Kin-dza-dza! (1986) Poster

(1986)

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9/10
Simple, humorous and poignant.
rage_k2 September 2008
'Kin Dza Dza' is the kind of film that comes along every once in a blue moon. It's a very simple story of two very ordinary and very different strangers, one Russian, the other Georgian. Whilst going about their normal, every day business they inadvertently become stuck in a rather extra-ordinary situation, with no understanding of where they are or how they got there. The film follows them as they attempt to get home, meeting all manner of strange people with very strange concepts of hierarchy, race, society and culture. A very simple premise.

When I first saw this movie I had no idea what I was letting myself in for. I came across it by pure fluke one day in my university's video library when I was looking for an interesting Cold War era Soviet film to watch. It's easy to see why it is viewed as a cult classic by many Russians and Georgians alike.

The cinematography is surprisingly enticing. It's not particularly inspired, but it somehow just drifts along with the characters. The shots of the desert are bold and striking, whereas the shots inside ships or inside the nomads' homes are dark, cluttered and uninviting. There are stark differences between all the set pieces, and the director is thankfully skilled enough to make the transitions between these vastly different sets seamlessly. The music is very simple and almost casual as it drifts in and out of focus very subtly with the sequences on-screen. The acting is also something to behold. It fits very much in line with the ethos this film seems to carry: simplicity. The characters in this film range from the stoic and reserved, to the verbose and hyperbolically animated. All the actors play their roles very well, adding memorable nuances to their characters, and really helping to convey the peculiarity and absurdity of the situation being portrayed.

The underlying motive of this film appears to be to convey a message of equality. 'Kin Dza Dza' is a film which, through humour and through sheer simplicity, is able to make the viewer realise the absurdity of social and racial discrimination. I whole-heartedly recommend watching it. It's comical, it's whimsical, it's witty and it's poignant. Well worth the time, if you're able to acquire it.
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8/10
A movie you learn to love
luca_manf9 January 2010
Warning: Spoilers
The first time I watched Kin-Dza-Dza I remained completely indifferent, maybe a little bewildered. Only "koo" stayed in my head as a reminder of having actually seen the movie. Then, I had the luck of getting it on DVD with other movies I wanted to see, so I sat through it. And suddenly I wanted to do it again.

Unless you are very accustomed to the peculiarities of Soviet times, Kin-Dza-Dza reveals its allure very slowly. You have to WANT to understand it. Just like one has to desire understanding Tarkovsky's Solaris. I second what most other reviewers have said. Watch this movie with subtitles and possibly with a Russian. Or, even better, with a Russian who lived in the USSR. Almost every dialogue between the earthlings and Uef is a satirical pearl.

But Danelia probably saved his most challenging thought for the final minutes of the movie. When our heroes leave Pluke's sands, we would expect the worlds they come across to make more sense. On Chanud, a Patsak planet, the formerly oppressed humiliates the former oppressor. On Alfa we meet an enlightened civilization that one learns to despise for their patronizing attitude of we-know-better-for-all. Is there a perfect world? Is our vision of things just, and do we have the right to impose it on others as standard? Koo.
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8/10
Mad Max meets Zardoz?
bcgrote23 January 2008
A quirky movie, currently viewable on Google videos with English subtitles.

Vladimir and Gedovan are thrown together onto a strange planet. They struggle to survive in a low-key, cerebral and absurdist romp on Pluk, a desert planet.

Social structures are lampooned, post-apocalyptic survival methods are skewered, and the heroes try to get home without becoming lost within the expectations of others.

Mesmerizing and possibly low budget, the effects aren't any too dazzling. But the script and the heart of the characters carries the film brilliantly. Thought provoking and at times laugh out loud funny. If you like eclectic and unusual films, Kin Dza Dza is a great addition to any collection!
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10/10
Most unusual movie of all time
voshkin-111 July 2006
English/American culture (for the most part) tends to be rather reclusive, for example, there are virtually no foreign language songs on the radio. Because of this, many classics are missed, simply because people do now know about them.

