The decision by the AFI/Aacta to maintain seven awards for non-Australian films while combining the best TV comedy and best light entertainment series into one category has been challenged by several producers.
They question why money and resources are being poured into the Aacta International Awards in Los Angeles when the AFI/Aacta is struggling financially due to lack of sponsorship and screen industry support.
Other producers defend the International Awards as a way for the organisation to build the brand and strive to make the awards more valuable to private and government sponsors
AFI/Aacta CEO Damian Trewhella tells If it is simplistic and wrong to believe that ditching the international categories would free up more money for the Australian awards. He says the international awards subsidise the Oz awards.
Producer Anthony Buckley decries .the absurd pomposity of seven international awards. while financial constraints forced the organisation to...
They question why money and resources are being poured into the Aacta International Awards in Los Angeles when the AFI/Aacta is struggling financially due to lack of sponsorship and screen industry support.
Other producers defend the International Awards as a way for the organisation to build the brand and strive to make the awards more valuable to private and government sponsors
AFI/Aacta CEO Damian Trewhella tells If it is simplistic and wrong to believe that ditching the international categories would free up more money for the Australian awards. He says the international awards subsidise the Oz awards.
Producer Anthony Buckley decries .the absurd pomposity of seven international awards. while financial constraints forced the organisation to...
- 12/16/2013
- by Don Groves
- IF.com.au
After 50 years in the film industry, producer Sue Milliken is convinced the current funding structure of government investment and the producer tax offset isn't working. Milliken regards the formation of Screen Australia as a wasted opportunity to revitalise the industry and she questions the value of the Australian Film Institute/ Australian Academy of Cinema and Television Arts (Aacta). She outlines her vision for a more efficient and better targeted funding system in her new book, Selective Memory: A Life in Film. The tome is primarily an insightful and colourful memoir of a producer who served her apprenticeship at the ABC in the 1960s on Skippy and worked with the legendary TV producer Hector Crawford before embarking on films including The Odd Angry Shot, The Fringe Dwellers, Black Robe, Sirens,.. Dating the Enemy and Paradise Road, and serving as a completion guarantor. Like many in the industry, she hoped the amalgamation...
- 6/25/2013
- by Don Groves
- IF.com.au
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