Girl at Station | |
| reste de la distribution par ordre alphabétique: | |||
| Nancy Kirk | ... | Crying Amish woman at funeral (uncredited) | |
Réalisé par | |||
| Peter Weir | |||
Scénaristes | ||
| William Kelley | (story) and | |
| Pamela Wallace | (story) & | |
| Earl W. Wallace | (story) | |
| Earl W. Wallace | (screenplay) & | |
| William Kelley | (screenplay) | |
Produit par | |||
| David Bombyk | .... | co-producer | |
| Edward S. Feldman | .... | producer | |
| Wendy Stites | .... | associate producer (as Wendy Weir) | |
Musique originale | |||
| Maurice Jarre | |||
Image | |||
| John Seale | (director of photography) | ||
Montage | |||
| Thom Noble | |||
Distribution des rôles | |||
| Dianne Crittenden | |||
Création des décors | |||
| Stan Jolley | |||
Décorateur de plateau | |||
| John H. Anderson | (as John Anderson) | ||
Maquillage | |||
| Leland V. Crawford | .... | hair stylist | |
| Marie Delrusso | .... | makeup artist | |
| Michael Hancock | .... | makeup supervisor (as Michael A. Hancock) | |
| Bette Iverson | .... | supervising hair stylist (as Bette L. Iverson) | |
| Jay Cannistraci | .... | additional makeup artist (uncredited) | |
Directeur de production | |||
| Ted Swanson | .... | production manager | |
Assistant réalisateur | |||
| Pamela M. Eilerson | .... | second assistant director (as Pamela Eilerson) | |
| David McGiffert | .... | first assistant director | |
Art Department | |||
| Carlos Acosta | .... | props (as Carlos L. Acosta) | |
| Frank L. Brown | .... | lead man | |
| Craig Edgar | .... | set designer | |
| David Goldman | .... | props (as David M. Goldman) | |
| Robert Krume | .... | construction coordinator | |
Technicien du son | |||
| Pamela Bentkowski | .... | foley editor | |
| Alan Bromberg | .... | foley editor | |
| Norval D. Crutcher | .... | sound effects editor (as Norval Crutcher) | |
| Don Digirolamo | .... | sound re-recording mixer | |
| Humberto Gatica | .... | sound recording mixer | |
| Robert Glass | .... | sound re-recording mixer (as Bob Glass) | |
| Cecelia Hall | .... | supervising sound effects editor | |
| Frank Howard | .... | sound effects editor | |
| Robert Knudson | .... | sound re-recording mixer (as Buzz Knudson) | |
| Alan L. Nineberg | .... | sound effects editor | |
| Andrew Patterson | .... | sound effects editor | |
| Bruce Richardson | .... | sound effects editor (as Paul Bruce Richardson) | |
| Fred Stafford | .... | adr supervisor | |
| Barry Thomas | .... | sound mixer (as Barry D. Thomas) | |
| George Watters II | .... | supervising sound effects editor | |
| Forest Williams | .... | boom operator (as Forrest R. Williams) | |
| Edward M. Steidele | .... | foley artist (uncredited) | |
Effets spéciaux | |||
| Charles E. Dolan | .... | special effects supervisor | |
| John R. Elliott | .... | special effects | |
Cascadeur | |||
| Gary Epper | .... | stunt coordinator | |
| Gary Epper | .... | stunts | |
| Anderson Martin | .... | stunts | |
| Bob Minor | .... | stunts | |
| Glenn R. Wilder | .... | stunt coordinator (as Glenn Wilder) | |
| Vic Armstrong | .... | stunt double: Mr. Ford (uncredited) | |
Camera and Electrical Department | |||
| Charlie Clifton | .... | camera operator: second unit (as Chuck Clifton) | |
| Lawrence K. Freeman | .... | electrical best boy | |
| Chaim Kantor | .... | second assistant camera | |
| Robin P. Knight | .... | key grip (as Robin Knight) | |
| Dan Lerner | .... | camera operator | |
| Bruce MacCallum | .... | first assistant camera | |
| Bernie Schwartz | .... | dolly grip | |
| Gary Tandrow | .... | gaffer (as Gary B. Tandrow) | |
| Josh Weiner | .... | still photographer | |
Casting Department | |||
| Elina deSantos | .... | location casting: Philadelphia | |
| Tom Scott | .... | location casting: Lancaster | |
| Ilene Starger | .... | casting associate | |
| Gail Walton | .... | location casting: Philadelphia | |
Costume and Wardrobe Department | |||
| Paula Cain | .... | costumer | |
| Dallas D. Dornan | .... | costume supervisor | |
| Shari Feldman | .... | costume supervisor | |
| Michael W. Hoffman | .... | costumer | |
Editorial Department | |||
| Michael Amundsen | .... | apprentice editor | |
| Joan E. Chapman | .... | assistant editor | |
| Bob Noland | .... | color timer | |
| Jane Moran | .... | first assistant editor (uncredited) | |
Music Department | |||
| Richard Stone | .... | supervising music editor | |
Transportation Department | |||
| Clifford D. Hill | .... | transportation | |
Divers | |||
| Eugene Dooley | .... | police advisor (as Capt. Eugene Dooley) | |
| Nora Dunfee | .... | dialect consultant: Amish | |
| Eyal Geva | .... | assistant: Mr. Weir | |
| Cara Giallanza | .... | production assistant | |
| John D. King | .... | advisor: Amish | |
| Michael Klastorin | .... | publicist | |
| Michael John Meehan | .... | location manager (as Michael Meehan) | |
| Michel Mention | .... | assistant: Maurice Jarre | |
| Judith Pritchard | .... | secretary to Mr. Swanson (as Judy Pritchard) | |
| Sandra Rabins | .... | production auditor | |
| Diane Schneier | .... | production assistant | |
| Gloria Slate | .... | assistant: Mr. Feldman and Mr. Bombyk | |
| Lynn Stewart | .... | production assistant | |
| Ruth Tighe | .... | production assistant | |
| Cynnie Troup | .... | script supervisor | |
| Hope Williams | .... | script supervisor | |
| T.J. Healy II | .... | production assistant (uncredited) | |
Thanks | |||
| Dick Thornburgh | .... | thanks (as Governor Dick Thornburgh) | |
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You want to know how to make a successful movie? Just look here. You have tremendous suspense, a top-flight popular actor as the hero, a touching romance story, plenty of action, a different kind of setting than normal, people you care about, nice photography, very moral and very immoral people, a little humor.....I mean, this is how it's done.
I also appreciated seeing Amish people (of which I am not) portrayed in a better light than secular Hollywood usually puts them. I also liked the wholesome female lead Kelly McGillis (although she was the only Amish character out of character, a bit loose than what you would ever find) and who didn't think young Lukas Haas was the cutest kid they ever saw on film?
Harrison Ford gives a typical solid performance as John Book, a Philadelphia detective who winds up protecting the young boy ("Samuel Lapp"), his mom (McGillis as "Rachel Lapp") and others against crooked cops (Hollywood's favorite kind). Along the way, he is near-fatally shot and winds up being cared for and living in the Amish community in which the Lapps reside. During that time, we also have the blossoming romance between the two leads and then a dramatic shootout at the end when the cops find out where "Book" is staying.
There are many memorable scenes in this movie, from the boy hiding in the bathroom stall as a murder takes place; Ford slugging some goon who was making fun of the Amish; Ford and McGillis dancing in the hayloft to an old rock 'n roll tune; the Amish lifestyles and the raising of the barn; and the suspenseful ending.
This is a great stuff: one of the best crime stories of the "modern age" and one of the few "R-rated" films that reached this high a popularity.