This movie is the best example of a great classic unknown. If it would be made it Brittan in the sixties, it would have defiantly achieved cult status, and be widely regarded as all-time sci-fi classic. Alas, it is in Russian, and made at the end of the cold war, and therefore virtually unknown outside of the former Soviet Union.

The movie is full of wonderfully black humour (if you are higher up on the social scale, you sleep on a bed without nails, and they cannot beat you in the middle of the night), desert world with rusted metal structures, and wonderfully eccentric telepathic aliens with bizarre social structures.

This movie is truly a must see – a word of warning however, this is so far from a Hollywood movie, it is it's evil twin. Unlike Hollywood it has: A story Strong characters Crap special effects Complete lack of "touchy feely"

To get the best experience: 1. find subtitled version 2. find a Russian to watch it with you
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10/10
Brilliant Sci-Fi comedy
D-V23 January 1999
Not as dead serious as Blade Runner. Not as neon and air-conditioned as Brazil. It's not Earth, dear. It's planet Pluke. Dusty, rusty, dirty.

Amazing technology. To any point of the Universe - in five seconds flat. Unless someone borrowed one vital part of your engine without asking.

Interesting society. Everyone can read each other's mind. And still be able to lie.

A story of two Earthlings trying to get home from the cruel lying cheating stealing world of the galaxy Kin-Dza-Dza.

Definitely worth watching. Is there a subtitled copy available? I have no idea.
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10/10
Do you want to laugh about capitalism in another planet?
joalogon30 June 2006
Please, before seeing this film, let your political ideologies outside the room and just prepare to laugh with this original pearl.

It's fairly unknown outside Russia, and sometimes I wonder if I'm the only Spaniard having seen it....I hope not, such a pity!.

This film is a complete classic in Russia and has even transformed local talking, so don't be surprised if you walk one day by the streets of Moscow and you see two friends who meet and say "Koo!" each other, or if someone is bothering and he is sent away by an "Violinist players, we don't need them!".

The story is fantastic and engaged. It's one of those films who makes you laugh and sit for a while thinking about life. Maybe you don't agree to everything but is worth the reflexion. The filming is direct and simple (you're going to laugh, but not for the same reasons, special effect's lovers) and the acting is superb.

One of the best comedies ever made in Russia.
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10/10
I Koo'd for ages after seeing this film!
SadGeezer26 February 2003
This is truly a great film. Unfortunately the only way I could see it was to marry a Russian :) It's low budget and the graphics are crappy, but the writing and acting are quite superb! This is a little known Russian Sci Fi Classic and all serious sci fi fans should see it.

It's a story of some unlikely geezers who travel to another place through an unlikely looking portal/gizmo. There they meet other humanoids whose language consists of one word spoken with telepathic nuances. The whole communication idea is a cracker and there are some very funny scenes. If you like your sci fi innovative this is a MUST see!

I'd rate this a whopping 47,452 out of 10
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A wonderfully minimalistic, absolutely anti-utopic dark sci-fi comedy.
Ildjarn10 April 2000
"Kin-dza-dza" is a cult movie in Russia - and, in fact, it deserves this status completely, being an absolutely unique, minimalistic and freaky science fiction flick. Completely fantastic - and did I mention minimalistic? - art direction, excellent casting, and, of course, an anti-utopic plot that had miraculously slipped by the Soviet censorship, make this movie a true classic.

Mr. Spielberg, eat your heart out. All that "Light and Magic", and you still never came close to doing anything like this.
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6/10
K'u?
Koo!

I watched this because of the endless statements of it being "one of the craziest movies ever made". It also has an astronomical amount of 10 out of 10 ratings on IMDb. Well, I gave it my 127 minutes last night, and I've got to say I don't quite understand the hype.

