Ginger & Fred (1986)
Marcello Mastroianni: Pippo 'Fred' Botticella
Photos
Quotes
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Amelia Bonetti : It might be wise to drop some moves, you know, like the lift. I don't want to end up on the floor.
Pippo Botticella : You'd still be in my arms.
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Pippo Botticella : Unquestionably, we descend from the apes. The trouble is we can't get back to them, to their gift of instinct, of natural innocence.
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Amelia Bonetti : I meant to ask you, why didn't your wife come with you?
Pippo Botticella : She just didn't come. Isn't it better?
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Amelia Bonetti : A handsome fellow, but drugs, armed robbery, kidnapping. A big crook and still so young.
Pippo Botticella : Good for him.
Amelia Bonetti : So many crimes already!
Pippo Botticella : Good for him!
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Pippo Botticella : You with your little bourgeois baby face, you make your bundle off the sweat of others.
Amelia Bonetti : What are you ranting about?
Pippo Botticella : That young man refuses to be exploited, he rebels and I a'm on his side. He wages a just war against the system's abuses. That's all I have to say!
Amelia Bonetti : This is the voice of raging senility! You're going through mental-pause! So I'm an exploitive boss?
Pippo Botticella : You have a business with employees who work for you?
Amelia Bonetti : I break my neck from 6am till midnight in a two-bit outfit with a tiny staff and I'm a slave driver?
Pippo Botticella : Amelia, we've got to rebel! I'm on the rebels' side. We've got to rebel against all this too. I burn when I see injustice. I burn!
Amelia Bonetti : So, go ahead and burn!
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Pippo Botticella : Just let me up on that stage. Let me up on that stage and you'll see! Tonight, I talk, I spill the beans, to 60 million Italians. I'll say it all.
Amelia Bonetti : What are you going to say?
Pippo Botticella : You're all sheep!--You're all sheep! You're all sheep! You're all sheep! You're all sheep! You're all sheep! You're all sheep! You think I'm here for the 800,000 lire? I don't give a shit! So you invented television? You watch television day and night? You pay attention only to television? Then tonight, listen to me. To me!
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Pippo Botticella : It's chilly. I could use a cognac.
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Pippo Botticella : It's kind of nice here. It's like a dream, far from reality. You have no idea where you are.
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Amelia Bonetti : I tell myself that I'm doing it for my little nephews or for my friends or on an impulse. The truth is, I really wanted to see you again.
Pippo Botticella : Ah. Very romantic. I was looking forward to seeing you too.
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Pippo Botticella : A shapely ass, gives your tool gas.
Amelia Bonetti : Still the same old tune!
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Pippo Botticella : A woman with a puny ass, is like a kiss without a moustache.
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Pippo Botticella : You always got this part wrong. Not the steps--the expression of the face. You smile. It's just the opposite, much more subtle. Here the melody ends, embracing, oblivious, like a dream. Do you get it?
Amelia Bonetti : Who asked you for a sermon?
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Pippo Botticella : The midget in orange--she looks just like you.
Amelia Bonetti : I see you after 30 years and this is the thanks I get?
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Pippo Botticella : A busty woman, keeps your dong a-chuggin'.
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Pippo Botticella : Finally! It's about time for a serious discussion of tap-dancing.
Amelia Bonetti : Bravo!
Pippo Botticella : Tap-dancing is not just a dance. It's more, much more. Much more
Amelia Bonetti : Be more specific! I agree that tap-dancing is much more, much more.
Pippo Botticella : Yes! It's much more! Yes.
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Pippo Botticella : At first, tap was not a dance at all.
Amelia Bonetti : What was it?
Pippo Botticella : The Morse code of black slaves. A wireless telegraph.
Amelia Bonetti : How so?
Pippo Botticella : On the cotton plantations, when slaves talked instead of worked, the slave driver whipped their skin off. So what does your black slave do? He communes with his brother like this.
[taps with this hands on his legs]
Pippo Botticella : "Watch it, the guard's around!"
[taps a different rhythm]
Pippo Botticella : "I have a knife"
[taps a different rhythm]
Pippo Botticella : "Shall I do him in?"
[taps a different rhythm]
Pippo Botticella : "I love you"
[taps a similar rhythm, Amelia smiles]
Pippo Botticella : "I love you too".
Journalist : Very interesting! The language of love and death!
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Pippo Botticella : I try to capture certain images of the female body and what it arouses in a man.
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Pippo Botticella : A midget-maid's cheeks, A dong bespeaks.
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Pippo Botticella : [begins undressing] I feel a bit shy. Yet we slept together so many times!
Amelia Bonetti : You're so sweet! Are we in such bad shape?
Pippo Botticella : These days, when I undress in front of a woman I avoid it, if I can. And you?
Amelia Bonetti : Who, me? I don't have those problems. Boy, you ask some questions!
Pippo Botticella : Pardon moi, madame. Once upon a time, when I undressed, I'd get a round of applause from the lucky girl! Oh, yes. No slouch was old Pippo--stage name, Fred!
Amelia Bonetti : In fact, I lasted 15 years with the sexual nomad, as you defined yourself.
Pippo Botticella : What was it like--with your husband?
Amelia Bonetti : It was all very different. You and I were so young back then.
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Pippo Botticella : Toto told you I flipped? Who knows what possessed me after you left? Separation anxiety, loneliness.
Amelia Bonetti : I swear I didn't know. I'd have come immediately.
Pippo Botticella : What for? We broke up, we weren't working anymore. Only these lunatics could remember us. We're phantoms. We arise from the darkness and vanish.
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Pippo Botticella : Videoholics!