First of all, I appreciate it's ambition and it's commitment to shooting and entire epically length filmed in the middle of a vast desert region, but, why make a 127 minute long movie that is literally the same thing happening over and over and over and over? The leads are teleported to "another planet" (a desert) - they have a hard time communicating with the "aliens" (humans) at first but soon learn their 8 unique words, the key ones being a part for a spaceship which they need to get back to Earth, and another for "matches" which the lead character happens to have a decent stock of since he's a smoker - on this planet matches are used as currency. Then there's "koo" which replaces ALL other words outside of the 8 key terms in the alien language, other than "k'u" which is their equivalent to cussing. So, for 2 straight hours, the two humans have slow-paced, difficult conversations with different "aliens" in an attempt to trade matches for a spaceship part so they can get back home - the aliens mostly just say "koo" repetitively, then get frustrated and ditch them after 10-15 minutes leaving the humans to wander the desert again.

The movie is split into Part 1 and Part 2 but there is almost no differentiation in vibe or concept between the two parts. It still feels redundant all the way through, even in the final act. About 45 minutes in, I started feeling entirely bored - when the Part 2 title card hit, I thought "Ok, maybe Part 2 will offer something different" but it did not.

I'm still giving this 3 stars out of 5 for pure creativity and ambition. The fact they even made this movie is worthy of some credit, however, it is not fun to sit through. There are only a few movies I could compare it to even in the slightest, and that would be: Zulawski's ON THE SILVER GLOBE, Tarkovsky's STALKER, and maybe Jodorowsky's EL TOPO a bit. The primary difference is that Kin Dza Dza has a hokey vibe while the others have immensely bleak tones. I am beginning to wonder if Russian cinema is simply not for me because I also despised the immensely praised STALKER and now consider it one of my Bottom 10 praised movies. Any way, I much prefer ON THE SILVER GLOBE as it at least offers far more extravagant environments and a much more vast array of characters, concepts, and settings. Though ON THE SILVER GLOBE has a very similar plot base to KIN DZA DZA (humans awaken on a foreign planet and must learn how to communicate with and live amongst the alien people, then eventually try to figure out how to get back to their home planet), it is also one of the most challenging, complex, and absurd movies I have ever seen - quite the opposite of Kin Dza Dza's utter simplicity. Though I do like Kin Dza Dza on a surface level, and I'm glad I've seen it, I simply can't understand anyone who perceives it as either "the craziest movie ever made" or "a masterpiece" - in that regard, I will push thou towards ON THE SILVER GLOBE.

K'u?
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10/10
Star Wars meets Rosencrantz and Guildenstern
gceomer17 April 2006
I can't believe this movie has been out for twenty years, and no one in the US has ever heard of it. I wish the studio that owns the rights would release it on DVD, and allow many American critics to see one of the great Russian masterpieces of film. I first saw this film on the IMDb Top 50 Sci-fi poll, and decided to give it a try. I was able to locate it online, and within a few days it had finished downloading. Until they release this on DVD with English subtitles, downloading the movie is really you're only option (unless you are Russian). It shouldn't be too hard to find, however, just be patient.

Anyway, this film is a complete joy! All of the characterizations are perfect, and the film's gritty futuristic feeling is a mix of Star Wars, Blade Runner and Rosencrantz and Guidenstern Are Dead. I can't recommend this film enough! It's a smart, funny and brilliant piece of cinema that I hope finds its niche before its too late.
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6/10
Ko!
XxEthanHuntxX29 December 2020
It's a feast to the eyes in a glorious absurd and bizarre way. Kin-dza-dza! , is a low-budget sci-fi fantasy with a surreal narrative from the Soviet Union. Its a delightful cult movie which tells the tale of two hapless pedestrians who accidentally get sent to another planet and try to make their way back while trying to survive the severe and absurd class system of another planet. Amongst other things in this absurdly hilarious world, people are defined by a colorful gadget, yellow pants and flashing light head-gear and the lowly must perform terrible musical numbers in cages.

The first part was plain silly but the second part really showed the great qualities of a soviet satirical sci-fi filmmaking. But I try to be faire with my ratings, and while this awesome movie gem only gets a 6 star because of its narrative, it absolutely has a atmospherically and distinct significance to it worth to check out.
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10/10
Level 100.
levelclearer24 December 2016
I'm really surprised about the commentators referring to "сrappy special effects" in Kin-dza-dza. Are you crazy guys ? Re-watch "Terminator" with all that crappy cheezy stop-motion in bare endosceletone scenes. LEGO brick movies fans shoot the same with a cheap camera. Just think that "сrappy soviet SFX" in Kin-dza-dza uses no stop-motion or scale-down, all Plukan flying tech moves absolutely smoothly and is integrated into the picture completely seamlessly. Compare this to any famous same age sci-fis. Robocop-2 uses stop-motion to animate a scale-down figure of Robocain, and Robocop is a live actor imitating robo-moves inside a costume. And in Kin-dza-dza you see all fantastic Plukan flying tech like real-time real-size (no scale down, no stop-motion) moving objects integrated into the picture seamlessly. So please, just don't confuse the minimalistic design of Plukan starcrafts which is an important part of the scenario with poor rendition of SFX in this movie. Plukan tech is minimalistic dirty rusty crappy looking squeaking - it was deliberately planned so by the movie makers and conveys some ideas.
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6/10
a dark political satire
schlafmeister30 May 2009
The movie is quite depressing - because it (metaphorically) depicts how Russians (and many other countries) lived back in 80's.

What is more depressing - very little has changed in Russia (and the whole world) 23 years later.

The Danelia's symbolism applies to many traits of the modern society. For instance, in the movie colored pants show social status the same way as designer clothing, expensive cars and real estate do it in our reality.

A spectator who speaks both Russian and Georgian has a definite advantage, because many of the made-up alien words have Georgian roots. I am not sure of the subtitles are adequate in this case.

If I could ignore all the cultural references and loaded words - I would probably find this flick amusing.
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3/10
Rustic, cryptic, unconvincing, and self-indulgent
aaronpe4 November 2005
Warning: Spoilers
I enjoyed the minimalism & well executed low-budget production style - costuming and props were immersing and highlights of the film. I'm a big fan of sci fi thought experiments involving encounters with exceedingly foreign cultures. Sadly, this exploration is riddled with internal inconsistencies. It asks the viewer to swallow a lot without ever delivering a good cause. I suspect that many nuances are lost on non-Russian audiences but even excusing excessive cultural references the story is vague and thinly premised.

The aliens were totally unimpressed by the sudden appearance of these strangely dressed foreigners in their midst. They can read minds deeply yet are surprised when the humans don't know their cultural subtleties. Honesty is totally unvalued yet they keep trying to make deals with one another, as if *this* time it will all work out. That's not ironic, that's annoyingly stupid. Rednecks - alien and otherwise - have been done before and better.

The humans eventually make dubiously large leaps of logic to figure out how to survive with the dangerous and treacherous aliens, yet are unusually obtuse and bull-headed most other times. "Ah, common matches are worth a thousand times their weight in gold here, and the few I have could buy a planet. I guess I'll keep lighting my cigarettes with them until they are gone." The writer repeatedly makes heavy handed points about integrity and loyalty, forcing Dyadya Vova to prove himself to no one in particular. These weak and pointless gestures serve as major plot devices throughout the film, while failing to contribute to any overall theme. Also employed for no particular reason or contribution to the plot were: time travel, time dilation, instant travel across space, Benevolent Master Race, Malevolent Master Race, specialized vocabulary, silly hats, mysterious architecture, wacky craft, goofy sound effects, and sassy women. I'd complain about the dei ex machinis, but the lack of internal logic renders that pointless.

At first it seemed to develop the aliens as depraved scum with a racist and arbitrarily brutal society in contrast to the Russians. It turns out that everyone is pathetic. There is no cause, no lesson, nor any character development. The second act ends with a suicidal giving up gesture, sucking dry the little empathy that remained for the protagonists. In the end they succeed through pure mechanism and luck despite ineptitude and consistently poor choices.

The final insult was the "It was all a dream! Or WAS it???" card played out IN FULL at the end. I can't believe that hackneyed bit is new anywhere. Perhaps I didn't "get" this turkey. It gets a few stars for the effective visuals on a budget and trying so hard to be original.

On a side note, I saw another reviewer refer to this as the "Russian Star Wars". Please - draw for me some parallels to support this, because I don't see it.
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10/10
A topical movie of all times
imdb-7965717 November 2020
Good news first: this film is currently available on Youtube (1080p, English subtitles).

This is a really great movie in every sense. And don't believe what others have said: you don't need to speak Russian or be in the context of a situation in which the film was shot. It's even better if you perceive those two earthlings as strangers, just like other aliens.

This film is like a good book: each next reading adds new meanings and allusions to the current situation around. If you haven't seen this yet, I really envy you, enjoy!
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Mama-mama, chto ya budu delat'...Koo, or should I say Kyu..
grob24810 August 2000
There isn't much I have to say about "Kin Dza Dza" that hasn't been said by the previous reviewers. But I like this movie so much that I could not resist throwing in my two cents. Yea, it's primitively, or, as someone has pointed out, minimalistically done, so don't expect any special effects. But you know what, who needs them when the movie is that good. The galaxy "Kin Dza Dza" is the slums of the universe, and it shows us our alternate, post-apocalyptic future with a great sense of humor, pantomime and sarcasm. Great cast too. Lyubshin, Leonov and Yakovlev do a fine job here. Since the film's director is Georgian, some Georgian gags were thrown in as well. Oh, and did anyone notice Dyadya Vova's and Gedevan Aleksandrovich's renditions of Frank Sinatra's songs? "Blade Runner," "Brazil," "The Road Warrior," and, to a lesser extent, Luc Besson's "The Final Combat" are all considered to be the classics of the post-apocalyptic, anti-utopian movie worlds. Well, you can add "Kin Dza Dza" to this list.
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10/10
Just a wonderful movie!
izoz10 March 2005
Georgiy Daneliya created one of the brightest "anti-utopia" films in the history of cinema. Modesty of decorations with the interest is completed by the imagination of director and by the bright game of actors. "Keen-dza-dza" occurs the complex and multidimensional peace, which lives according to its, sufficiently simple and intelligible laws.

The inhabitants of the planet "Plyuk" have long ago mastered intergalactic overflights, but their lexical reserve consists in all of two words. But the system of authority and subordination is reduced to the color of pants, which you bear, and what flame lights up on the small machine - green or orange.

There is another extreme: the highly developed inhabitants of alpha convert their neighbors into the plants, because "by them so it is better". In both cases - possible future of humanity, without the bright specials-effect, but complete of humor, irony and sarcasm.
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10/10
Great thinking movie
nemo63213 March 2005
One of my favorite best. Saw it when if first came out in theaters, and then saw it again and again... The film-making is very good, however the technical problems with camera work and poor quality of the film itself did not help. Slow and deliberate pacing at times this movie gets under your skin if you are paying attention. Open mind for this movie is a must. What makes this movie great is unbelievable social satire. In short, you got to see it several times to believe it. This movie forced critical thinking in USSR circa 1986, and it still makes you ponder things in US circa 2005. Dealing with humanistic topics such as social hierarchy, lowest common denominator, human resilience and so on, this movie should be recognized on par with the classics of Felini and Tarkovsky.
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10/10
True masterpiece
volodp10 March 2006
This is one of the movies which, though at first could be underestimated, have very deep meaning in them. Some of the problems that it touched on are still very alive today. I could compare this movie with the work of Tarkovsky but with added grain of humor and a grain of bitterness. Now what I'm not sure about though is if viewers who don't know Soviet times too well would ever appreciate the subjects of this movie as its real meaning can easily be lost behind the extravagance and surrealism of the pictured events. Additionally, translating the text into other languages would probably negate most of the hidden meaning.

To give my understanding of the movie for those who cannot see it, it depicts the stupidity of the artificial social relationships. It shows how hard it can be for the person from outside to understand the social system which is well established and well understood by its participants. One more important thought is how little things like money or social status mean as soon as one falls out the normal way of life.
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6/10
Strangers in the Ku
Horst_In_Translation24 September 2020
Warning: Spoilers
"Kin-dza-dza!", pretty short title for this rather long movie at easily over two hours, is a Soviet film from 1986, so this one will have its 35th anniversary next year or maybe it happened already depending on when you read my review. Apparently, the most frequently spoken language in here is Georgian according to imdb and not Russian, but as somebody with almost zero connections to either language I cannot confirm if this is true. Of course, there is also this fantasy language, but I will get to that later on. By the way, to me the title sounds like "Kinshasa", but this has obviously nothing to do with the actual meaning that I sadly did not manage to figure out. Maybe on rewatch. The director and also one of the two writers is Georgiy Daneliya, who sadly died last year, but at least reached a really high age. I don't think I have seen anything else from him, but this one we got here is probably his most known effort anyway and it was such a success that it got turned into an animated movie even not too long ago, in 2013. Who can say something like this about his biggest success? Not even Spielberg, Scorsese, Tarantino etc. I guess the fantasy element helped him a lot with this endeavor and he is also credited as director for said animated movie, which was his last career effort and seemingly got him out of retirement even as he had not worked on a movie since 2000 until that point. But now back to this one we got here: The awards attention is there, but not huge, but the imdb rating here tells us that this is really appreciated by people still such a long time after its release and it seems to age well. I was one when it came out originally and for Daneliya it was already one of his later, but not very late career efforts. Like I said, I have not seen anything else from the man, but I felt it was quite a fresh breath actually compared to the extremely serious stuff other filmmakers came up back then. People firstg thinkk of Tarkovsky of course and wellhe is the best example, especially because one of his most known, "Solaris", is also really closely connected to space, even if more in terms of spaceships than planets. But we have a pretty interesting vehicle here too. So yeah, this film is a bit of anti-Solaris with how it is really 100% comedy, nothing else, even in more serious moments when characters are in danger of being executed. Not even then, it is a drama. A lot of this movie is set on a sand planet, one that even Dune can be very jealous of. In the second half, there are long segments inside too like in the aforementioned capsule or also tunnel-like areas. We even follow the two protagonists on their journey to a very green planet on which characters are turned into cactuses if they do not behave. So yeah, even if some of the characters and aliens (we gotta call them that!) seem like super progressive in terms of science and progress, they occasionally still look like cave men. I should actually put that the other way around. Even if they look like cave men, they have access to technologies that we here on Earth can only dream of. Especially back when this movie was made. Time travel happens easily, there are items that help with memory loss and of course clicking a simple button once will catapult you deep into space. And all this is not at some trial stage, it is easily available to those who want it or need it it seems. And also offered to others like with time travel on this green planet. But yeah, in other areas they are pretty barbaric for a change like I said. Watch yourself and you will know what I mean.

Now a few words on the key characters: Sadly I cannot say too much about the actors because I am really not familiar with films from this time from this region of the world, but this is certainly my loss because it is not only in terms of writing and the worlds they created a super creative movie, but the acting is also pretty good. The protagonist looks like a mix of Charlton Heston, James Bond and Michael Madsen and, unlike his director, is still alive today, also at a pretty high age. His character also has a good heart as he cares for his new Georgian buddy, won't leave him behind when he has the chance and all this although they never met before and basically it was the young gun's "fault" they they ended up there. The " because you cannot really blame him, he just wanted to help a homeless and also because it was maybe also not his fault, but thanks to him that they managed to go on this spectacular adventure. We see with the wife at home and his regular job, the protagonist seems to have a pretty boring life otherwise, so a real life-changing moment, especially when he all remembers it in the end. The Georgian also calls him uncle, which shows they trust each other immediately, although afr from the same age group. There are two other characters, aliens, that our heroes meet quickly and stay with them basically for the rest of the film. Their first meeting was already pretty spectacular with the music performance there inside the cage. And the two aliens were gone immediately it seems, which would have resulted in a completely different story, but then they return and won't leave anymore. From these two aliens, one was very memorable, the smaller one (I'm sure you know which one I mean when you watch), the one who is more bossy. And those two are also a vehicle in showing us how kind the two humans are as basically almost the complete second half of the film (and, like I said, it's a long film) is about saving these two new friends from different hopeless scenarios, in which they even put their own lives at risk in this galaxy of advcanced technologies that could kill them in a second. As for the cage music I just mentioned, this is also one of the highlights of the movie. The two protagonists end up in cages too and we hear the make music as well. Especially this somewhat old Soviet Mama song was pretty catchy. Gotta put that on my MP3 player, even if I had not understood a single word without subtitles. Now, I almost jumped past the Georgian here, but he deserves a few words too. He seems to be pretty smart, even if he does not play the violin and and only carried it to somebody else apparently. But he is fluent in English and also speaks a bit of French and German, not too bad for a Soviet, especially during times like that. And I could imagine that, also because of that, Russian authorities were maybe not too happy with him being depicated as a pretty likable character with his western influence. In general, this seems like a movie that ia very progressive and I would be surprised if fundamental Russian politicians had something positive to say about it back then when it came out, especially as it was not too far anyway from the collapse of the Soviet Union. The actor who played this Georgian was still really young back then and sadly (or maybe not) did not manage a huge and long acting career in contarst to his slightly more significant co-lead. So this film that felt a bit like a western movie here and there too with all the sand or with all the progressive references (both words "western" apply) is the one that the kid who played the fiddler is still most known for today. And he is not even that old today. Let's not forget that here we do not have a film from the 1960s.

Now, the most important thing maybe: the fictitious language. So hilarious, already what they have to wear to understand it. The "Ku!" was the funniest, but not just that, but also the names for applications, people like the officers etc. So insanely creative and entertaining! True comedy highlights. Maybe the funniest moment to me was when one of the aliens explains some habits and customes about the significance of yellow and raspberry-colored pants and what privileges comes with those. Totally hilarious. In a good way. Utter creativity! So random, yet so funny. I laughed a lot here. On a sad note, it sucked that we did not find out about all the other stars and what happens there, but at least e see them in the end at the big night sky. Whhat is priceless there if not matches? I mean you have to make that matches idea work after all and boy they did. The ending brought nice closure too. Would have sucked if all their memories had been erased, but a specific vehicle coming by brings it all back, so luckily the technology that erased their memory was not 100% perfect there and they have each other and their memories again. Pretty nice closure and kinda sweet. Oh yes, "ecilops" means police spelled backwards, shame I did not realize that myself probably because the rest was all fictitious. So this film is a great simple movie on friendship too if we look away from all the supernatural elements too. One that has also an amazing soundtrack that fit very well. Close call if I think it is good or great, but I shall still go with the former and give it "only" three stars out of five because it gets slightly worse when more characters enter the picture and cannot keep the level from the first amazing 30 minutes in its entirety. But maybe on rewatch, I will correct it to four stars. No hesitation though for me in giving it a positive recommendation. Go see it if you get the chance to, preferrably on the big screen like I did the other night. It is turning into a bit of a cult classic, so theaters are picking up on it again if you don't live in the smallest town. Ku? Kü! Ku! Ku.
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10/10
OMFG !!
fraaggl12 November 2022
Reading the low star commentary made me laugh, i can very firmly say that if you don't like this movie then you just didn't get 95% of it.

This movie is above smart, it's above satirical, it's above humour. It takes those three things, combine them and metamorph them into something hardly descriptible, like explaining the color red to a born blind person.

Exactly how Tomato juice and beef create a new flavor : UMAMI.

This movie is the UMAMI of cinema. It leave an indicible taste on your virgin brain.

I thought about this movie over and over for the longest time i've ever experienced with any movies before. The depth of the satire is almost unbearable, everything in this movie and i insist EVERYTHING has a double, triple, quadruple intellectual political societal meaning will having an totally coocoo funny shell to it.

A once in a lifetime discovery that you can easily miss if you happen to judge the first layer only.

By the way i liked it a lot, in case you missed that part.
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7/10
Interesting ideas
istrativitalie13 November 2021
Warning: Spoilers
The movie had interesting ideas, but very low budget investment, which I think is important for science fiction movies. Also like many other Soviet movies it has a slight propagandistic undertone; the desert planet is similar to western world on earth, with "evil" social stratification.

The atmosphere in movie is somewhat childish, with no real suspense. I saw it was highly rated on IMDB so it made me interested, but it was kinda boring in the ending. The suicide attempt by the two main characters was very unconvincing. You could tell that they will eventually return to earth and nothing bad will happen, like I said no suspense.
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10/10
The very last Classic Movie of the Soviet era
cirrusminor24 August 2004
Definitely the last unconditionally good movie created on the territory of former USSR. Wish we now had at least one movie of the same quality a year shot in Russia. Like true vintage - gets on you more brilliant with each new watching - genius stuff, no overestimation at all. Too bad it was shot in Russia and thus unaccessible for 90% of the world viewers. Absolutely universal, all-human all eras significance, though.

Must-see stuff. Eternal issues of human value, dignity, absurdness of vanity and money-seeking all displayed in special humorous comic way. Numerous satirical social and political allusions that paradoxically will fit in any era or regime. My personal Top-10 favorite, definitely!
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5/10
Hardly enjoyed
VitalyBe2 January 2004
While this movie had certainly SOMETHING so it kept me watching for 3 hours. However, eventually I was disappointed. It was hardly funny and it was far from being as smart as I was told. 6/10.
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10/10
Hidden Ideas on Pluk
Thalan20 February 1999
Kin-dza-dza is definitely one of the best movies I have ever seen. One of my friends said that it was the Russian version of Star Wars, although I feel that it surpasses Star Wars in many ways. The basic plot of the movie is that two Russians (A Muscovite who was out to buy some pasta and a Geargian trying to return a violin) get transported to another planet (Pluk) because they pressed some buttons on a mashinka-peremishenia. Pluk is a desert planet and the movie revolves around the two guys trying to get back to earth. However, I feel that it has several ideas, which you don't get hit in the face with when you watch the movie. The first is that, although the society seems primitive, it has a lot of technology (pepelaz, gravitzapa, making phone calls between planets...). I feel that this is saying that we can't really judge anything until we know everything about it. Another idea which was present a lot during the movie was that Pluk may resemble post-apocalyptic Earth. During the movie we see many earth-like structures like small ships and skyscrapers buried in the sands. The remains of carnivals and the remains of a once great civilization. But what if the civilization never disappeared? What if it degenerated to this state? Could we, citizens of earth, turn our oceans into fuel for out space ships? Another thing, what is the difference between having patzaki sing in cages and have birds sing in cages? Finally, PZH is a leader, who just sits in a pool all day, he doesn't really do anything. Like kings from a time ago. This may just be another thing symbolic with degeneration. Nonetheless, I found the movie funny and enjoyable, even if you aren't looking for hidden ideas.
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